Troubadours, Trouvères, Minstrels

~ Release by Studio der Frühen Musik, Thomas Binkley (see all versions of this release, 3 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Baron, de mon dan covit
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Kirche St. Ottilie, Möschenfeld in Grasbrunn, Bayern, Germany (in 1970-07)
recording of:
Baros de mon dan covit (in 1970-07)
writer:
Pèire Vidal
Pèire Vidal9:52
2Leu chansonet' e vil
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Kirche St. Ottilie, Möschenfeld in Grasbrunn, Bayern, Germany (in 1970-07)
recording of:
Leu chansonet'e vil (in 1970-07)
writer:
Giraut de Bornelh
Giraut de Bornelh4:22
3Salterello
[unknown]3:12
4Can vei la lauzeta mover
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Kirche St. Ottilie, Möschenfeld in Grasbrunn, Bayern, Germany (in 1970-07)
recording of:
Can vei la lauzeta mover (in 1970-07)
lyricist and composer:
Bernart de Ventadorn (French poet-composer troubadour, fl. 12th century)
recording of:
Quan vei la lauzeta mover (Quand je vois l'alouette) (in 1970-07)
composer:
Bernartz de Ventadorn (French poet-composer troubadour, fl. 12th century)
Bernart de Ventadorn6:32
5Veris ad imperia
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Kirche St. Ottilie, Möschenfeld in Grasbrunn, Bayern, Germany (in 1970-07)
recording of:
Veris ad imperia (in 1970-07)
composer:
[anonymous] (special purpose artist)
[unknown]1:04
6A l'entrada del temps clar
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Kirche St. Ottilie, Möschenfeld in Grasbrunn, Bayern, Germany (in 1970-07)
recording of:
A l'entrada del tens clar (in 1970-07)
lyricist and composer:
[anonymous] (special purpose artist)
[unknown]2:14
7Kalenda Maia
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Kirche St. Ottilie, Möschenfeld in Grasbrunn, Bayern, Germany (in 1970-07)
recording of:
Kalenda Maya (in 1970-07)
lyricist:
Raimbaut de Vaqueiras
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
Raimbaut de Vaqueiras7:14
8A chantar m'er de so qu'eu no volria
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Kirche St. Ottilie, Möschenfeld in Grasbrunn, Bayern, Germany (in 1970-07)
recording of:
A chanter m'er de so qu'eu no volria (in 1970-07)
lyricist and composer:
Comtessa de Dia (also known as Beatritz de Diá)
Béatriz de Dia11:52
9Retrowange novelle
Jacques de Cambrai6:23
10Chanterai por mon coraige
Guiot de Dijon11:30
11Lasse, pour quoi refusai
[unknown]6:49
▼ CD 2
#TitleArtistRatingLength
1De moi doleros vos chant
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Siemens‐Villa in Berlin, Germany (in 1974-04)
recording of:
De moi doleros vos chant (in 1974)
writer:
Gillebert de Berneville
Gillebert de Berneville5:58
2Biaus m'est estez
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Siemens‐Villa in Berlin, Germany (in 1974-04)
recording of:
Biaus m'est estez (in 1974)
writer:
Gace Brulé (French medieval nobleman & trouvère, c. 1160-1213)
Gace Brulé8:55
3Trop est mes maris jalos
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Siemens‐Villa in Berlin, Germany (in 1974-04)
recording of:
Trop est mes maris jalos (in 1974)
writer:
Étienne de Meaux (French composer / trouvère, fl. c. 1250)
Etienne de Meaux4:48
4Li joliz temps d'estay
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Siemens‐Villa in Berlin, Germany (in 1974-04)
recording of:
Li jolitz temps d'estey (Manuscrit Clairambault, Paris, BNF, n. a. f. 1050) (in 1974)
writer:
[anonymous] (special purpose artist)
[unknown]6:07
5Mir hat her Gerhart Atze ein pfert
flute:
Leonore Wehrung
harp:
Helga Storck (harpist)
percussion:
Horst Huber
rebec:
Sterling Jones (classical strings player)
shawm:
Caroline Butcher
bass vocals:
Max van Egmond (bass-baritone)
recorded at:
Siemens‐Villa in Berlin, Germany (in 1974-04)
recording of:
Mir hat her gerhart atze ein pfert
