The Complete Roulette Sarah Vaughan Studio Sessions

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Dreamy
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
recording of:
Dreamy (in 1960-04)
composer:
Erroll Garner and Sydney Shaw (arranger and songwriter)
2:59
2Hands Across the Table
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
Hands Across the Table (in 1960-04)
lyricist:
Mitchell Parish
composer:
Jean Delettre
2:55
3The More I See You
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
trumpet:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
The More I See You (in 1960-04)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
3:09
4I’ll Be Seeing You
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
trumpet:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
I’ll Be Seeing You (in 1960-04)
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
2:55
5Star Eyes
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
trumpet:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
Star Eyes (in 1960-04)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
3:01
6You’ve Changed
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
You’ve Changed
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) and Southern Music Publishing Company
3:38
7Trees
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
trumpet:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
Trees (in 1960-04)
lyricist:
Joyce Kilmer (lyricist) (in 1913)
composer:
Oscar Rasbach (composer)
publisher:
Chappell Music Ltd.
3:04
8Why Was I Born
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
Why Was I Born? (in 1960-04)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929)
composer:
Jerome Kern (in 1929)
2:31
9My Ideal
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
My Ideal (from “Playboy of Paris”) (in 1960-04)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Newell Chase and Richard A. Whiting
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:58
10Crazy He Calls Me
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
Crazy He Calls Me (in 1960-04)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
3:11
11Stormy Weather
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
trumpet:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
Stormy Weather (in 1960-04)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
3:31
12Moon Over Miami
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
trumpet:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
Moon Over Miami (in 1960-04)
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
2:33
13Have You Met Miss Jones?
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-19)
vocals:
Sarah Vaughan (on 1960-10-19)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-19)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1960-10-19)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:22
14Ain’t No Use
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-13)
trumpet:
Harry “Sweets” Edison (on 1960-10-13)
vocals:
Sarah Vaughan (on 1960-10-13)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-13)
cover recording of:
Ain’t No Use (on 1960-10-13)
writer:
Leroy Kirkland and Sid Wyche
3:54
15Every Time I See You
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-12)
trumpet:
Harry “Sweets” Edison (on 1960-10-12)
vocals:
Sarah Vaughan (on 1960-10-12)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-12)
recording of:
Every Time I See You (on 1960-10-12)
writer:
Harold ‘Hal’ Dickinson
3:01
16You Stepped Out of a Dream
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-19)
vocals:
Sarah Vaughan (on 1960-10-19)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-19)
cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1960-10-19)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
2:20
17Gloomy Sunday
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-13)
trumpet:
Harry “Sweets” Edison (on 1960-10-13)
vocals:
Sarah Vaughan (on 1960-10-13)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-13)
cover recording of:
Gloomy Sunday (on 1960-10-13)
lyricist:
Jávor László (Hungarian poet)
composer:
Rezső Seress
translator:
Sam M. Lewis (1930s lyricist)
translated version of:
Szomorú vasárnap
3:26
18What Do You See in Her?
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-12)
trumpet:
Harry “Sweets” Edison (on 1960-10-12)
vocals:
Sarah Vaughan (on 1960-10-12)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-12)
cover recording of:
What Do You See in Her (on 1960-10-12)
writer:
Hal David and Frank Weldon
2:51
19Jump for Joy
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-19)
