The Complete Quartets and Quintets with Oscar Peterson on Verve

~ Release by Lionel Hampton (see all versions of this release, 1 available)

Annotation

Label: Verve - Catalog #: 3145597972 - Format: 5CD

Annotation last modified on 2022-09-15 13:01 UTC.

Tracklist

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CD 1
#TitleArtistRatingLength
1Always
electric bass guitar:
Bill Montgomery (on 1953-09-28)
guitar:
William "Billy" Mackel (on 1953-09-28)
vibraphone:
Lionel Hampton (on 1953-09-28)
live instrumental recording of:
Always (on 1953-09-28)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
Lionel Hampton8:02
2'S Wonderful
double bass:
Ray Brown (jazz bassist) (on 1954-09-02)
drums (drum set):
Buddy Rich (on 1954-09-02)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-02)
vibraphone:
Lionel Hampton (on 1954-09-02)
recording of:
’S Wonderful (on 1953-09-02)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Lionel Hampton7:23
3Air Mail Special
double bass:
Ray Brown (jazz bassist) (on 1954-09-02)
drums (drum set):
Buddy Rich (on 1954-09-02)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-02)
vibraphone:
Lionel Hampton (on 1954-09-02)
recording of:
Good Enough to Keep (Air Mail Special) (on 1953-09-02)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
Lionel Hampton7:38
4The Nearness of You
double bass:
Ray Brown (jazz bassist) (on 1954-09-02)
drums (drum set):
Buddy Rich (on 1954-09-02)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-02)
vibraphone:
Lionel Hampton (on 1954-09-02)
recording of:
The Nearness of You (on 1953-09-02)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing, LLC (1995–2020)
Lionel Hampton10:43
5Soft Winds
double bass:
Ray Brown (jazz bassist) (on 1954-09-02)
drums (drum set):
Buddy Rich (on 1954-09-02)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-02)
vibraphone:
Lionel Hampton (on 1954-09-02)
recording of:
Soft Winds (also attributed to Fletcher Henderson) (on 1953-09-02)
composer:
Benny Goodman (clarinetist and bandleader) and Art Tatum (US jazz pianist)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label) and Twenty-Eighth Street Music
Lionel Hampton6:13
6Stompin' at the Savoy
double bass:
Ray Brown (jazz bassist) (on 1954-09-02)
drums (drum set):
Buddy Rich (on 1954-09-02)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-02)
vibraphone:
Lionel Hampton (on 1954-09-02)
instrumental recording of:
Stompin’ at the Savoy (on 1953-09-02)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
Lionel Hampton10:52
7Love for Sale
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
recording of:
Love for Sale (on 1954-04-12)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Lionel Hampton9:19
8April in Paris
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
instrumental recording of:
April in Paris (on 1954-04-12)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
The Lionel Hampton Quintet6:25
9Just One of Those Things
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
recording of:
Just One of Those Things (on 1954-04-12)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Lionel Hampton7:41
CD 2
#TitleArtistRatingLength
1Stardust
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
instrumental recording of:
Stardust (the jazz standard) (on 1954-04-12)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
Lionel Hampton9:58
2That Old Black Magic, Part 1
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
instrumental recording of:
That Old Black Magic (on 1954-04-12)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Lionel Hampton6:37
3That Old Black Magic, Part 2
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
instrumental recording of:
That Old Black Magic (on 1954-04-12)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Lionel Hampton7:11
4This Can't Be Love
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
instrumental recording of:
This Can’t Be Love (on 1954-04-12)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
Ray Brown7:39
5Willow Weep for Me
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
instrumental recording of:
Willow Weep for Me (on 1954-04-12)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
Ray Brown10:13
6How High the Moon
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
instrumental recording of:
How High the Moon (on 1954-04-12)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Lionel Hampton Quartet7:29
7Blues for Norman
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
instrumental recording of:
Blues for Norman (on 1954-04-12)
Ray Brown7:13
8I Can't Get Started
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
instrumental recording of:
I Can’t Get Started (on 1954-04-12)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Lionel Hampton8:10
9Moonglow
double bass:
Ray Brown (jazz bassist) (on 1954-04-12)
drums (drum set):
Buddy Rich (on 1954-04-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-12)
vibraphone:
Lionel Hampton (on 1954-04-12)
instrumental recording of:
Moonglow (on 1954-04-12)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Ray Brown9:34
