Saint-Saëns: Symphony no. 3 / Debussy: La Mer / Ibert: Escales

~ Release by Saint‐Saëns, Debussy, Ibert; Boston Symphony Orchestra, Charles Munch, Berj Zamkochian (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio - Allegro moderato
recording engineer:
Lewis Layton (engineer) (from 1959-04-05 until 1959-04-06)
engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (ended) and Lewis Layton (engineer) (ended)
producer:
Richard Mohr (producer) (ended)
organ:
Berj Zamkochian (Armenian-American organist) (from 1959-04-05 until 1959-04-06)
orchestra:
Boston Symphony Orchestra (from 1959-04-05 until 1959-04-06)
conductor:
Charles Munch (conductor and violinist) (from 1959-04-05 until 1959-04-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-04-05 until 1959-04-06)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio (from 1959-04-05 until 1959-04-06)
composer:
Camille Saint‐Saëns (composer) (in 1886)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns9:48
2Symphony no. 3 in C minor, op. 78 "Organ": II. Poco adagio
recording engineer:
Lewis Layton (engineer) (from 1959-04-05 until 1959-04-06)
engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (ended) and Lewis Layton (engineer) (ended)
producer:
Richard Mohr (producer) (ended)
organ:
Berj Zamkochian (Armenian-American organist) (from 1959-04-05 until 1959-04-06)
orchestra:
Boston Symphony Orchestra (from 1959-04-05 until 1959-04-06)
conductor:
Charles Munch (conductor and violinist) (from 1959-04-05 until 1959-04-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-04-05 until 1959-04-06)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio (from 1959-04-05 until 1959-04-06)
composer:
Camille Saint‐Saëns (composer) (in 1886)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns9:35
3Symphony no. 3 in C minor, op. 78 "Organ": III. Allegro moderato - Presto
recording engineer:
Lewis Layton (engineer) (from 1959-04-05 until 1959-04-06)
engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (ended) and Lewis Layton (engineer) (ended)
producer:
Richard Mohr (producer) (ended)
organ:
Berj Zamkochian (Armenian-American organist) (from 1959-04-05 until 1959-04-06)
piano:
Bernard Zighera (from 0959-04-05 until 1959-04-06, from 1959-04-05 until 1959-04-06) and Leo Litwin (from 1959-04-05 until 1959-04-06)
orchestra:
Boston Symphony Orchestra (from 1959-04-05 until 1959-04-06)
conductor:
Charles Munch (conductor and violinist) (from 1959-04-05 until 1959-04-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-04-05 until 1959-04-06)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (from 1959-04-05 until 1959-04-06)
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns7:31
4Symphony no. 3 in C minor, op. 78 "Organ": IV. Maestoso - Allegro
recording engineer:
Lewis Layton (engineer) (from 1959-04-05 until 1959-04-06)
engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (ended) and Lewis Layton (engineer) (ended)
producer:
Richard Mohr (producer) (ended)
organ:
Berj Zamkochian (Armenian-American organist) (from 1959-04-05 until 1959-04-06)
piano:
Bernard Zighera (from 0959-04-05 until 1959-04-06, from 1959-04-05 until 1959-04-06) and Leo Litwin (from 1959-04-05 until 1959-04-06)
orchestra:
Boston Symphony Orchestra (from 1959-04-05 until 1959-04-06)
conductor:
Charles Munch (conductor and violinist) (from 1959-04-05 until 1959-04-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-04-05 until 1959-04-06)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (from 1959-04-05 until 1959-04-06)
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns7:47
5La Mer: I. De l'aube à midi sur la mer
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (on 1956-12-09)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:38
6La Mer: II. Jeux de vagues
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (on 1956-12-09)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:19
7La Mer: III. Dialogue du vent et de la mer
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (on 1956-12-09)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:05
8Escales (Ports of Call): I. Rome-Palermo: Calme
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
oboe:
Ralph Gomberg (on 1956-12-10)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
Escales: I. Rome-Palermo. Calme (for orchestra) (on 1956-12-10)
composer:
Jacques Ibert (composer) (in 1922)
part of:
Escales (for orchestra)
Jacques Ibert6:38
9Escales (Ports of Call): II. Tunis-Nefta: Modere tres rythme
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
oboe:
Ralph Gomberg (on 1956-12-10)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
Escales: II. Tunis-Nefta. Modéré très rythmé (for orchestra) (on 1956-12-10)
composer:
Jacques Ibert (composer) (in 1922)
part of:
Escales (for orchestra)
Jacques Ibert2:46
10Escales (Ports of Call): III. Valencia: Anime
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
oboe:
Ralph Gomberg (on 1956-12-10)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
Escales: III. Valencia. Animé (for orchestra) (on 1956-12-10)
composer:
Jacques Ibert (composer) (in 1922)
part of:
Escales (for orchestra)
Jacques Ibert6:04