vocals:
Sarah Vaughan (on 1960-10-19)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-19)
cover recording of:
Jump for Joy (on 1960-10-19)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller and Paul Francis Webster
2:28
20When Your Lover Has Gone
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-13)
trumpet:
Harry “Sweets” Edison (on 1960-10-13)
vocals:
Sarah Vaughan (on 1960-10-13)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-13)
cover recording of:
When Your Lover Has Gone (on 1960-10-13)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
2:19
21I’m Gonna Laugh You Out of My Life
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-12)
trumpet:
Harry “Sweets” Edison (on 1960-10-12)
vocals:
Sarah Vaughan (on 1960-10-12)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-12)
cover recording of:
I’m Gonna Laugh You Right Out of My Life (on 1960-10-12)
lyricist:
Joseph McCarthy (lyricist, 1885–1943)
composer:
Cy Coleman
2:51
22Wrap Your Troubles in Dreams
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-19)
vocals:
Sarah Vaughan
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-19)
cover recording of:
Wrap Your Troubles in Dreams (on 1960-10-19)
lyricist:
Ted Koehler (in 1931) and Billy Moll (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
2:33
23Somebody Else’s Dream
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-13)
trumpet:
Harry “Sweets” Edison (on 1960-10-13)
vocals:
Sarah Vaughan (on 1960-10-13)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-13)
2:25
24Trouble Is a Man
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-12)
trumpet:
Harry “Sweets” Edison (on 1960-10-12)
vocals:
Sarah Vaughan (on 1960-10-12)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-12)
cover recording of:
Trouble Is a Man (on 1960-10-12)
lyricist and composer:
Alec Wilder
3:18
▼ CD 2
#TitleRatingLength
1I Believe in You
alto saxophone:
Bill Green (woodwind) (on 1962-08-13) and Paul Horn (on 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-13)
bass:
Joe Comfort (on 1962-08-13)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-13)
drums (drum set):
Earl Palmer (on 1962-08-13)
guitar:
Ulysses Livingston (on 1962-08-13)
piano:
Lou Levy (on 1962-08-13)
tenor saxophone:
Buddy Collette (on 1962-08-13) and Plas Johnson (on 1962-08-13)
trombone:
Lou Blackburn (on 1962-08-13), Ed Kusby (on 1962-08-13) and Tommy Shepard (trombonist) (on 1962-08-13)
trumpet:
Carmell Jones (on 1962-08-13), Reunald Jones (on 1962-08-13), Al Porcino (on 1962-08-13) and Shorty Sherock (on 1962-08-13)
tuba:
Red Callender (on 1962-08-13)
vocals:
Sarah Vaughan (on 1962-08-13)
conductor:
Benny Carter (on 1962-08-13)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-13)
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (on 1962-08-13)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
3:05
2Honeysuckle Rose
alto saxophone:
Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort (on 1962-09-09)
bass trombone:
Ken Shroyer (trombonist) (on 1962-09-09)
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Lou Levy (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter (on 1962-09-09)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-09-09)
cover recording of:
Honeysuckle Rose (on 1962-09-09)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
3:19
3Moonlight on the Ganges
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-15)
cover recording of:
Moonlight on the Ganges (on 1962-08-15)
lyricist:
Huntley Trevor and Chester Wallace
composer:
Sherman Myers
publisher:
Campbell Connelly Inc. (ASCAP affiliated)
2:39
4The Lady’s in Love With You
alto saxophone:
Bill Green (woodwind) (on 1962-09-09), Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Jimmy Rowles (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-09-09)
cover recording of:
The Lady’s in Love With You (on 1962-09-09)
lyricist:
Frank Loesser
composer:
Burton Lane
2:17
5After You’ve Gone
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-15)
cover recording of:
After You’ve Gone (on 1962-08-15)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:39
6A Garden in the Rain
alto saxophone:
Bill Green (woodwind) (on 1962-08-14) and Paul Horn (on 1962-08-14)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-14)
bass:
Joe Comfort (on 1962-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-14)
drums (drum set):
Earl Palmer (on 1962-08-14)
guitar:
Ulysses Livingston (on 1962-08-14)
piano:
Jimmy Rowles (on 1962-08-14)
tenor saxophone:
Buddy Collette (on 1962-08-14) and Plas Johnson (on 1962-08-14)
trombone:
Lou Blackburn (on 1962-08-14), Ed Kusby (on 1962-08-14) and Tommy Shepard (trombonist) (on 1962-08-14)
trumpet:
Don Fagerquist (on 1962-08-14), Carmell Jones (on 1962-08-14), Al Porcino (on 1962-08-14) and Shorty Sherock (on 1962-08-14)
tuba:
Red Callender (on 1962-08-14)
vocals:
Sarah Vaughan (on 1962-08-14)
conductor:
Benny Carter (on 1962-08-14)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-14)
cover recording of:
A Garden in the Rain (on 1962-08-14)
lyricist:
James Dyrenforth (in 1928)
composer:
Carroll Gibbons (in 1928)
3:19
7I Can’t Give You Anything but Love
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-15)
cover recording of:
I Can’t Give You Anything but Love, Baby (on 1962-08-15)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:11
8The Trolley Song
alto saxophone:
Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort (on 1962-09-09)
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Lou Levy (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter (on 1962-09-09)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-09-09)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1962-09-09)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
2:41
9I’m Gonna Live Till I Die
alto saxophone:
Bill Green (woodwind) (on 1962-08-14) and Paul Horn (on 1962-08-14)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-14)
bass:
Joe Comfort (on 1962-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-14)
drums (drum set):
Earl Palmer (on 1962-08-14)
guitar:
Ulysses Livingston (on 1962-08-14)
piano:
Jimmy Rowles (on 1962-08-14)
tenor saxophone:
Buddy Collette (on 1962-08-14) and Plas Johnson (on 1962-08-14)
trombone:
Lou Blackburn (on 1962-08-14), Ed Kusby (on 1962-08-14) and Tommy Shepard (trombonist) (on 1962-08-14)
trumpet:
Don Fagerquist (on 1962-08-14), Carmell Jones (on 1962-08-14), Al Porcino (on 1962-08-14) and Shorty Sherock (on 1962-08-14)
tuba:
Red Callender (on 1962-08-14)
vocals:
Sarah Vaughan (on 1962-08-14)
conductor:
Benny Carter (on 1962-08-14)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-14)
cover recording of:
I’m Gonna Live Till I Die (on 1962-08-14)
writer:
Mann Curtis, Al Hoffman and Walter Kent
2:07
10Falling in Love With Love
alto saxophone:
Bill Green (woodwind) (on 1962-08-13) and Paul Horn (on 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-13)
bass:
Joe Comfort (on 1962-08-13)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-13)
drums (drum set):
Earl Palmer (on 1962-08-13)
guitar:
Ulysses Livingston (on 1962-08-13)
piano:
Lou Levy (on 1962-08-13)
tenor saxophone:
Buddy Collette (on 1962-08-13) and Plas Johnson (on 1962-08-13)
trombone:
Lou Blackburn (on 1962-08-13), Ed Kusby (on 1962-08-13) and Tommy Shepard (trombonist) (on 1962-08-13)
trumpet:
Carmell Jones (on 1962-08-13), Reunald Jones (on 1962-08-13), Al Porcino (on 1962-08-13) and Shorty Sherock (on 1962-08-13)
tuba:
Red Callender (on 1962-08-13)
vocals:
Sarah Vaughan (on 1962-08-13)
conductor:
Benny Carter (on 1962-08-13)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-13)
cover recording of:
Falling in Love With Love (on 1962-08-13)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
2:31
11Great Day
alto saxophone:
Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort (on 1962-09-09)
bass trombone:
Ken Shroyer (trombonist) (on 1962-09-09)
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Lou Levy (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter (on 1962-09-09)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-09-09)
cover recording of:
(It’s Gonna Be a) Great Day (on 1962-09-09)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., LSQ Music Co. and WC Music Corp.
2:03
12Nobody Else but Me
alto saxophone:
Bill Green (woodwind) (on 1962-08-13) and Paul Horn (on 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-13)
bass:
Joe Comfort (on 1962-08-13)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-13)
drums (drum set):
Earl Palmer (on 1962-08-13)
guitar:
Ulysses Livingston (on 1962-08-13)
piano:
Lou Levy (on 1962-08-13)
tenor saxophone:
Buddy Collette (on 1962-08-13) and Plas Johnson (on 1962-08-13)
trombone:
Lou Blackburn (on 1962-08-13), Ed Kusby (on 1962-08-13) and Tommy Shepard (trombonist) (on 1962-08-13)
trumpet:
Carmell Jones (on 1962-08-13), Reunald Jones (on 1962-08-13), Al Porcino (on 1962-08-13) and Shorty Sherock (on 1962-08-13)
tuba:
Red Callender (on 1962-08-13)
vocals:
Sarah Vaughan (on 1962-08-13)
conductor:
Benny Carter (on 1962-08-13)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-13)
cover recording of:
Nobody Else but Me (on 1962-08-13)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Harms, Inc.