CD 3
#TitleArtistRatingLength
1It's Only a Paper Moon
clarinet:
Buddy DeFranco (on 1954-04-13)
double bass:
Ray Brown (jazz bassist) (on 1954-04-13)
drums (drum set):
Buddy Rich (on 1954-04-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-13)
vibraphone:
Lionel Hampton (on 1954-04-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-04-13)
instrumental recording of:
It’s Only a Paper Moon (on 1954-04-13)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
The Lionel Hampton Quintet6:51
2The Way You Look Tonight
clarinet:
Buddy DeFranco (on 1954-04-13)
double bass:
Ray Brown (jazz bassist) (on 1954-04-13)
drums (drum set):
Buddy Rich (on 1954-04-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-13)
vibraphone:
Lionel Hampton (on 1954-04-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-04-13)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1954-04-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
The Lionel Hampton Quintet11:14
3Flying Home
clarinet:
Buddy DeFranco (on 1954-04-13)
double bass:
Ray Brown (jazz bassist) (on 1954-04-13)
drums (drum set):
Buddy Rich (on 1954-04-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-13)
vibraphone:
Lionel Hampton (on 1954-04-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-04-13)
instrumental recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald) (on 1954-04-13)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
The Lionel Hampton Quintet17:10
4These Foolish Things
clarinet:
Buddy DeFranco (on 1954-04-13)
double bass:
Ray Brown (jazz bassist) (on 1954-04-13)
drums (drum set):
Buddy Rich (on 1954-04-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-13)
vibraphone:
Lionel Hampton (on 1954-04-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-04-13)
instrumental recording of:
These Foolish Things (Remind Me of You) (on 1954-04-13)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
The Lionel Hampton Quintet8:36
5Don't Be That Way
clarinet:
Buddy DeFranco (on 1954-04-13)
double bass:
Ray Brown (jazz bassist) (on 1954-04-13)
drums (drum set):
Buddy Rich (on 1954-04-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-13)
vibraphone:
Lionel Hampton (on 1954-04-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-04-13)
instrumental recording of:
Don’t Be That Way (on 1954-04-13)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (soundtrack of the 1977 film)
The Lionel Hampton Quintet9:28
6Dinah
clarinet:
Buddy DeFranco (on 1954-04-13)
double bass:
Ray Brown (jazz bassist) (on 1954-04-13)
drums (drum set):
Buddy Rich (on 1954-04-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-13)
vibraphone:
Lionel Hampton (on 1954-04-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-04-13)
instrumental recording of:
Dinah (on 1954-04-13)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
Lionel Hampton8:26
7On the Sunny Side of the Street
clarinet:
Buddy DeFranco (on 1954-04-13)
double bass:
Ray Brown (jazz bassist) (on 1954-04-13)
drums (drum set):
Buddy Rich (on 1954-04-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-13)
vibraphone:
Lionel Hampton (on 1954-04-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-04-13)
instrumental recording of:
On the Sunny Side of the Street (on 1954-04-13)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
The Lionel Hampton Quintet5:53
8Je ne sais pas
clarinet:
Buddy DeFranco (on 1954-04-13)
double bass:
Ray Brown (jazz bassist) (on 1954-04-13)
drums (drum set):
Buddy Rich (on 1954-04-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-13)
vibraphone:
Lionel Hampton (on 1954-04-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-04-13)
The Lionel Hampton Quintet6:29
CD 4
#TitleArtistRatingLength
1It's a Blue World (false start / alternate take)
double bass:
Ray Brown (jazz bassist) (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-13)
vibraphone:
Lionel Hampton (on 1954-09-13)
partial instrumental recording of:
It’s a Blue World (on 1954-09-13)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
The 13th Academy Award for Best Original Song (number: 2)
Oscar Peterson7:38
2It's a Blue World (LP version)
double bass:
Ray Brown (jazz bassist) (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-13)
vibraphone:
Lionel Hampton (on 1954-09-13)
instrumental recording of:
It’s a Blue World (on 1954-09-13)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
The 13th Academy Award for Best Original Song (number: 2)
Oscar Peterson7:23
3It's a Blue World (78 version)
double bass:
Ray Brown (jazz bassist) (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-13)
vibraphone:
Lionel Hampton (on 1954-09-13)
instrumental recording of:
It’s a Blue World (on 1954-09-13)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
The 13th Academy Award for Best Original Song (number: 2)
Oscar Peterson3:03
4The High and the Mighty
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-13)
vibraphone:
Lionel Hampton (on 1954-09-13)
instrumental recording of:
The High and the Mighty (1954 song from the eponymous film) (on 1954-09-13)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
