That's Amore!

~ Release by Dean Martin (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1That's Amore!
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Four Jays Music Co., Paramount Music Corp. and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:09
2Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (in 1955)
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
Dean Martin52:18
3Sway
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (in 1952)
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
Dean Martin42:44
4How Do You Speak to an Angel?
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
How Do You Speak to an Angel?
lyricist:
Bob Hilliard
composer:
Jule Styne
Dean Martin3:08
5The Naughty Lady of Shady Lane
vocals:
Dean Martin (American singer/actor)
cover recording of:
The Naughty Lady of Shady Lane
writer:
Roy Bennett (US songwriter) and Sid Tepper
Dean Martin52:55
6Kiss
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1957)
orchestra:
Gus Levene and His Orchestra (in 1957)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957)
cover recording of:
Kiss (Niagara) (in 1957)
lyricist:
Haven Gillespie
composer:
Lionel Newman
Dean Martin52:24
7Mambo Italiano
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1954-11-26)
orchestra:
Dick Stabile and His Orchestra (on 1954-11-26)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Mambo Italiano (original english version) (on 1954-11-26)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Dean Martin2:22
8Under the Briges of Paris
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1954)
orchestra:
Dick Stabile and His Orchestra (in 1954)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Under the Bridges of Paris (in 1954)
lyricist:
Jean Rodor
composer:
Vincent Scotto
translator:
Dorcas Cochran
publisher:
Fortin Euromusic, Unichappell Music and Zodiac Music Corp.
translated version of:
Sous les ponts de Paris
Dean Martin52:48
9Let Me Go Lover
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Let Me Go, Lover
lyricist:
Al Hill (Ben Weisman, Fred Wise, Kay Twomey)
composer:
Jenny Lou Carson
is based on:
Let Me Go, Devil
Dean Martin53:02
10Young and Foolish
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Young and Foolish
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
Dean Martin2:47
11Innamorata
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1956)
orchestra:
Dick Stabile and His Orchestra (in 1956)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
recording of:
Innamorata (in 1956)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
Dean Martin2:25
12Standing on the Corner
producer:
Lee Gillette and Voyle Gilmore
vocals:
Dean Martin (American singer/actor) (in 1956)
orchestra:
Dick Stabile and His Orchestra (in 1956)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
cover recording of:
Standing on the Corner (The Most Happy Fella) (in 1956)
lyricist and composer:
Frank Loesser
part of:
The Most Happy Fella (full musical)
Dean Martin2:49
13Watching the World Go By
Dean Martin2:10
14You Belong to Me
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
You Belong to Me
writer:
Pee Wee King, Chilton Price and Redd Stewart
publisher:
Hill & Range Inc. and Ridgeway Music Co, Inc.
Dean Martin3:04
15If
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1950)
orchestra:
Paul Weston and His Orchestra (in 1950)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1950)
cover recording of:
If (Song, popular in the 1950s) (in 1950)
lyricist:
Stanley J. Damerell and Robert Hargreaves (songwriter)
composer:
Tolchard Evans
Dean Martin2:48
16How D'Ya Like Your Eggs in the Morning
recording of:
How D’Ya Like Your Eggs in the Morning?
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
Dean Martin with Helen O’Connell2:48
17Power Your Face With Sunshine
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1948)
orchestra:
Paul Weston and His Orchestra (in 1948)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1948)
cover recording of:
Powder Your Face With Sunshine (in 1948)
writer:
Carmen Lombardo and Stanley Rochinski
Dean Martin52:34
18I'll Always Love You
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Dick Stabile and His Orchestra (in 1951)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
cover recording of:
I’ll Always Love You (in 1951)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
Dean Martin2:35
19Love Me, Love Me
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
Dean Martin2:35
20I'd Cry Like a Baby
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
recording of:
I’d Cry Like a Baby
writer:
Sammy Gallop and Howard Steiner
Dean Martin52:36
21Money Burns a Hole in My Pocket
recording of:
Money Burns a Hole in My Pocket
lyricist:
Bob Hilliard
composer:
Jule Styne
Dean Martin3:02
22Relax-Ay-Voo
recording of:
Relax Ay Voo
lyricist and composer:
Sammy Cahn and Arthur Schwartz
publisher:
Columbia ∙ Control
Dean Martin with Line Renaud2:56
23Just One More Chance
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Just One More Chance
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
Dean Martin3:17
24Bye Bye Blackbird
recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Dean Martin3:05
25I Love the Way You Say Goodnight
recording of:
I Love the Way You Say Goodnight
lyricist:
Eddie Pola (in 1951)
composer:
George Wyle (in 1951)
Dean Martin3:12
26In the Cool, Cool, Cool of the Evening
vocals:
Dean Martin (American singer/actor) (on 1951-04-09)
conductor:
Dick Stabile (on 1951-04-09)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recording of:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”) (on 1951-04-09)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 24th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 24)
Dean Martin3:00
27Open Up the Dog House (Two Cats Are Comin' in)
alto saxophone:
Skeets Herfurt (on 1954-09-07) and Harry Klee (on 1954-09-07)
baritone saxophone:
Chuck Gentry (on 1954-09-07)
bass:
Charlie Harris (jazz bassist) (on 1954-09-07)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-09-07)
guitar:
John Collins (jazz guitarist) (on 1954-09-07)
piano:
Lew Brown (on 1954-09-07)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-09-07)
trombone:
Ed Kusby (on 1954-09-07), Murray McEachern (on 1954-09-07) and Si Zentner (on 1954-09-07)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-09-07), Conrad Gozzo (on 1954-09-07) and Manny Klein (on 1954-09-07)
vocals:
Nat King Cole (on 1954-09-07) and Dean Martin (American singer/actor) (on 1954-09-07)
orchestra:
Billy May & His Orchestra (on 1954-09-07)
conductor:
Billy May (on 1954-09-07)
arranger:
Billy May
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-09-07)
recording of:
Open Up the Doghouse (on 1954-09-07)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
Dean Martin with Nat King Cole2:28
28Everybody Loves Somebody
cover recording of:
Everybody Loves Somebody
lyricist:
Sam Coslow and Irving Taylor
composer:
Sam Coslow and Ken Lane
publisher:
Sands Music Corp. and フジパシフィックミュージック
sub-publisher:
Warner Chappel Music Belgium NV
Dean Martin2:27