Guglielmo Tell

~ Release by Rossini; Milnes, Pavarotti, Freni, Ghiaurov, National Philharmonic Orchestra, Chailly (see all versions of this release, 2 available)

Tracklist

▶ CD 1
▶ CD 2
▼ CD 3
#TitleArtistRatingLength
1Guglielmo Tell: Atto III, Scena I. “Arnoldo! e d’onde nasce”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 1. “Arnoldo! e d’onde nasce” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini2:24
2Guglielmo Tell: Atto III, Scena I. “Ah! se privo di speme è l’amore”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
soprano vocals [Matilde]:
Mirella Freni (soprano) (from 1978-09 until 1979-08)
tenor vocals [Arnoldo]:
Luciano Pavarotti (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 1. “Ah! se privo di speme è l’amore” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini8:06
3Guglielmo Tell: Atto III, Scena II. “Gloria al poter supremo!”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
bass vocals [Gessler]:
Ferruccio Mazzoli (operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 2. “Gloria al poter supremo!” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini7:12
4Guglielmo Tell: Atto III, Scena II. “Quell’ agil piè ch’egual non ha”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 2. “Quell’ agil piè ch’egual non ha” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini9:30
5Guglielmo Tell: Atto III, Scena II. “Ballabile di soldati”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 2. Ballabile di soldati (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini4:59
6Guglielmo Tell: Atto III, Scena III. “Inchinati, superbo”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Gessler]:
Ferruccio Mazzoli (operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
tenor vocals [Rodolfo]:
Piero de Palma (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 3. “Inchinati, superbo” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini2:20
7Guglielmo Tell: Atto III, Scena III. “Quel fasto m’offende”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Gessler]:
Ferruccio Mazzoli (operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
tenor vocals [Rodolfo]:
Piero de Palma (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 3. “Quel fasto m’offende” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini3:06
8Guglielmo Tell: Atto III, Scena III. “Corri alla madre”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Gessler]:
Ferruccio Mazzoli (operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 3. “Corri alla madre” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini6:18
9Guglielmo Tell: Atto III, Scena III. “Resta immobile, e vêr la terra”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 3. “Resta immobile, e vêr la terra” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini4:10
10Guglielmo Tell: Atto III, Scena III. “Vittoria! vittoria!”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Gessler]:
Ferruccio Mazzoli (operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (soprano) (from 1978-09 until 1979-08)
tenor vocals [Rodolfo]:
Piero de Palma (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 3. “Vittoria! vittoria!” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini5:25
11Guglielmo Tell: Atto III, Scena IV. “…è il suo destin segnato”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Gessler]:
Ferruccio Mazzoli (operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (soprano) (from 1978-09 until 1979-08)
tenor vocals [Rodolfo]:
Piero de Palma (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 4. “…è il suo destin segnato” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini2:09
12Guglielmo Tell: Atto III, Scena IV. “Anàtema a Gessler”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Gessler]:
Ferruccio Mazzoli (operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (soprano) (from 1978-09 until 1979-08)
tenor vocals [Rodolfo]:
Piero de Palma (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto III, scena 4. “Anàtema a Gessler” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini2:03
▶ CD 4

Credits

Release

manufactured in:Germany
printed in:Germany
manufactured by:PolyGram
copyrighted (©) by:The Decca Record Company Ltd. (for copyrights use only!) (in 1986)
Discogs:https://www.discogs.com/release/7403010 [info]
ASIN:UK: B0000041RE [info]