You Must Believe in Spring

~ Release by Bill Evans (see all versions of this release, 10 available)

Annotation

Recorded: August 23, 1977 - August 25, 1977

Recording and eemix engineer: Al Schmitt. Additionnal remix and editing on You Must Believe In Spring: Frank Laico.

Annotation last modified on 2014-12-31 08:52 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1B Minor Waltz (For Ellaine)
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
recording of:
B minor Waltz (For Ellaine) (from 1977-08-23 until 1977-08-25)
composer:
Bill Evans (pianist)
publisher:
Teneten Music, Inc.
3:20
2You Must Believe in Spring
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
additional editor:
Frank Laico
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
additional remixer:
Frank Laico
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981) and Warner Music France (in 2010)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
instrumental recording of:
You Must Believe in Spring (from 1977-08-23 until 1977-08-25)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
N.S. Beaujolais Music Inc. (ended) and EMI U Catalog Inc. (publisher; do NOT use as release label)
translated version of:
Chanson de Maxence
35:47
3Gary’s Theme
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
recording of:
Gary’s Theme (from 1977-08-23 until 1977-08-25)
composer:
Gary McFarland
publisher:
Parkland Music and Parklands Music Company
4:23
4We Will Meet Again (For Harry)
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
recording of:
We Will Meet Again (from 1977-08-23 until 1977-08-25)
composer:
Bill Evans (pianist)
publisher:
Teneten Music, Inc. and TRO-Ludlow Music, Inc.
4:07
5The Peacocks
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
recording of:
The Peacocks (from 1977-08-23 until 1977-08-25)
composer:
Jimmy Rowles
publisher:
Kudu Music Co.
6:05
6Sometime Ago
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
recording of:
Sometime Ago (from 1977-08-23 until 1977-08-25)
composer:
Sergio Mihanovich
publisher:
Kayak Music Inc.
4:40
7Theme From M*A*S*H (a.k.a. Suicide Is Painless)
recording engineer:
Al Schmitt (from 1977-08-23 until 1977-08-25)
producer:
Helen Keane and Tommy LiPuma
mixer:
Al Schmitt
bass and double bass:
Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):
Eliot Zigmund (from 1977-08-23 until 1977-08-25)
piano:
Bill Evans (pianist) (from 1977-08-23 until 1977-08-25)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-08-23 until 1977-08-25)
instrumental cover recording of:
Suicide Is Painless (from 1977-08-23 until 1977-08-25)
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
5:55

Credits

Release

manufactured in:United States
printed in:United States
art direction and design:Brad Kanawyer
photography:Scott Lyons
mastering:Doug Sax
double bass:Eddie Gomez (jazz double bassist) (from 1977-08-23 until 1977-08-25)
drums (drum set):Eliot Zigmund (from 1977-08-23 until 1977-08-25)
artwork:Charles Burchfield (painter)
copyrighted (©) by and phonographic copyright (℗) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
mastered at:The Mastering Lab (Hollywood, 1967-2008) in Hollywood, Los Angeles, California, United States
remastered versions:You Must Believe in Spring
Discogs:https://www.discogs.com/release/1783825 [info]
ASIN:US: B000002KM0 [info]