3:13
13The Lady’s in Love With You (first version)
alto saxophone:
Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Lou Levy (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-15)
cover recording of:
The Lady’s in Love With You (on 1962-08-15)
lyricist:
Frank Loesser
composer:
Burton Lane
2:44
14Perdido
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
Perdido (with lyrics) (on 1961-01-13)
lyricist:
Ervin Drake (Songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music Inc
version of:
Perdido (original instrumental version)
52:14
15Lover Man
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-12)
drums (drum set):
Sonny Payne (on 1961-01-12)
guitar:
Freddie Green (on 1961-01-12)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-12)
reeds:
Marshall Royal (on 1961-01-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-12) and Billy Mitchell (US jazz saxophonist) (on 1961-01-12)
trombone:
Henry Coker (on 1961-01-12), Al Grey (trombone) (on 1961-01-12) and Benny Powell (on 1961-01-12)
trumpet:
Sonny Cohn (on 1961-01-12), Thad Jones (on 1961-01-12), Joe Newman (US jazz trumpeter) (on 1961-01-12) and Snooky Young (on 1961-01-12)
woodwind:
Charlie Fowlkes (on 1961-01-12) and Frank Wess (on 1961-01-12)
vocals:
Sarah Vaughan (on 1961-01-12)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-12)
cover recording of:
Lover Man (on 1961-01-12)
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:59
16I Cried for You
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
I Cried for You (on 1961-01-13)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
52:57
17Alone
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-12)
drums (drum set):
Sonny Payne (on 1961-01-12)
guitar:
Freddie Green (on 1961-01-12)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-12)
reeds:
Marshall Royal (on 1961-01-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-12) and Billy Mitchell (US jazz saxophonist) (on 1961-01-12)
trombone:
Henry Coker (on 1961-01-12), Al Grey (trombone) (on 1961-01-12) and Benny Powell (on 1961-01-12)
trumpet:
Sonny Cohn (on 1961-01-12), Thad Jones (on 1961-01-12), Joe Newman (US jazz trumpeter) (on 1961-01-12) and Snooky Young (on 1961-01-12)
woodwind:
Charlie Fowlkes (on 1961-01-12) and Frank Wess (on 1961-01-12)
vocals:
Sarah Vaughan (on 1961-01-12)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-12)
cover recording of:
Alone (from the film: "A Night at the Opera") (on 1961-01-12)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
3:57
18There Are Such Things
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
recording of:
There Are Such Things (on 1961-01-13)
writer:
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) and George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:13
19Mean to Me
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-12)
drums (drum set):
Sonny Payne (on 1961-01-12)
guitar:
Freddie Green (on 1961-01-12)
piano:
Kirk Stuart (on 1961-01-12)
reeds:
Marshall Royal (on 1961-01-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-12) and Billy Mitchell (US jazz saxophonist) (on 1961-01-12)
trombone:
Henry Coker (on 1961-01-12), Al Grey (trombone) (on 1961-01-12) and Benny Powell (on 1961-01-12)
trumpet:
Sonny Cohn (on 1961-01-12), Thad Jones (on 1961-01-12), Joe Newman (US jazz trumpeter) (on 1961-01-12) and Snooky Young (on 1961-01-12)
woodwind:
Charlie Fowlkes (on 1961-01-12) and Frank Wess (on 1961-01-12)
vocals:
Sarah Vaughan (on 1961-01-12)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-12)
cover recording of:
Mean to Me (on 1961-01-12)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:51
20The Gentleman Is a Dope
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-11)
drums (drum set):
Sonny Payne (on 1961-01-11)
guitar:
Freddie Green (on 1961-01-11)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-11)
reeds:
Marshall Royal (on 1961-01-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-11) and Billy Mitchell (US jazz saxophonist) (on 1961-01-11)
trombone:
Henry Coker (on 1961-01-11), Al Grey (trombone) (on 1961-01-11) and Benny Powell (on 1961-01-11)
trumpet:
Sonny Cohn (on 1961-01-11), Thad Jones (on 1961-01-11), Joe Newman (US jazz trumpeter) (on 1961-01-11) and Snooky Young (on 1961-01-11)
woodwind:
Charlie Fowlkes (on 1961-01-11) and Frank Wess (on 1961-01-11)
vocals:
Sarah Vaughan (on 1961-01-11)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-11)
