Standing Room Only (Ltd. Edt. Box-Set)

~ Release by Frank Sinatra (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Come Fly With Me (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2) -
alto saxophone:
Bobby Plater (on 1966-01-28) and Marshall Royal (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
bass trombone:
Bill Hughes (trombone) (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
flute:
Eric Dixon (woodwind) (on 1966-01-28), Charlie Fowlkes (on 1966-01-28) and Bobby Plater (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28) and Eric Dixon (woodwind) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
Come Fly With Me (on 1966-01-28)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック
4:05
2I've Got a Crush on You (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28), Bill Hughes (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
I’ve Got a Crush on You (on 1966-01-28)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Treasure Girl (1928 musical)
3:24
3I've Got You Under My Skin (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Bill Hughes (trombone), Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
I’ve Got You Under My Skin (on 1966-01-28)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
3:27
4The September of My Years (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Bill Hughes (trombone), Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
The September of My Years (on 1966-01-28)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Sergeant Music Co., The Songwriters Guild, Van Heusen Music Corp. and WB Music Corp. (1929–2019)
3:07
5Street of Dreams (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28), Bill Hughes (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
Street of Dreams (on 1966-01-28)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
2:32
6Angel Eyes (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28), Bill Hughes (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
Angel Eyes (1946 jazz standard) (on 1966-01-28)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
3:01
7Fly Me to the Moon (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28), Bill Hughes (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1966-01-28)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
2:52
8The Tea Break Monologue (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
4:19
9You Make Me Feel So Young (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28), Bill Hughes (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
You Make Me Feel So Young (on 1966-01-28)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:18
10The Shadow of Your Smile (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28), Bill Hughes (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
The Shadow of Your Smile (on 1966-01-28)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部, ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 38)
2:29
11Luck Be a Lady (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28), Bill Hughes (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
Luck Be a Lady (from “Guys and Dolls”) (on 1966-01-28)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
5:05
12It Was a Very Good Year (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28), Bill Hughes (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
It Was a Very Good Year (on 1966-01-28)
lyricist and composer:
Ervin Drake (Songwriter)
publisher:
Memory Lane Music (publishing company), Reedlands Music Corp. and The Songwriters Guild
3:56
13Where or When (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28), Bill Hughes (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
Where or When (from “Babes in Arms”) (on 1966-01-28)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
2:51
14My Kind of Town (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28), Bill Hughes (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
My Kind of Town (on 1966-01-28)
dedicated to:
Chicago, Illinois, United States
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 2)
2:55
15A Few Last Words Monologue (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
6:25
16My Kind of Town (reprise) (live at the Sands Hotel and Casino, Las Vegas/1966 / Show 2)
alto saxophone and flute:
Bobby Plater (on 1966-01-28)
baritone saxophone:
Charlie Fowlkes (on 1966-01-28)
bass:
Norman Keenan (on 1966-01-28)
clarinet:
Marshall Royal (on 1966-01-28)
drums (drum set):
Sonny Payne (on 1966-01-28)
guitar:
Freddie Green (on 1966-01-28)
piano:
"William" Count Basie (pianist) (on 1966-01-28) and Bill Miller (pianist) (on 1966-01-28)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-01-28)
trombone:
Henderson Chambers (on 1966-01-28), Al Grey (trombone) (on 1966-01-28), Bill Hughes (trombone) (on 1966-01-28) and Grover Mitchell (trombone) (on 1966-01-28)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-01-28), Sonny Cohn (on 1966-01-28), Wallace Davenport (on 1966-01-28), Harry “Sweets” Edison (on 1966-01-28) and Phillip Guilbeau (on 1966-01-28)
orchestra:
The Count Basie Orchestra (on 1966-01-28)
conductor:
Count Basie (pianist) (on 1966-01-28)
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1966-01-28)
live recording of:
My Kind of Town (on 1966-01-28)
dedicated to:
Chicago, Illinois, United States
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 2)
1:35
▼ CD 2
#TitleRatingLength
1Overture (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
2:51
2Lady Is a Tramp (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1974-10-07)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
3:25
3I Get a Kick Out of You (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
I Get a Kick Out of You (on 1974-10-07)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
4:08
4Let Me Try Again (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
Let Me Try Again (on 1974-10-07)
lyricist:
Michel Jourdan
composer:
Caravelli
translator:
Paul Anka and Sammy Cahn
publisher:
Chrysalis Standards Inc., M.A.M. Corporation (US-based publisher) and Spanka Music Corp.
translated version of:
Laisse moi le temps
3:23
5My Kind of Town (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
My Kind of Town (on 1974-10-07)
dedicated to:
Chicago, Illinois, United States
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 2)
2:51
6Welcome (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
0:34
7Ol Man River (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
Ol’ Man River (Show Boat) (on 1974-10-07)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
5:42
8Monologue (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
3:35
9I Get Along With You Very Well (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
I Get Along Without You Very Well (on 1974-10-07)
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
5:37
10I've Got You Under My Skin (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
I’ve Got You Under My Skin (on 1974-10-07)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
4:46
