Savoy Jazz Vol. 1 (compliments of Esquire)

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

On the disc label, tracks 12 & 13 are incorrectly attributed to D. Jordan. This probably arose because tracks from both Duke Jordan and Hall Overton appear on the Savoy Jazz release "Do It Yourself Jazz", from which tracks 12 and 13 are derived.

Annotation last modified on 2023-09-23 15:09 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Constellation
producer:
Teddy Reig
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1948-09-18)
double bass:
Curley Russell (on 1948-09-18)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1948-09-18)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-09-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1948-09-18)
orchestra:
Charlie Parker All Stars (on 1948-09-18)
recorded at:
Harry Smith Studios (1930s-1940s NYC) in New York, New York, United States (on 1948-09-18)
recording of:
Constellation (on 1948-09-18)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker All-Stars2:29
2Barbados
producer:
Teddy Reig
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1948-09-18)
double bass:
Curley Russell (on 1948-09-18)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1948-09-18)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-09-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1948-09-18)
recorded at:
Harry Smith Studios (1930s-1940s NYC) in New York, New York, United States (on 1948-09-18)
recording of:
Barbados (on 1948-09-18)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker All-Stars2:29
3Five Spot After Dark
recording engineer:
Rudy van Gelder (on 1959-05-21)
bass:
Jimmy Garrison (on 1959-05-21)
drums (drum set):
Al Harewood (on 1959-05-21)
piano:
Tommy Flanagan (on 1959-05-21)
tenor saxophone:
Benny Golson (on 1959-05-21)
trombone:
Curtis Fuller (on 1959-05-21)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1959-05-21)
recording of:
Five Spot After Dark (on 1959-05-21)
writer:
Benny Golson
Curtis Fuller Quintet45:20
4Surf Ride
recorded in:
Los Angeles, California, United States (on 1952-03-04)
producer:
Dick Bock (record producer)
alto saxophone:
Art Pepper (on 1952-03-04)
double bass:
Joe Mondragon (on 1952-03-04)
drums (drum set):
Larry Bunker (on 1952-03-04)
piano:
Hampton Hawes (on 1952-03-04)
recording of:
Surf Ride (on 1952-03-04)
composer:
Art Pepper
Art Pepper Quartet2:53
5Opus de Bop
recorded in:
New York, New York, United States (on 1946-07-31)
producer:
Teddy Reig
double bass [bass]:
Curley Russell (on 1946-07-31)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1946-07-31)
piano:
Hank Jones (piano) (on 1946-07-31)
tenor saxophone:
Stan Getz (on 1946-07-31)
recording of:
Opus de Bop (on 1946-07-31)
composer:
Hank Jones (piano)
Stan Getz Quartet2:32
6Nostalgia
recorded in:
New York, New York, United States (on 1947-12-05)
producer:
Teddy Reig
double bass:
Nelson Boyd (on 1947-12-05)
drums (drum set):
Art Blakey (on 1947-12-05)
piano:
Tadd Dameron (on 1947-12-05)
tenor saxophone:
Charlie Rouse (on 1947-12-05)
trumpet:
Fats Navarro (on 1947-12-05)
Fats Navarro Quintette2:44
7Caribbean Cutie
recorded in:
New York, New York, United States (on 1955-07-14)
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
alto saxophone:
Julian “Cannon Ball” Adderley (on 1955-07-14)
cornet:
Nat Adderley (on 1955-07-14)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-14)
drums (drum set):
Kenny Clarke (on 1955-07-14)
piano:
Hank Jones (piano) (on 1955-07-14)
phonographic copyright (℗) by:
SLG, LLC (in 2002, in 2006)
recording of:
Caribbean Cutie (on 1955-07-14)
composer:
Julian “Cannonball” Adderley
Cannonball Adderley Quintet7:04
8I Married an Angel
cornet:
Nat Adderley (on 1955-07-26)
double bass:
Wendell Marshall (on 1955-07-26)
drums (drum set):
Kenny Clarke (on 1955-07-26)
piano:
Hank Jones (piano) (on 1955-07-26)
woodwind:
Jerome Richardson (on 1955-07-26)