recording of:
The Gentleman Is a Dope (Allegro) (on 1961-01-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Allegro (Rodgers & Hammerstein musical)
2:46
21You Go to My Head
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-10)
drums (drum set):
Sonny Payne (on 1961-01-10)
guitar:
Freddie Green (on 1961-01-10)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-10)
reeds:
Marshall Royal (on 1961-01-10)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-10) and Billy Mitchell (US jazz saxophonist) (on 1961-01-10)
trombone:
Henry Coker (on 1961-01-10), Al Grey (trombone) (on 1961-01-10) and Benny Powell (on 1961-01-10)
trumpet:
Sonny Cohn (on 1961-01-10), Thad Jones (on 1961-01-10), Joe Newman (US jazz trumpeter) (on 1961-01-10) and Snooky Young (on 1961-01-10)
woodwind:
Charlie Fowlkes (on 1961-01-10) and Frank Wess (on 1961-01-10)
vocals:
Sarah Vaughan (on 1961-01-10)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-10)
cover recording of:
You Go to My Head (on 1961-01-10)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
54:53
22Until I Met You
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
Until I Met You (Corner Pocket) (on 1961-01-13)
lyricist:
Don Wolf (songwriter / composer)
composer:
Don Wolf (songwriter / composer) and Freddie Green
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
53:11
23You Turned the Tables on Me
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-10)
drums (drum set):
Sonny Payne (on 1961-01-10)
piano:
Kirk Stuart and Count Basie (pianist) (from 1960-07 until 1961-01)
saxophone:
Frank Foster (saxophonist) (from 1960-07 until 1961-01), Charlie Fowlkes (from 1960-07 until 1961-01) and Billy Mitchell (US jazz saxophonist) (from 1960-07 until 1961-01)
tenor saxophone:
Frank Foster (saxophonist) and Billy Mitchell (US jazz saxophonist)
trombone:
Henry Coker (from 1960-07 until 1961-01), Al Grey (trombone) (from 1960-07 until 1961-01) and Benny Powell (from 1960-07 until 1961-01)
trumpet:
Sonny Cohn (from 1960-07 until 1961-01), Thad Jones (from 1960-07 until 1961-01), Joe Newman (US jazz trumpeter) (from 1960-07 until 1961-01) and Snooky Young (from 1960-07 until 1961-01)
woodwind:
Charlie Fowlkes and Frank Wess (from 1960-07 until 1961-01)
vocals:
Sarah Vaughan (from 1960-07 until 1961-01)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-10)
cover recording of:
You Turned the Tables on Me (on 1961-01-10)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
3:24
24Little Man You’ve Had a Busy Day
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Frank Foster (saxophonist)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
Little Man, You've Had a Busy Day (on 1961-01-13)
writer:
Al Hoffman, Maurice Sigler and Mabel Wayne
publisher:
Al Hoffman Songs Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
4:54
▼ CD 3
#TitleRatingLength
1You’re Mine You
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
You’re Mine, You (in 1962-01)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
4:01
2The Best Is Yet to Come
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones (in 1962-01)
arranger:
Quincy Jones
cover recording of:
The Best Is Yet to Come (in 1962-01)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Company, Inc. and WB Music Corp. (1929–2019)
2:53
3Witchcraft
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Witchcraft (in 1962-01)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
2:59
4So Long
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones
arranger:
Quincy Jones
recording of:
So Long (in 1962-01)
writer:
Remus Harris, Irving Melsher and Russ Morgan (Big Band orchestra leader)
2:55
5The Second Time Around
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
The Second Time Around
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Twentieth Century Music Corp. (in 1960, in 1988)
part of:
The 33rd Academy Award for Best Original Song (number: 2)
3:43
6I Could Write a Book
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones (in 1962-01)
arranger:
Quincy Jones
cover recording of:
I Could Write a Book (in 1962-01)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Pal Joey
2:24
7Maria
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
recording of:
West Side Story: Maria (Tony) (in 1962-01)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
3:14
8Baubles, Bangles and Beads
