Jack Ryan: Shadow Recruit

~ Release by Patrick Doyle (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Flying Over Afghanistan
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Flying Over Afghanistan
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:43
2The United Nations
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The United Nations
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:42
3Shadow Accounts
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Shadow Accounts
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:54
4The Window Reflection
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Window Reflection
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:51
5Rooftop Call
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Rooftop Call
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:52
6Second Great Depression
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Second Great Depression
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:19
7Faith of Our Fathers
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Faith of Our Fathers
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
4:00
8Cheverin Meets Ryan
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Cheverin Meets Ryan
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:11
9Plan in a Van
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Plan in a Van
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:51
10The Activation
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Activation
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:19
11Aleksandr
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Aleksandr
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:54
12The Engagement
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Engagement
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:24
13Stealing the Data
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Stealing the Data
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
7:59
14Get Out
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Get Out
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
4:19
15Moscow Car Chase
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Moscow Car Chase
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
4:15
16The Lightbulb
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Lightbulb
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
4:37
17Unravelling the Data
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Unravelling the Data
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
4:37
18CIA Recruitment
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
CIA Recruitment
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:41
19Chopper to NYC
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Chopper to NYC
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:40
20Bike Chase
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Bike Chase
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:47
21Jack and Aleksandr
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Jack and Aleksandr
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:15
22Picking This Life
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Picking This Life
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:04
23Ryan, Mr. President
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Ryan, Mr. President
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:28
24Shadow Recruit
recording engineer and mixer:
Nick Taylor (UK recording engineer)
assistant engineer:
Laurence Anslow (UK Engineer Air Studios), Chris Barrett (engineer), Fiona Cruickshank and Roman Turtev
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Chris Benstead and Robin Morrison
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Shadow Recruit
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:30