part of:
The 27th Academy Award for Best Original Song (number: 2)
part of:
The High and the Mighty
Lionel Hampton3:09
5When the Saints Go Marching In
double bass:
Ray Brown (jazz bassist) (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-13)
vibraphone:
Lionel Hampton (on 1954-09-13)
vocals:
Buddy Rich (on 1954-09-13)
recording of:
When the Saints Go Marching In (on 1954-09-13)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
Buddy Rich8:17
6Flying Home
double bass:
Ray Brown (jazz bassist) (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-13)
vibraphone:
Lionel Hampton (on 1954-09-13)
instrumental recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald) (on 1954-09-13)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
Lionel Hampton3:19
7Midnight Sun
double bass:
Ray Brown (jazz bassist) (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-13)
vibraphone:
Lionel Hampton (on 1954-09-13)
instrumental recording of:
Midnight Sun (on 1954-09-13)
lyricist:
Johnny Mercer (in 1954)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
Lionel Hampton6:12
8Tenderly
double bass:
Ray Brown (jazz bassist) (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-13)
vibraphone:
Lionel Hampton (on 1954-09-13)
instrumental recording of:
Tenderly (on 1954-09-13)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Lionel Hampton10:15
9Hallelujah
double bass:
Ray Brown (jazz bassist) (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-13)
vibraphone:
Lionel Hampton (on 1954-09-13)
instrumental recording of:
Hallelujah! (on 1954-09-13)
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
Lionel Hampton6:59
10Indiana (false start / alternate take)
double bass:
Ray Brown (jazz bassist) (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-13)
vibraphone:
Lionel Hampton (on 1954-09-13)
partial instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1954-09-13)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Lionel Hampton8:13
11But Beautiful
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
recording of:
But Beautiful (on 1954-09-15)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
Lionel Hampton7:30
12Indiana
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
recording of:
Indiana (Back Home Again in Indiana) (on 1954-09-15)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Oscar Peterson7:20
CD 5
#TitleArtistRatingLength
1Hamp's Boogie Woogie (LP version)
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
recording of:
Hamp's Boogie Boogie (on 1954-09-15)
composer:
Milt Buckner (US jazz pianist/organist) and Lionel Hampton
The Lionel Hampton Quintet7:09
2Hamp's Boogie Woogie (78 version)
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
recording of:
Hamp's Boogie Boogie (on 1954-09-15)
composer:
Milt Buckner (US jazz pianist/organist) and Lionel Hampton
The Lionel Hampton Quintet3:11
3Honeysuckle Rose
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
instrumental recording of:
Honeysuckle Rose (on 1954-09-15)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
Oscar Peterson11:45
4Honeysuckle Rose (short version)
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
instrumental recording of:
Honeysuckle Rose (on 1954-09-15)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
Oscar Peterson2:40
5China Boy
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
instrumental recording of:
China Boy (on 1954-09-15)
composer:
Phil Boutelje (in 1922) and Richard A. Winfree (in 1922)
Lionel Hampton6:22
6A Foggy Day (LP version)
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
instrumental recording of:
A Foggy Day (in London Town) (on 1954-09-15)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Oscar Peterson5:28
7A Foggy Day (78 version)
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
instrumental recording of:
A Foggy Day (in London Town) (on 1954-09-15)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Oscar Peterson3:27
8Love Is Here to Stay
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
instrumental recording of:
Love Is Here to Stay (on 1954-09-15)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
Oscar Peterson4:18
9Body and Soul
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
instrumental recording of:
Body and Soul (on 1954-09-15)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Lionel Hampton15:02
10It's Only a Paper Moon
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
instrumental recording of:
It’s Only a Paper Moon (on 1954-09-15)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
The Lionel Hampton Quintet5:58
11Sweethearts on Parade
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
vocals:
Lionel Hampton (on 1954-09-15)
recording of:
Sweethearts on Parade (on 1954-09-15)
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
Oscar Peterson7:14
12Date With Oscar
double bass:
Ray Brown (jazz bassist) (on 1954-09-15)
drums (drum set):
Buddy Rich (on 1954-09-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-15)
vibraphone:
Lionel Hampton (on 1954-09-15)
Oscar Peterson5:57