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones (in 1962-01)
arranger:
Quincy Jones
cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (in 1962-01)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
3:38
9Fly Me to the Moon
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
2:57
10Moonglow
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Moonglow (in 1962-01)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
2:31
11Invitation
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Invitation (in 1962-01)
lyricist:
Paul Francis Webster
composer:
Bronisław Kaper
2:19
12On Green Dolphin Street
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
3:05
13One Mint Julip
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
cover recording of:
One Mint Julep (in 1962-01)
lyricist and composer:
Rudolph Toombs
publisher:
Regent Music (BMI) and Unichappell Music
2:49
14Mama, He Treats Your Daughter Mean
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
cover recording of:
(Mama) He Treats Your Daughter Mean
writer:
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) and John Wallace (bass player for Harry Chapin) (in 1952)
2:42
15The Best Is Yet to Come (first version)
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
cover recording of:
The Best Is Yet to Come (in 1962-01)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Company, Inc. and WB Music Corp. (1929–2019)
3:04
16Baubles, Bangles and Beads (first version)
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (in 1962-01)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
3:42
17Teach Me Tonight
bass:
Eddie Jones (US jazz double bassist) (on 1960-07-19)
drums (drum set):
Sonny Payne (on 1960-07-19)
guitar:
Freddie Green (on 1960-07-19)
piano:
Kirk Stuart (on 1960-07-19)
reeds:
Marshall Royal (on 1960-07-19)
tenor saxophone:
Frank Foster (saxophonist) (on 1960-07-19) and Billy Mitchell (US jazz saxophonist) (on 1960-07-19)
trombone:
Henry Coker (on 1960-07-19), Al Grey (trombone) (on 1960-07-19) and Benny Powell (on 1960-07-19)
trumpet:
Sonny Cohn (on 1960-07-19), Thad Jones (on 1960-07-19), Joe Newman (US jazz trumpeter) (on 1960-07-19) and Snooky Young (on 1960-07-19)
woodwind:
Charlie Fowlkes (on 1960-07-19) and Frank Wess (on 1960-07-19)
vocals:
Sarah Vaughan (on 1960-07-19) and Joe Williams (US jazz vocalist) (on 1960-07-19)
arranger:
Ernie Wilkins
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-07-19)
cover recording of:
Teach Me Tonight (on 1960-07-19)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 and 日音 Synch事業部
2:53
18If I Were a Bell
bass:
Eddie Jones (US jazz double bassist) (on 1960-07-19)
drums (drum set):
Sonny Payne (on 1960-07-19)
guitar:
Freddie Green (on 1960-07-19)
piano:
Kirk Stuart (on 1960-07-19)
reeds:
Marshall Royal (on 1960-07-19)
tenor saxophone:
Frank Foster (saxophonist) (on 1960-07-19) and Billy Mitchell (US jazz saxophonist) (on 1960-07-19)
trombone:
Henry Coker (on 1960-07-19), Al Grey (trombone) (on 1960-07-19) and Benny Powell (on 1960-07-19)
trumpet:
Sonny Cohn (on 1960-07-19), Thad Jones (on 1960-07-19), Joe Newman (US jazz trumpeter) (on 1960-07-19) and Snooky Young (on 1960-07-19)
woodwind:
Charlie Fowlkes (on 1960-07-19) and Frank Wess (on 1960-07-19)
vocals:
Sarah Vaughan (on 1960-07-19) and Joe Williams (US jazz vocalist) (on 1960-07-19)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-07-19)
cover recording of:
If I Were a Bell (Guys and Dolls) (on 1960-07-19)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
2:45
19Until I Met You (first version)
bass:
Eddie Jones (US jazz double bassist) (on 1960-07-19)
drums (drum set):
Sonny Payne (on 1960-07-19)
guitar:
Freddie Green (on 1960-07-19)
piano:
Kirk Stuart (on 1960-07-19)
reeds:
Marshall Royal (on 1960-07-19)
tenor saxophone:
Frank Foster (saxophonist) (on 1960-07-19) and Billy Mitchell (US jazz saxophonist) (on 1960-07-19)
trombone:
Henry Coker (on 1960-07-19), Al Grey (trombone) (on 1960-07-19) and Benny Powell (on 1960-07-19)
trumpet:
Sonny Cohn (on 1960-07-19), Thad Jones (on 1960-07-19), Joe Newman (US jazz trumpeter) (on 1960-07-19) and Snooky Young (on 1960-07-19)
woodwind:
Charlie Fowlkes (on 1960-07-19) and Frank Wess (on 1960-07-19)
vocals:
Sarah Vaughan (on 1960-07-19)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-07-19)
recording of:
Until I Met You (Corner Pocket) (on 1960-07-19)
lyricist:
Don Wolf (songwriter / composer)
composer:
Don Wolf (songwriter / composer) and Freddie Green
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:52
20The Green Leaves of Summer
bass:
Richard Davis (American jazz bassist) (on 1960-10-08)
bongos and tambourine:
Percy Brice (on 1960-10-08)
drums (drum set):
Alvin Stoller (on 1960-10-08)
guitar:
George van Eps (on 1960-10-08)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1960-10-08)
reeds:
Chuck Gentry (on 1960-10-08), Justin Gordon (on 1960-10-08), Harry Klee (on 1960-10-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1960-10-08) and Wilbur Schwartz (on 1960-10-08)
trombone:
Milt Bernhart (on 1960-10-08), Ed Kusby (on 1960-10-08), Tommy Shepard (trombonist) (on 1960-10-08) and Lloyd Ulyate (on 1960-10-08)
trumpet:
Frank Beach (trombone, trumpet) (on 1960-10-08), Conrad Gozzo (on 1960-10-08), Manny Klein (on 1960-10-08) and Ray Triscari (on 1960-10-08)
vocals:
Sarah Vaughan (on 1960-10-08)
conductor:
Billy May (on 1960-10-08)
arranger:
Billy May
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-10-08)
recording of:
The Green Leaves of Summer (on 1960-10-08)
lyricist:
Paul Francis Webster
composer:
Dimitri Tiomkin
part of:
The 33rd Academy Award for Best Original Song (number: 2)
part of:
The Alamo
2:58
21Them There Eyes
bass:
Richard Davis (American jazz bassist) (on 1960-10-08)
bongos and tambourine:
Percy Brice (on 1960-10-08)
drums (drum set):
Alvin Stoller (on 1960-10-08)
guitar:
George van Eps (on 1960-10-08)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1960-10-08)
reeds:
Chuck Gentry (on 1960-10-08), Justin Gordon (on 1960-10-08), Harry Klee (on 1960-10-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1960-10-08) and Wilbur Schwartz (on 1960-10-08)
trombone:
Milt Bernhart (on 1960-10-08), Ed Kusby (on 1960-10-08), Tommy Shepard (trombonist) (on 1960-10-08) and Lloyd Ulyate (on 1960-10-08)
trumpet:
Frank Beach (trombone, trumpet) (on 1960-10-08), Conrad Gozzo (on 1960-10-08), Manny Klein (on 1960-10-08) and Ray Triscari (on 1960-10-08)
vocals:
Sarah Vaughan (on 1960-10-08)
conductor:
Billy May (on 1960-10-08)
arranger:
Billy May
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-10-08)
recording of:
Them There Eyes (on 1960-10-08)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019-present)
2:02
22Don’t Go to Strangers
bass:
Richard Davis (American jazz bassist) (on 1960-10-08)
bongos and tambourine:
Percy Brice (on 1960-10-08)
drums (drum set):
Alvin Stoller (on 1960-10-08)
guitar:
George van Eps (on 1960-10-08)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1960-10-08)
reeds:
Chuck Gentry (on 1960-10-08), Justin Gordon (on 1960-10-08), Harry Klee (on 1960-10-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1960-10-08) and Wilbur Schwartz (on 1960-10-08)
trombone:
Milt Bernhart (on 1960-10-08), Ed Kusby (on 1960-10-08), Tommy Shepard (trombonist) (on 1960-10-08) and Lloyd Ulyate (on 1960-10-08)
trumpet:
Frank Beach (trombone, trumpet) (on 1960-10-08), Conrad Gozzo (on 1960-10-08), Manny Klein (on 1960-10-08) and Ray Triscari (on 1960-10-08)
vocals:
Sarah Vaughan (on 1960-10-08)
conductor:
Billy May (on 1960-10-08)
arranger:
Billy May
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-10-08)
cover recording of:
Don’t Go to Strangers (on 1960-10-08)
lyricist:
Redd Evans
composer:
Arthur Kent and David Mann (American songwriter)
2:33
23Love
bass:
Richard Davis (American jazz bassist) (on 1960-10-08)
bongos and tambourine:
Percy Brice (on 1960-10-08)
drums (drum set):
Alvin Stoller (on 1960-10-08)
guitar:
George van Eps (on 1960-10-08)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1960-10-08)
reeds:
Chuck Gentry (on 1960-10-08), Justin Gordon (on 1960-10-08), Harry Klee (on 1960-10-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1960-10-08) and Wilbur Schwartz (on 1960-10-08)
trombone:
Milt Bernhart (on 1960-10-08), Ed Kusby (on 1960-10-08), Tommy Shepard (trombonist) (on 1960-10-08) and Lloyd Ulyate (on 1960-10-08)
trumpet:
Frank Beach (trombone, trumpet) (on 1960-10-08), Conrad Gozzo (on 1960-10-08), Manny Klein (on 1960-10-08) and Ray Triscari (on 1960-10-08)
vocals:
Sarah Vaughan (on 1960-10-08)
conductor:
Billy May (on 1960-10-08)
arranger:
Billy May
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-10-08)
recording of:
Love (on 1960-10-08)
writer:
Ralph Blane and Hugh Martin
publisher:
Leo Feist, Inc.
