Tracklist

Medium 1
# Title Artist Rating Length
1 Arrival of the Queen of Sheba from Solomon
Georg Friedrich Händel 3:15
2 Minuet from Overture to Berenice
Georg Friedrich Händel 4:15
3 Concerto for 4 Violins, I Allegro
Antonio Vivaldi 3:47
4 Concerto for 4 Violins, II Largo
Antonio Vivaldi 2 1:57
5 Concerto for 4 Violins, III Allegro
Antonio Vivaldi 3:33
6 Suite No. 3 in D major, I Ouverture
Johann Sebastian Bach 6:36
7 Suite No. 3 in D major, II Air
Johann Sebastian Bach 5:11
8 Suite No. 3 in D major, III Gavotte I & II
Johann Sebastian Bach 3:46
9 Suite No. 3 in D major, Bourree & Gigue
Johann Sebastian Bach 4:19
10 Water Music -- Suite, I Hornpipe and Andante
Georg Friedrich Händel 8:04
11 Water Music -- Suite, II Air
Georg Friedrich Händel 3:24
12 Water Music -- Suite, III Bourree & Hornpipe
Georg Friedrich Händel 1:34
13 Water Music -- Suite, IV Hornpipe
Georg Friedrich Händel 4:10
14 Eine kleine Nachtmusik, K. 525: I. Allegro
Wolfgang Amadeus Mozart 5:51
15 Eine kleine Nachtmusik, K. 525: II. Romance. Andante
Wolfgang Amadeus Mozart 5:43
16 Eine kleine Nachtmusik, K. 525: III. Minuetto. Allegretto
Wolfgang Amadeus Mozart 2:05
17 Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro
Wolfgang Amadeus Mozart 4:17

Credits

Medium 1

violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (tracks 3–5)
Roy Gillard (tracks 3–5)
Carmel Kaine (tracks 3–5)
Alan Loveday (violinist) (tracks 3–5)
harpsichord:
Thurston Dart (conductor and keyboard player) (1970-12) (tracks 6–9)
balance engineer:
Stanley Goodall (engineer) (tracks 3–5)
Kenneth Wilkinson (engineer) (1965-04) (track 1)
Stanley Goodall (engineer) (1970-10) (track 14)
Stanley Goodall (engineer) (1970-12) (tracks 6–9)
Stanley Goodall (engineer) (1971-05) (tracks 11, 13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 6, 8–9, 9)
George Frideric Handel (German‐British baroque composer) (track 2)
Antonio Vivaldi (tracks 3–5)
George Frideric Handel (German‐British baroque composer) (1717) (tracks 10, 10–13)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 7)
George Frideric Handel (German‐British baroque composer) (1748) (track 1)
Wolfgang Amadeus Mozart (classical composer) (1787) (tracks 14–17)
conductor:
Sir Neville Marriner (1965-04) (track 1)
Sir Neville Marriner (1970-10) (tracks 14–17)
Sir Neville Marriner (1970-12) (tracks 6–9)
Sir Neville Marriner (1971-05) (tracks 10–13)
Sir Neville Marriner (1972) (tracks 3–5)
engineer:
Stanley Goodall (engineer) (tracks 6, 8–9)
Christopher Parker (classical recording and balance engineer, active from 1950s) (track 14)
orchestra:
Academy of St Martin in the Fields (1970-10) (tracks 14–17)
Academy of St Martin in the Fields (1970-12) (tracks 6–9)
Academy of St Martin in the Fields (1971-05) (tracks 10–13)
Academy of St Martin in the Fields (1972) (tracks 3–5)
producer:
Christopher Bishop (conductor/producer) (track 14)
Michael Bremner (producer/engineer) (tracks 3–13)
Michael Bremner (producer/engineer) (1965-04) (track 1)
Michael Bremner (producer/engineer) (1970-10) (track 14)
sound engineer:
Stanley Goodall (engineer) (tracks 10–13)
publisher:
recorded at:
St John's, Smith Square in London, England, United Kingdom (1970-10) (tracks 14–17)
St John's, Smith Square in London, England, United Kingdom (1970-12) (tracks 6–9)
Kingsway Hall in London, England, United Kingdom (1971-05) (tracks 10–13)
St John's, Smith Square in London, England, United Kingdom (1972-10) (tracks 3–5)
arrangements:
Air de J.S. Bach (Suite in D) (for organ, Jongen) (track 7)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 7)
Air on the G String (for cello and orchestra, arr. Cullen) (track 7)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 7)
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (catch all for arrangements) (track 6)
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (for piano 4 hands, Reger) (track 6)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 7)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 7)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 7)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 7)
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte (for piano 4 hands, Reger) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (Catch-all for unknown arrangements) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (catch all for arrangements) (track 9)
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (for piano 4 hands, Reger) (track 9)
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (for piano 4 hands, Reger) (track 9)
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (catch all for arrangements) (track 9)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 7)
Solo Amore (track 7)
The Arrival of the Queen of Sheba (arranged by Beecham) (track 1)
is the basis for:
Bach Aire (track 7)
Game Start A (Mario Bros.) (track 14)
Sweetest Love (track 7)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 7)
part of:
Berenice, HWV 38 (track 2)
partial recording of:
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro] (no tempo marking) (1971-05) (track 10)
referred to in medleys:
Hooked on Bach (track 8)
Hooked on Romance (track 7)