# | Title | Artist | Rating | Length |
---|
1 | Under Pressure- recording of:
- Under Pressure
- writer:
- David Bowie , Brian May , John Deacon, Freddie Mercury and Roger Taylor
- publisher:
- Beechwood Music Corp., Bewlay Bros. Music, Jones Music , Mainman S.A. , Mainman Saag , Queen Music Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. , 渡辺音楽出版 CM事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), EMI Music Publishing Ltd. (in 1981), Tintoretto Music (in 1981) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- We Will Rock You
- part of:
- We Will Rock You
| Queen & David Bowie | | 3:55 |
2 | The Best | Tina Turner | 3.65 | 5:30 |
3 | Jump | Van Halen | 4.6 | 4:00 |
4 | In the Air Tonight | Phil Collins | | 5:28 |
5 | Time After Time- additional engineer:
- John Jansen and Rod O’Brien
- assistant engineer:
- John Agnello
- engineer:
- William Wittman
- associate producer:
- William Wittman
- producer:
- Rick Chertoff
- lead vocals:
- Cyndi Lauper
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1983)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 494)
- recording of:
- Time After Time
- writer:
- Rob Hyman and Cyndi Lauper
- publisher:
- Sony Songs Inc. (ended), CBS Songs Ltd., Gray Matter Music, Human Boy Music, Rellla Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd., Warner Brothers Music Ltd. , Warner Chappell Music Ltd. , Warner/Chappell Music Japan, Synch division, Yamaha Music Entertainment Holdings, Inc. , WB Music Corp. (until 2019-05-28), Dub Notes Music (in 1984), Rella Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| Cyndi Lauper | 4.4 | 4:01 |
6 | Message to My Girl | Split Enz | 4 | 4:01 |
7 | Poison Arrow | ABC | 4.4 | 3:25 |
8 | Hit Me With Your Best Shot | Pat Benatar | | 2:53 |
9 | What’s My Scene | Hoodoo Gurus | 3.35 | 3:50 |
10 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Whitechapel, Tower Hamlets, London , England, United Kingdom
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4.5 | 4:32 |
11 | I Can’t Wait | Stevie Nicks | | 4:37 |
12 | Take On Me | a‐ha | 4.4 | 3:47 |
13 | I’d Die to Be With You Tonight | Jimmy Barnes | | 3:55 |
14 | Brass in Pocket | The Pretenders | 4.25 | 3:03 |
15 | Real Men | Joe Jackson | | 4:07 |
16 | Pleasure and Pain | Divinyls | 3.35 | 3:50 |
17 | Hungry Like the Wolf | Duran Duran | 3.25 | 3:26 |
18 | Tainted Love | Soft Cell | 3.9 | 2:40 |
19 | Love Shack- assistant engineer:
- Martin Kunitz
- engineer:
- Dave Cook
- producer:
- Don Was
- mixer:
- Tom Durack
- guest bass guitar:
- Sara Lee
- guest drums (drum set):
- Charley Drayton
- guest horn:
- Uptown Horns
- guitar:
- Keith Strickland
- keyboard:
- Kate Pierson
- vocals:
- Kate Pierson, Fred Schneider and Cindy Wilson
- phonographic copyright (℗) by:
- Reprise Records (in 1989)
- recorded at:
- Dreamland Studios in Hurley, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- additionally produced at:
- Bearsville Studios in Bearsville, New York, United States
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 243)
- recording of:
- Love Shack
- writer:
- Kate Pierson, Fred Schneider , Keith Strickland and Cindy Wilson
- publisher:
- Man-Woman Together, Now!
| The B‐52s | 4.45 | 5:24 |