2:21
▼ CD 4
#TitleRatingLength
1My Favorite Things
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
cover recording of:
My Favorite Things (The Sound of Music) (on 1961-07-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
2:46
2Ev’ry Time We Say Goodbye
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1961-07-18)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:26
3Wonder Why
vocals:
Sarah Vaughan (on 1961-07-18)
recording of:
Wonder Why (Rich, Young and Pretty) (on 1961-07-18)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
4:20
4Easy to Love
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
recording of:
Easy to Love (on 1961-07-18)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:12
5Sophisticated Lady
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
cover recording of:
Sophisticated Lady (on 1961-07-18)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:52
6Great Day
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
cover recording of:
(It’s Gonna Be a) Great Day (on 1961-07-18)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., LSQ Music Co. and WC Music Corp.
2:18
7Ill Wind
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
cover recording of:
Ill Wind (on 1961-07-18)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
3:13
8If Love Is Good to Me
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
recording of:
If Love Is Good to Me (on 1961-07-18)
lyricist:
Redd Evans
composer:
Fred Spielman
2:12
9In a Sentimental Mood
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
cover recording of:
In a Sentimental Mood (on 1961-07-18)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
4:05
10Vanity
bass:
George Duvivier
guitar:
Mundell Lowe
vocals:
Sarah Vaughan
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
cover recording of:
Vanity
lyricist:
Bernard Bierman and Jack Manus (lyricist)
composer:
Guy Wood
4:18
11Through the Years
double bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
cover recording of:
Through the Years (on 1961-07-18)
lyricist:
Edward Heyman
composer:
Vincent Youmans
3:12
12Just in Time
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
Just in Time (Bells Are Ringing) (from 1962-08-07 until 1962-08-08)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
2:21
13When Sunny Gets Blue
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
When Sunny Gets Blue (in 1962-08)
lyricist:
Jack Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC
part of:
The Real Book (compilation of jazz standards, Volume I)
3:51
14All I Do Is Dream of You
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All I Do Is Dream of You (Singin’ in the Rain) (in 1962-08)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
Singin’ in the Rain (stage musical)
2:57
15I Understand
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
I Understand (in 1962-08)
lyricist:
Kim Gannon
composer:
Mabel Wayne
4:28
16Goodnight Sweetheart
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
Goodnight, Sweetheart
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ray Noble
translator:
Rudy Vallée
publisher:
Campbell Connelly Inc. (ASCAP affiliated) and EMI Robbins Catalog Inc. (ASCAP)
3:36
17Baby, Won’t You Please Come Home
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
Baby Won’t You Please Come Home (from 1962-08-07 until 1962-08-08)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
2:37
18When Lights Are Low
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
When Lights Are Low (from 1962-08-07 until 1962-08-08)
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co.
2:57
19Key Largo
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
Key Largo (in 1962-08)
lyricist:
Leah Worth
composer:
Benny Carter and Karl Suessdorf
3:29
20Just Squeeze Me
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
Just Squeeze Me (but Don’t Tease Me) (in 1962-08)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
4:14
21All or Nothing at All
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All or Nothing at All (from 1962-08-07 until 1962-08-08)
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:13
22The Very Thought of You
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
The Very Thought of You (in 1962-08)
lyricist, writer and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
4:14
▶ CD 5
▶ CD 6
▶ CD 7
▶ CD 8

Credits

Release

ASIN:US: B000M6CLLI [info]