instrumental recording of:
I Married an Angel (on 1955-07-26)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
part of:
I Married an Angel (full musical)
Nat Adderley Quintet4:32
9When I Fall in Love
producer:
Ozzie Cadena
bass:
Doug Watkins (on 1956-02-08)
drums (drum set):
Kenny Clarke (on 1956-02-08)
piano:
Ronnie Ball (on 1956-02-08)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-02-08)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-02-08)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1956-02-08)
instrumental cover recording of:
When I Fall in Love (on 1956-02-08)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Hank Mobley3:46
10Mirage
alto saxophone:
Jackie McLean (jazz saxophonist) (from 1957-03-08 until 1957-03-09)
bass:
Jimmy "Spanky" DeBrest (from 1957-03-08 until 1957-03-09)
drums (drum set):
Art Blakey (from 1957-03-08 until 1957-03-09)
piano:
Sam Dockery (from 1957-03-08 until 1957-03-09)
trumpet:
Bill Hardman (from 1957-03-08 until 1957-03-09)
recorded at:
Carl Fischer Concert Hall in New York, New York, United States (from 1957-03-08 until 1957-03-09)
Art Blakey & The Jazz Messengers4:41
11Prelude to a Kiss
recording engineer:
Rudy van Gelder (on 1956-01-19)
double bass:
Wendell Marshall (on 1956-01-19)
drums (drum set):
Kenny Clarke (on 1956-01-19)
piano:
Hank Jones (piano) (on 1956-01-19)
trumpet:
Joe Wilder (on 1956-01-19)
instrumental recording of:
Prelude to a Kiss (on 1956-01-19)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
Joe Wilder Quartet5:04
12It’s Only a Paper Moon
recording engineer:
Rudy van Gelder (on 1955-02-08)
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1955-02-08)
double bass:
Teddy Kotick (on 1955-02-08)
drums (drum set):
Nick Stabulas (on 1955-02-08)
piano:
Hall Overton (on 1955-02-08)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-02-08)
instrumental recording of:
It’s Only a Paper Moon (on 1955-02-08)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Hall Overton Trio plus Phil Woods5:18
13You’d Be So Nice to Come Home to
recording engineer:
Rudy van Gelder (on 1955-02-08)
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1955-02-08)
double bass:
Teddy Kotick (on 1955-02-08)
drums (drum set):
Nick Stabulas (on 1955-02-08)
piano:
Hall Overton (on 1955-02-08)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-02-08)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1955-02-08)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Hall Overton Trio plus Phil Woods5:30
14Dance of the Infidels
recording engineer:
Rudy van Gelder (on 1957-11-14)
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1957-11-14)
double bass:
Knobby Totah (jazz bassist) (on 1957-11-14)
drums (drum set):
Nick Stabulas (on 1957-11-14)
piano:
George Wallington (on 1957-11-14)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1957-11-14)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-11-14)
recording of:
Dance of the Infidels (on 1957-11-14)
composer:
Bud Powell
publisher:
EMI Longitude Music
George Wallington Quintet6:51
15Hank’s Shout
recording engineer:
Rudy van Gelder (on 1956-11-05)
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass and double bass:
Doug Watkins (on 1956-11-05)
drums (drum set):
Art Taylor (on 1956-11-05)
piano:
Hank Jones (piano) (on 1956-11-05)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-11-05)
trumpet:
Lee Morgan (on 1956-11-05)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-11-05)
recording of:
Hank's Shout (on 1956-11-05)
composer:
Hank Mobley (US jazz tenor saxophonist)
Hank Mobley Quintet7:03
16Softly, as in a Morning Sunrise
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Kenny Clarke (in 1952-04)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1952-04)
vibraphone:
Milt Jackson (in 1952-04)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (in 1952-04)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
Milt Jackson Quartet3:28