Annotation

Gioachino Rossini 1792-1868
Il barbiere di Sivigglia
Opera in due atti / Opera in two acts / Oper in zwei Akten / Opéra en deux actes
Libretto: Cesare Sterbini after/nach/d'après Beaumarchais

Rosina: VICTORIA DE LOS ANGELES
Figaro: SESTO BRUSCANTINI
Il conte d'Almaviva: LUIGI ALVA
Basilio: CARLO CAVA
Bartolo: IAN WALLACE
Berta: LAURA SARTI
Fiorello: DUNCAN ROBERTSON
Ambrogio: HAROLD WILLIAMS
Un Ufficiale / Officer / Un officier: JOHN RHYS EVANS

Glyndebourne Festival Chorus
Chorus Master / Chorleitung / Chef des chœurs: Myer Fredman
Royal Philharmonia Orchestra
conducted by / Dirigent / direction
Vittorio Gui

Recorded / Aufgenommen / Enregistré: 4-7, 9-11.IX.1962, No.1 Studio, Abbey Road, London
Producers / Produzenten / Directeurs artistiques: Victor Olof & Ronald Kinloch Anderson
Balance Engineer / Tonmeister / Ingénieur du son: Christopher Parker
Digitally remastered at Abbey Road Studios by Andrew Walter
Front cover / Titelseite / En couverture: Design - Enterprise | IG
℗ 1963 The copyright in this sound recording is owned by EMI Records Ltd.
Digital remastering ℗ 2002 by EMI Records Ltd.
© 2002 EMI Records Ltd.
www.emiclassics.com

Annotation last modified on 2013-10-25 23:28 UTC.