11The Tea Break Monologue (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
1:02
12Send in the Clowns (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
Send In the Clowns (A Little Night Music) (on 1974-10-07)
lyricist and composer:
Stephen Sondheim
publisher:
Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
A Little Night Music (musical)
4:35
13If (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
If (on 1974-10-07)
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Colgems-EMI Music Inc., Laetrec Music, S. Gems Col. Inc, Screen Gems–Columbia Music, Inc., Sony/ATV Tunes LLC and ソニー・ミュージックパブリッシング A事業部
3:36
14You Are the Sunshine of My Life (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
You Are the Sunshine of My Life (on 1974-10-07)
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:55
15What Are You Doing the Rest of Your Life? (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
What Are You Doing the Rest of Your Life? (on 1974-10-07)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
EMI April Music Inc. (ended), EMI U Catalog Inc. (publisher; do NOT use as release label) (ended) and Anthem Grand Film
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
part of:
The 42nd Academy Award for Best Original Song (number: 2)
4:18
16My Way (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live recording of:
My Way (Frank Sinatra song) (on 1974-10-07)
lyricist:
Paul Anka
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
3:57
17Bows: My Way (live at the Spectrum, Philadelphia, Pennsylvania / October 7, 1974)
recorded at:
The Spectrum in Philadelphia, Pennsylvania, United States (on 1974-10-07)
live instrumental recording of:
My Way (Frank Sinatra song) (on 1974-10-07)
lyricist:
Paul Anka
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
1:45
▼ CD 3
#TitleRatingLength
1Overture - Introduction (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
3:51
2You Are the Sunshine of My Life (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
You Are the Sunshine of My Life (on 1987-10-24)
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:25
3What Now My Love (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
What Now My Love (on 1987-10-24)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. and Warner Chappell Music, Inc.
translated version of:
Et maintenant
2:31
4My Heart Stood Still (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
My Heart Stood Still (on 1987-10-24)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: File NO Releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
3:19
5Moonlight in Vermont (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
Moonlight in Vermont (on 1987-10-24)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:55
6Summer Wind (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
Summer Wind (on 1987-10-24)
lyricist:
Johnny Mercer
composer:
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and フジパシフィックミュージック
translated version of:
Sommerwind
3:03
7You Will Be My Music (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
You Will Be My Music (on 1987-10-24)
lyricist and composer:
Joe Raposo (piano, composer)
publisher:
Instructional Children’s Music Inc., Jonico Music Inc., Sergeant Music Co. and WB Music Corp. (1929–2019)
4:57
8More Than You Know (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
More Than You Know (on 1987-10-24)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
3:24
9Mack the Knife (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1987-10-24)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
4:32
10Monologue (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
1:06
11What's New (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
What’s New? (on 1987-10-24)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Bob Haggart
publisher:
Warner Bros., Inc. (not for release label use!)
3:15
12Bewitched (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (on 1987-10-24)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:23
13Angel Eyes (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
Angel Eyes (1946 jazz standard) (on 1987-10-24)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
4:25
14If (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
If (on 1987-10-24)
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Colgems-EMI Music Inc., Laetrec Music, S. Gems Col. Inc, Screen Gems–Columbia Music, Inc., Sony/ATV Tunes LLC and ソニー・ミュージックパブリッシング A事業部
3:52
15When Joanna Loved Me (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
When Joanna Loved Me (on 1987-10-24)
lyricist:
Robert Wells (songwriter)
composer:
Jack Segal (US songwriter)
3:12
16For Once in My Life (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
For Once in My Life (on 1987-10-24)
lyricist:
Ron Miller (Motown songwriter Ronald Norman Miller)
composer:
Orlando Murden
publisher:
Jobete Music, Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation and ソニー・ミュージックパブリッシング フジパシフィック事業部
2:54
17Lonely Town (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
On the Town: Lonely Town (on 1987-10-24)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
On the Town
4:09
18Theme From New York, New York (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
Theme From “New York, New York” (on 1987-10-24)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb
composer:
John Kander
publisher:
シンコーミュージック・パブリッシャーズ (ended), EMI Music Publishing (S.E. Asia) Ltd., Taiwan, EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
New York, New York (soundtrack of the 1977 film)
3:55
19Bows: Theme From New York, New York (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live instrumental recording of:
Theme From “New York, New York” (on 1987-10-24)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb
composer:
John Kander
publisher:
シンコーミュージック・パブリッシャーズ (ended), EMI Music Publishing (S.E. Asia) Ltd., Taiwan, EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
New York, New York (soundtrack of the 1977 film)
0:42
20Where or When (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
Where or When (from “Babes in Arms”) (on 1987-10-24)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
4:11
21My Way (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
My Way (Frank Sinatra song) (on 1987-10-24)
lyricist:
Paul Anka
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
3:41
22Maybe This Time (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
Maybe This Time (Cabaret) (on 1987-10-24)
lyricist:
Fred Ebb
composer:
John Kander
part of:
Cabaret (musical)
2:56
23Lady Is a Tramp (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1987-10-24)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
2:40
24Bows: You Are There (live at Reunion Arena, Dallas, Texas / October 24, 1987)
recorded at:
Reunion Arena in Dallas, Texas, United States (on 1987-10-24)
live instrumental recording of:
You Are There (on 1987-10-24)
lyricist:
Paul Francis Webster
composer:
Harry Sukman
publisher:
Sergeant Music Co. and WB Music Corp. (1929–2019)
1:24

Credits

Release

ASIN:DE: B07BF5THD9 [info]