Live at the Half Note

~ Release by Bill Evans, Warne Marsh, Jimmy Garrison & Paul Motian. (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Palo Alto
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
live recording of:
Palo Alto (from 1959-02-24 until 1959-03-03)
composer:
Lee Konitz (jazz saxophonist)
9:16
2How About You
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
live instrumental recording of:
How About You? (from 1959-02-24 until 1959-03-03)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2)
9:18
3My Melancholy Baby
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
live recording of:
My Melancholy Baby (from 1959-02-24 until 1959-03-03)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
6:57
4Scrapple From the Apple
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
live recording of:
Scrapple From the Apple (from 1959-02-24 until 1959-03-03)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
part of:
The Real Book (compilation of jazz standards, Volume I)
7:56
5You Stepped Out of a Dream
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
live instrumental recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (from 1959-02-24 until 1959-03-03)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
7:42
6317 East 32nd Street
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
live recording of:
317 East 32nd Street (sometimes incorrectly attributed to Lee Konitz) (from 1959-02-24 until 1959-03-03)
composer:
Lee Konitz (jazz saxophonist) and Lennie Tristano
7:44
7April
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
live recording of:
April (from 1959-02-24 until 1959-03-03)
composer:
Lakki Patey (English-Norwegian guitarist and inventor) and Lennie Tristano
8:47
8It's You or No One
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
live instrumental recording of:
It’s You or No One (from 1959-02-24 until 1959-03-03)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
8:12
9Just Friends
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
live instrumental recording of:
Just Friends (from 1959-02-24 until 1959-03-03)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
5:41
▼ CD 2
#TitleRatingLength
1Baby, Baby All the Time
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
live instrumental recording of:
Baby Baby All the Time (from 1959-02-24 until 1959-03-03)
lyricist and composer:
Bobby Troup
?:??
2Lennie-Bird
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
?:??
3Subconscious-Lee
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1959-02-24 until 1959-03-03)
double bass:
Jimmy Garrison (from 1959-02-24 until 1959-03-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-24 until 1959-03-03)
piano:
Bill Evans (pianist) (from 1959-02-24 until 1959-03-03)
tenor saxophone:
Warne Marsh (from 1959-02-24 until 1959-03-03)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-24 until 1959-03-03)
live recording of:
Subconscious-Lee (from 1959-02-24 until 1959-03-03)
composer:
Lee Konitz (jazz saxophonist)
?:??
4Background Music
?:??
5It's You or Noone
recorded in:
London (Greater London), England, United Kingdom (on 1976-03-15)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1976-03-15)
double bass:
Peter Ind (on 1976-03-15)
drums (drum set):
Al Levitt (on 1976-03-15)
tenor saxophone:
Warne Marsh (on 1976-03-15)
live instrumental recording of:
It’s You or No One (on 1976-03-15)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
?:??
6Body and Soul
recorded in:
London (Greater London), England, United Kingdom (on 1976-03-15)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1976-03-15)
double bass:
Peter Ind (on 1976-03-15)
drums (drum set):
Al Levitt (on 1976-03-15)
tenor saxophone:
Warne Marsh (on 1976-03-15)
live instrumental recording of:
Body and Soul (on 1976-03-15)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
?:??
7All the Things You Are
recorded in:
London (Greater London), England, United Kingdom (on 1976-03-15)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1976-03-15)
double bass:
Peter Ind (on 1976-03-15)
drums (drum set):
Al Levitt (on 1976-03-15)
tenor saxophone:
Warne Marsh (on 1976-03-15)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1976-03-15)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
?:??
8You Go To My Head
recorded in:
London (Greater London), England, United Kingdom (on 1976-03-15)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1976-03-15)
double bass:
Peter Ind (on 1976-03-15)
drums (drum set):
Al Levitt (on 1976-03-15)
tenor saxophone:
Warne Marsh (on 1976-03-15)
live instrumental recording of:
You Go to My Head (on 1976-03-15)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
?:??
9Invention in A minor
recorded in:
London (Greater London), England, United Kingdom (on 1976-03-15)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1976-03-15)
double bass:
Peter Ind (on 1976-03-15)
drums (drum set):
Al Levitt (on 1976-03-15)
tenor saxophone:
Warne Marsh (on 1976-03-15)
?:??
10Easy Livin'
recorded in:
London (Greater London), England, United Kingdom (on 1976-03-15)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1976-03-15)
double bass:
Peter Ind (on 1976-03-15)
drums (drum set):
Al Levitt (on 1976-03-15)
tenor saxophone:
Warne Marsh (on 1976-03-15)
live instrumental recording of:
Easy Living (on 1976-03-15)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
?:??
11Star Eyes
recorded in:
London (Greater London), England, United Kingdom (on 1976-03-15)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1976-03-15)
double bass:
Peter Ind (on 1976-03-15)
drums (drum set):
Al Levitt (on 1976-03-15)
tenor saxophone:
Warne Marsh (on 1976-03-15)
live instrumental recording of:
Star Eyes (on 1976-03-15)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
?:??

Credits

Release

manufactured in:Europe
Discogs:https://www.discogs.com/release/12978364 [info]