Capital Gold Fifties Legends

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
▼ CD 1
#TitleArtistRatingLength
1Jailhouse Rock
drums (drum set):
D.J. Fontana (on 1957-04-30)
electric bass guitar:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-04-30)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-04-30)
additional vocals:
The Jordanaires (on 1957-04-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1957) and BMG Music (in 1957)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 67) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 216)
recording of:
Jailhouse Rock (on 1957-04-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Fujipacific Music, Inc., Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Nichion Synch Division, Silver Seahorse Music LLC and Sony/ATV Songs LLC
Elvis Presley3.452:35
2Rave On
recording of:
Rave On
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
Buddy Holly1:48
3Wake Up Little Susie
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 21) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 311)
recording of:
Wake Up Little Susie (in 1957)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:00
4Lost John
cover recording of:
Lost John
composer:
[traditional] (special purpose artist)
arranger:
Lonnie Donegan
publisher:
Exile Publishing Ltd., Shalon Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lonnie Donegan2:42
5Singing the Blues
Tommy Steele2:22
6Living Doll
recording of:
Living Doll
lyricist and composer:
Lionel Bart
Cliff Richard2:36
7The Story of My Life
cover recording of:
The Story of My Life
lyricist:
Hal David
composer:
Burt Bacharach
Michael Holliday42:12
8It’s Late
Ricky Nelson1:57
9Oh! Carol
Neil Sedaka2:16
10What Do You Want to Make Those Eyes at Me For
Emile Ford2:04
11Stupid Cupid
Connie Francis2:12
12Yakety Yak
recording of:
Yakety Yak
lyricist:
Jerry Leiber
writer:
Jerry Leiber and Mike Stoller
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
part of:
Twins (1988)
The Coasters41:50
13Witch Doctor
cover recording of:
Witch Doctor
lyricist and composer:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks)
publisher:
Armen Bagdasarian and Bourne Music Ltd.
Don Lang2:26
14Hoots Mon!
Lord Rockingham's XI2:13
15See You Later, Alligator
Bill Haley & His Comets2:44
16Whole Lotta Shakin’ Going On
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
Jerry Lee Lewis2:51
17Ooby Dooby
recording of:
Ooby Dooby
lyricist and composer:
Wade Moore and Dick Penner
publisher:
Hi Lo Music, Peer International Corporation (BMI) and Southern Music Publishing Company Limited
Roy Orbison2:09
18Good Golly Miss Molly
recording of:
Good Golly Miss Molly
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. and Robin Hood Music Co.
Little Richard2:09
19C’mon Everybody
recording of:
C’mon Everybody
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Unart Catalog Inc. and Metric Music Co (publisher)
Eddie Cochran1:53
20At the Hop
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 28)
recording of:
At the Hop
writer:
John L. Medora, Arthur Singer and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
Danny & the Juniors3.52:31
21Move It
recording of:
Move It
composer:
Ian Samwell
publisher:
Multimood Music Ltd.
Cliff Richard2:20
22Don’t You Rock Me Daddy‐O
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1957)
recording of:
Don't You Rock Me Daddy-O
composer:
Bill Varley and Wally Whyton
The Vipers Skiffle Group2:16
23Please Don’t Touch
Johnny Kidd and the Pirates1:50
24All Shook Up
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-12 until 1957-01-13)
drums (drum set):
D.J. Fontana (from 1957-01-12 until 1957-01-13)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-12 until 1957-01-13) and Elvis Presley (“The King of Rock and Roll”) (from 1957-01-12 until 1957-01-13)
piano:
Gordon Stoker (from 1957-01-12 until 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-12 until 1957-01-13)
remixer:
Dennis Ferrante
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-01-12 until 1957-01-13) and Bloch Arena in Honolulu, Hawaii, United States (on 1961-03-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 18) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 353)
cover recording of:
All Shook Up (on 1957-01-12)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
Elvis Presley3.651:57
25Be Bop‐A‐Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐A‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
Gene Vincent4.352:34
26Willie & The Hand Jive
recording of:
Willie and the Hand Jive
lyricist and composer:
Johnny Otis
publisher:
Eldorado Music Company
The Johnny Otis Show2:35
27Why Do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:16
28Sweet Little Sixteen
double bass:
Willie Dixon (in 1957-12)
drums (drum set):
Jasper Thomas (in 1957-12)
