Stormy Monday

~ Release by Lou Rawls with Les McCann Ltd. (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Stormy Monday
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad) (in 1962-02)
lyricist and composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
arranger:
Andy Farber
publisher:
Wixen Music Publishing, Inc. (ended), Burlington Music Co., Ltd., Gregmark Music Inc (Gregmark), Lord and Walker Publishing, Songs Of The Knoll, 日音 Synch事業部, Peermusic III, Ltd. (BMI) (until 2018-11-01) and Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (from 2018-11-01 to present)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
3:46
2God Bless the Child
recorded in:
Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set) and drums (drum set) [drums]:
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
lead vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
cover recording of:
God Bless the Child (on 1962-02-05)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
cover recording of:
God Bless the Child (from 1962-02-05 until 1962-02-12)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
4:30
3See See Rider
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
cover recording of:
See See Rider (Ma Rainey version)
additional composer:
Lena Arant
composer:
Ma Rainey
version of:
See See Rider Blues
3:12
4Willow Weep for Me
recorded in:
Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set) and drums (drum set) [drums]:
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
lead vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
cover recording of:
Willow Weep for Me (from 1962-02-05 until 1962-02-12)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
recording of:
Willow Weep for Me (in 1962-02)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
5:57
5I'm Gonna Move to the Outskirts of Town
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
cover recording of:
I’m Gonna Move to the Outskirts of Town (in 1962-02)
writer:
Roy Jordan and William Weldon (blues slide guitar player)
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
4:00
6In the Evening When the Sun Goes Down
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
cover recording of:
In the Evening (When the Sun Goes Down) (in 1962-02)
writer:
Leroy Carr and Don Raye
3:29
7T'ain't Nobody Biz-nes If I Do
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
recording of:
T’ain’t Nobody’s Bizness If I Do (in 1962-02)
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
2:46
8Lost and Lookin'
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
cover recording of:
Lost and Lookin’ (in 1962-02)
composer:
James Woodie Alexander and Lowell Jordan
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
3:09
9I'd Rather Drink Muddy Water
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
recording of:
I’d Rather Drink Muddy Water (from 1962-02-05 until 1962-02-12)
lyricist and composer:
Eddie Miller (US country music songwriter)
3:55
10Sweet Lover
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
3:08
11Blues Is a Woman
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
recording of:
Blues Is a Woman (from 1962-02-05 until 1962-02-12)
writer:
Lou Rawls
2:58
12A Little Les of Lou's Blues
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
2:24
13Stormy Monday (alternate take)
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad) (in 1962-02)
lyricist and composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
arranger:
Andy Farber
publisher:
Wixen Music Publishing, Inc. (ended), Burlington Music Co., Ltd., Gregmark Music Inc (Gregmark), Lord and Walker Publishing, Songs Of The Knoll, 日音 Synch事業部, Peermusic III, Ltd. (BMI) (until 2018-11-01) and Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (from 2018-11-01 to present)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
2:59

Credits

Release

ASIN:DE: B000005HF1 [info]