Tracklist

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CD 1
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1Il barbiere di Siviglia: Sinfonia (Orchestra)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:34
2Il barbiere di Siviglia: Atto I, scena 1. “Piano, pianissimo, senza parlar” (Fiorello, Coro, Conte)
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
tenor vocals [Fiorello]:
Duncan Robertson (tenor) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°1a. Introduzione “Piano, pianissimo” (Fiorello, Coro, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:02
3Il barbiere di Siviglia: Atto I, scena 1. “Ecco ridente in cielo” (Conte)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:21
4Il barbiere di Siviglia: Atto I, scena 1. “Ehi, Fiorello? … Mio signore”
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
tenor vocals [Fiorello]:
Duncan Robertson (tenor) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°1c. Recitativo “Ehi, Fiorello” (Coro, Fiorello, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:10
5Il barbiere di Siviglia: Atto I, scena 1. “Mille grazie, mio signore” (Conte, Fiorello, Coro)
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
tenor vocals [Fiorello]:
Duncan Robertson (tenor) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°1d. “Mille grazie, mio signore” (Coro, Conte, Fiorello) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:50
6Il barbiere di Siviglia: Atto I, scena 1. Recitativo “Gente indiscreta!” (Conte, Fiorello, Figaro)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
tenor vocals [Fiorello]:
Duncan Robertson (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°1e. “Gente indiscreta!” (Conte, Fiorello, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:29
7Il barbiere di Siviglia: Atto I, scena 1. “La ran la le ra … Largo al factotum” (Figaro)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:45
8Il barbiere di Siviglia: Atto I, scena 1. Recitativo “Ah che bella vita!” (Figaro, Conte)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°2b. “Ah che bella vita!” (Figaro, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:19
9Il barbiere di Siviglia: Atto I, scena 1. Recitativo “Non è venuto ancora” (Rosina, Conte, Bartolo, Figaro)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°2c. “Non è venuto ancora” (Rosina, Conte, Bartolo, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:32
10Il barbiere di Siviglia: Atto I, scena 1. Recitativo “Le vostre assidue premure” (Figaro, Conte, Bartolo)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°2d. “Le vostre assidue premure” (Figaro, Conte, Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:12
11Il barbiere di Siviglia: Atto I, scena 1. “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°3a. Canzone “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:55
12Il barbiere di Siviglia: Atto I, scena 1. Recitativo “Oh, cielo! … Nella stanza convien”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°3b. “Oh cielo!” (Conte, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:11
13Il barbiere di Siviglia: Atto I, scena 1. “All’idea di quel metallo”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:05
14Il barbiere di Siviglia: Atto I, scena 1. “Piano, piano … un’altra idea!”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:00
15Il barbiere di Siviglia: Atto I, scena 1. “Oh, il meglio mi scordavo”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:41
16Il barbiere di Siviglia: Atto I, scena 1. “Ah, che d’amore la fiamma io sento” (Conte, Figaro)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:31
17Il barbiere di Siviglia: Atto I, scena 2. “Una voce poco fa” (Rosina)
solo soprano vocals and soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:29
18Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Si, si, la vincerò” (Rosina, Figaro)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°5b. “Sì, sì, la vincerò” (Rosina, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:15
19Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:31
20Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Ah! Barbiere d’inferno” (Bartolo, Basilio)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°5d. “Ah! Barbiere d’inferno” (Bartolo, Basilio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:50
21Il barbiere di Siviglia: Atto I, scena 2. “La calunnia è un venticello” (Basilio)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:29
22Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Ah! Che ne dite?” (Basilio, Bartolo)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°6b. “Ah che ne dite?” (Basilio, Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:38
23Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Ma bravi! Ma benone!”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°6c. “Ma bravi! Ma benone!” (Figaro, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:43
24Il barbiere di Siviglia: Atto I, scena 2. “Dunque io son”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:55
25Il barbiere di Siviglia: Atto I, scena 2. “Fortunati affetti miei” (Figaro, Rosina)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:08
26Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Ora mi sento meglio” (Rosina, Bartolo)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°7b. “Ora mi sento meglio” (Rosina, Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:30
27Il barbiere di Siviglia: Atto I, scena 2. “A un dottor della mia sorte” (Bartolo)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:21
CD 2
#TitleArtistRatingLength
1Il barbiere di Siviglia: Atto I, scena 2. “Finora in questa camera” (Berta, Conte)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:36
2Il barbiere di Siviglia: Atto I, scena 2. “Ehi, di casa, buona gente” (Conte, Bartolo)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:50
3Il barbiere di Siviglia: Atto I, scena 2. “Ah, venisse, il caro oggetto” (Conte, Bartolo, Rosina)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:45
4Il barbiere di Siviglia: Atto I, scena 2. “Dunque, lei vuol battaglia?” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:29
5Il barbiere di Siviglia: Atto I, scena 2. “Che cosa accadde” (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:20
6Il barbiere di Siviglia: Atto I, scena 2. “Fermi tutti. Nessun si mova” (Coro, Bartolo, Figaro, Basilio, Conte, Berta, Rosina, Ufficiale)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:22
7Il barbiere di Siviglia: Atto I, scena 2. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:44
8Il barbiere di Siviglia: Atto I, scena 2. “Ma signor … ma un dottor” (Bartolo, Coro, Berta, Basilio, Rosina, Conte, Figaro)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:03
9Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:49
10Il barbiere di Siviglia: Atto II. “Pace e gioia sia son voi”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:27
11Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Conte, Bartolo)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:09
12Il barbiere di Siviglia: Atto II. Recitative “Venite, signorina” (Bartolo, Rosina, Conte)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. “Venite, signorina” (Bartolo, Rosina, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:45
13Il barbiere di Siviglia: Atto II. “Contro un cor che accende amore” (Rosina, Conte)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:15
14Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:37
15Il barbiere di Siviglia: Atto II. “Quando mi sei vicina” (Bartolo)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:05
16Il barbiere di Siviglia: Atto II. Recitativo “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, Conte)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:47
17Il barbiere di Siviglia: Atto II. “Don Basilio! … Cosa veggo!”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:29
18Il barbiere di Siviglia: Atto II. “Buona sera, mio signore” (Rosina, Conte, Figaro, Bartolo, Basilio)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. “Buona sera, mio signore” (Rosina, Conte, Figaro, Bartolo, Basilio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:55
19Il barbiere di Siviglia: Atto II. “Orsù, Signor Don Bartolo” (Figaro, Bartolo, Conte, Rosina)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto II. “Orsù, Signor Don Bartolo” … “Stringi, bravissimo” (Figaro, Bartolo, Conte, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:35
20Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!”
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:34
21Il barbiere di Siviglia: Atto II. “Il vecchiotto cerca moglie” (Berta)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:40
22Il barbiere di Siviglia: Atto II. Recitativo “Dunque voi Don Alonso” (Bartolo, Basilio)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Dunque voi” - “Per forza o per amore” (Bartolo, Basilio, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:07
23Il barbiere di Siviglia: Atto II. Recitativo “Per forza o per amore Rosina” (Bartolo, Rosina)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
partial recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Dunque voi” - “Per forza o per amore” (Bartolo, Basilio, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:55
24Il barbiere di Siviglia: Atto II. Temporale (Orchestra)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:59
25Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:01
26Il barbiere di Siviglia: Atto II. “Ah, qual colpo inaspettato!”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:31
27Il barbiere di Siviglia: Atto II. “Zitti, zitti, piano, piano” (Figaro, Conte, Rosina)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. “Zitti, zitti” (Rosina, Conte, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:29
28Il barbiere di Siviglia: Atto II. Recitativo “Ah disgraziati noi!” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
baritone vocals [un ufficiale]:
John Rhys Evans (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:37
29Il barbiere di Siviglia: Atto II. Recitativo “Insomma io ho tutti i torti” (Bartolo, Figaro, Basilio, Conte, Rosina)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma io ho tutti i torti!” (Bartolo, Figaro, Basilio, Conte, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:44
30Il barbiere di Siviglia: Atto II. “Di si felice innesto” (Figaro, Berta, Bartolo, Basilio, Coro, Rosina, Conte)
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:20