writer:
Walther von der Vogelweide
Walther von der Vogelweide3:59
6Unter der linden an der heide
psaltery:
Thomas Binkley (American lutenist and early music scholar)
mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
recording of:
Under der Linden (in 1966-05)
lyricist:
Walther von der Vogelweide
Walther von der Vogelweide3:24
7Nu alrest lebe ich mir werde
flute:
Leonore Wehrung
harp:
Helga Storck (harpist)
lute:
Thomas Binkley (American lutenist and early music scholar)
percussion:
Horst Huber
rebec:
Sterling Jones (classical strings player)
shawm:
Caroline Butcher
bass vocals:
Max van Egmond (bass-baritone)
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
recording of:
Nu alrest lebe ich mir werde (Palästinalied) (Nu alrest lebe ich mir werde)
lyricist, writer and composer:
Walther von der Vogelweide
Walther von der Vogelweide4:49
8Meie, din liehter schin
lute:
Thomas Binkley (American lutenist and early music scholar)
tenor vocals:
Willard Cobb
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
recording of:
Meie, din Liehter schin
composer:
Neidhart von Reuenthal (German singer & composer, fl. c. 1210-1240)
Neidhart von Reuenthal3:57
9Blozen wir den anger ligen sahen
citole:
Thomas Binkley (American lutenist and early music scholar)
rebec:
Sterling Jones (classical strings player)
mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
recording of:
So blossen wir den anger nie gesahen
writer:
Neidhart von Reuenthal (German singer & composer, fl. c. 1210-1240)
Neidhart von Reuenthal4:21
10Fürste Friderich
Pseudo-Neidhart1:24
11Meienzeit
harp:
Helga Storck (harpist)
tenor vocals:
Willard Cobb
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
recording of:
Meienzit
writer:
Pseudo-Neidhart
Neidhart von Reuenthal4:50
12Chanconetta Tedescha I
flute:
Leonore Wehrung
harp:
Helga Storck (harpist)
lute:
Thomas Binkley (American lutenist and early music scholar)
percussion:
Horst Huber
rebec:
Sterling Jones (classical strings player)
shawm:
Caroline Butcher
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
[unknown]1:52
13Wol mich des tages do mir alrest ist worden kunt
flute:
Leonore Wehrung
lute:
Thomas Binkley (American lutenist and early music scholar)
tenor vocals:
Willard Cobb
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
recording of:
Wol mich des tages do mir alrerst ist worden kunt
writer:
Reinmar von Brennenberg
Reinmar von Brennenberg6:49
14Chanconetta Tedescha II
flute:
Leonore Wehrung
harp:
Helga Storck (harpist)
lute:
Thomas Binkley (American lutenist and early music scholar)
percussion:
Horst Huber
rebec:
Sterling Jones (classical strings player)
shawm:
Caroline Butcher
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
[unknown]1:16
15Der kuninc Rodolp
rebec:
Sterling Jones (classical strings player)
shawm:
Caroline Butcher
bass vocals:
Max van Egmond (bass-baritone)
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
recording of:
Der kuninc Rodolp
writer:
Der Unverzagte
Der Unverzagte5:31
16Ez waent ein narrenwise
flute:
Leonore Wehrung
harp:
Helga Storck (harpist)
shawm:
Caroline Butcher
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
recording of:
Ez waent ein narrenwise
writer:
Heinrich Frauenlob
Heinrich Frauenlob4:28
17Ich warne dich, vil junger man, gezarte
mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
recording of:
Ich warne dich, vil junger man, gezarte
writer:
Wizlâv III von Rügen
Wizlâv III von Rügen1:32
18Loibere risen
psaltery:
Thomas Binkley (American lutenist and early music scholar)
tenor vocals:
Willard Cobb
orchestra:
Studio der Frühen Musik (German early music ensemble)
conductor:
Thomas Binkley (American lutenist and early music scholar)
recorded at:
Burg zu Burghausen in Burghausen, Altötting, Bayern, Germany (in 1966-05)
recording of:
Loybere risen
composer:
Wizlâv III von Rügen
Wizlâv III von Rügen2:58