Gold

~ Release by Nina Simone (see all versions of this release, 2 available)

Tracklist

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CD 1
#TitleRatingLength
1Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
4.152:55
2My Baby Just Cares for Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
43:37
3I’m Gonna Leave You
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1966-04-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1966-04-01)
conductor:
Hal Mooney (on 1966-04-01)
arranger:
Hal Mooney
recording of:
I’m Gonna Leave You (on 1966-04-01)
lyricist and composer:
Rudy Stevenson
32:18
4Nobody Knows You When You’re Down and Out
producer:
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
3.52:40
5Love Me or Leave Me
bass guitar and percussion:
Lisle Atkinson (on 1965-10-01)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1965-10-01)
flute and guitar:
Rudy Stevenson (on 1965-10-01)
harmonica:
Al Schackman (on 1965-10-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-10-01)
cover recording of:
Love Me or Leave Me (on 1965-10-01)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
44:06
6Don’t You Pay Them No Mind
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
Don’t You Pay Them No Mind
writer:
Richard Ahlert and Bobby Scott (vocals, piano, US musician & producer)
33:04
7I Love Your Lovin’ Ways
2:29
8Mood Indigo
cover recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
42:27
9See-Line Woman
recorded in:
New York, New York, United States (on 1964-03-21)
producer:
Hal Mooney
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
vocals and conductor:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
cover recording of:
See‐Line Woman (on 1964-03-21)
writer:
George Bass and Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
is based on:
Sea Lion Woman
2.652:37
10Break Down and Let It All Out
cover recording of:
Break Down and Let It All Out
lyricist and composer:
Van McCoy
42:39
11This Year’s Kisses
cover recording of:
This Year’s Kisses
lyricist and composer:
Irving Berlin
3.52:59
12Ne me quitte pas (If You Go Away)
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
lyricist and composer:
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales and Warner Chappell Music France
43:37
13Mississippi Goddam
recording of:
Mississippi Goddam
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
4:47
14Take Me to the Water
2.52:52
15Work Song
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1966)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ
version of:
Work Song (original instrumental)
3.353:07
16I Hold No Grudge
recording of:
I Hold No Grudge (in 1966)
writer:
Angelo Badalamenti (American score composer) and John W. Clifford
3.52:21
17I’m Going Back Home
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1966-08)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
recording of:
I’m Going Back Home (in 1966-08)
writer:
Rudy Stevenson
32:50
18Sinnerman
producer:
Hal Mooney
live cover recording of:
Sinnerman (from 1965-05-19 until 1965-05-20)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Eric Bibb
4.8510:20
CD 2
#TitleRatingLength
1I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
4.32:37
2Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
42:47
3I Loves You Porgy
bass, bass guitar and percussion:
Lisle Atkinson
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
flute:
Rudy Stevenson
guitar:
Rudy Stevenson (on 1964-03-21)
harmonica:
Al Schackman
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1964-03-21)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:29
4Don’t Explain
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
34:20
5The Other Woman
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond
drums (drum set):
Albert “Tootie” Heath
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
The Other Woman
writer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
43:04
6What More Can I Say
52:51
7Night Song
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
Night Song (from "Golden Boy") (in 1964)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
librettist:
William Gibson (playwright) and Clifford Odets (US playwright)
part of:
Golden Boy (The Musical)
33:06
8Black Is the Color of My True Love’s Hair
producer:
Jack Gold
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (in 1964)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
3.53:28
9Keeper of the Flame43:23
10Strange Fruit
producer:
Hal Mooney
cover recording of:
Strange Fruit (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
4.53:31
11Don’t Smoke in Bed
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
guitar:
Rudy Stevenson (on 1964-03-21)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
Don’t Smoke in Bed (on 1964-03-21)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
25:23
12Wild Is the Wind
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
Wild Is the Wind (Theme song from the Paramount movie "Wild Is the Wind") (in 1964)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
4.56:59
13Little Girl Blue
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jumbo
4.54:20
14One September Day
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
42:51
15Tell Me More and More and Then Some
producer:
Hal Mooney
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
live cover recording of:
Tell Me More and More and Then Some (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Billie Holiday
43:09
16Blues on Purpose
recorded in:
New York, New York, United States (in 1964)
guitar:
Rudy Stevenson (in 1964)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
recording of:
Blues on Purpose (in 1964)
composer:
Rudy Stevenson
43:16
17Take Care of Business
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
42:06
18Gimme Some
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
4.53:01
19Feeling Good (Joe Claussell remix) (radio edit)
remixer:
Joe Claussell
cover recording of:
Feeling Good
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
3:14
20See-Line Woman (Masters at Work remix)
engineer:
Steven Barkan
additional producer:
Kenny “Dope” Gonzalez and “Little” Louie Vega (US house DJ/producer)
producer:
Hal Mooney
keyboard:
Selan Lerner
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
vocals and conductor:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
remixer:
Kenny “Dope” Gonzalez, Masters at Work (Kenny "Dope" Gonzalez & "Little" Louie Vega) and “Little” Louie Vega (US house DJ/producer)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
remix of:
See‐Line Woman by Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
remasters:
See‐Line Woman (Masters at Work remix) by Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
See‐Line Woman
writer:
George Bass and Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
is based on:
Sea Lion Woman
410:06