guitar and lead vocals:
Chuck Berry (in 1957-12)
piano:
Johnnie Johnson (in 1957-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (in 1957-12)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 272)
recording of:
Sweet Little Sixteen (in 1957-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2.53:10
29Endless Sleep
cover recording of:
Endless Sleep
lyricist and composer:
Jody Reynolds
publisher:
Elizabeth Music and Johnstone-Montei Music
Marty Wilde2:17
30I Walk the Line
recorded in:
Memphis, Tennessee, United States (on 1956-04-02)
producer:
Bob Johnston (US record producer and early rockebilly singer) and Sam Phillips (founder of Sun Records)
acoustic guitar:
Johnny Cash (country music legend) (on 1956-03-30, on 1956-04-02)
double bass:
Marshall Grant (on 1956-03-30, on 1956-04-02)
electric guitar:
Luther Perkins (on 1956-03-30, on 1956-04-02)
vocals:
Johnny Cash (country music legend) (on 1956-03-30, on 1956-04-02)
phonographic copyright (℗) by:
Sun Entertainment Corporation (company credits only; do not use as release label!) (in 1956) and Sun Record Company (in 1956)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1956-03-30)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 33) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 76)
recording of:
I Walk the Line (on 1956-03-30)
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (Publisher), Carlin Music Corporation, Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
recording of:
I Walk the Line (on 1956-04-02)
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (Publisher), Carlin Music Corporation, Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.152:43
31Blueberry Hill
phonographic copyright (℗) by:
Everest Records (classical) and Liberty (a division of UMG Recordings, Inc.) (in 1957)
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:20
32What I’d Say
recording of:
What’d I Say
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles6:27
▼ CD 2
#TitleArtistRatingLength
1Dream Lover
Bobby Darin2:31
2Magic Moments
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1957) and The Ray Charles Singers (in 1957)
orchestra:
Mitchell Ayres and His Orchestra
performer:
Perry Como (US pop singer & TV personality, 1912–2001) and Mitchell Ayres and His Orchestra (in 1957)
arranger:
Joe Reisman
phonographic copyright (℗) by:
BMG Entertainment (in 1958)
recording of:
Magic Moments
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Music Publishing Ltd. and MCA Music Ltd.
Perry Como42:39
3Whatever Will Be Will Be (Que sera sera)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
recording of:
Que será, será (Whatever Will Be, Will Be)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
Doris Day2:05
4Smoke Gets in Your Eyes
The Platters2:37
5Just Walkin’ in the Rain
vocals:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (on 1956-06-29)
orchestra:
Ray Conniff, His Orchestra & Chorus (on 1956-06-29)
cover recording of:
Just Walkin’ in the Rain (on 1956-06-29)
writer:
Johnny Bragg, Buddy Killen and Robert Riley
Johnnie Ray2:38
6Kiss Me Honey Honey (Kiss Me)
vocals:
Shirley Bassey (Welsh singer)
recording of:
Kiss Me, Honey Honey, Kiss Me
writer:
Michael Julien (British songwriter) and Albon Timothy (jazz and calypso musician and songwriter)
Shirley Bassey2:24
7Green Door
Frankie Vaughan2:47
8I’m Gonna Wash That Man Right Outa My Hair
recording of:
I’m Gonna Wash That Man Right Outa My Hair (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
Rodgers & Hammerstein2:54
9Rawhide
cover recording of:
Rawhide
publisher:
Mrs. Ned Washington (wife of American lyricist Ned Washington)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
Catharine Hinen Music, Largo Music, MCA Music Ltd., Patti Washington Music and Volta Music Corporation
Frankie Laine2:03
10This Ole House
recording of:
This Ole House
lyricist and composer:
Stuart Hamblen
Rosemary Clooney2:22
11When
vocals:
Kalin Twins
conductor:
Jack Pleis
recording of:
When
writer:
Paul Evans (50s US rock n roll singer/songwriter) and Jack Reardon
Kalin Twins2:26
12Seven Little Girls Sitting in the Back Seat
recording of:
Seven Little Girls Sitting in the Back Seat
lyricist:
Bob Hilliard
composer:
Lee Pockriss
publisher:
Campbell Connelly & Co. Ltd. and EMI United Partnership Ltd.
The Avons2:14
13Feet Up (Pat Him on the Po‐Po)
Guy Mitchell2:41
14Guaglione
Pérez Prado2:23
15That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Four Jays Music Co., Paramount Music Corp. and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:07
16Three Coins in the Fountain
recording of:
Three Coins in the Fountain
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 27)
Frank Sinatra3:03
17Rock and Roll Waltz
Kay Starr2:46
18Sixteen Tons
acoustic guitar:
Bobby Gibbons (on 1955-09-20)
bass clarinet:
Darol Rice (on 1955-09-20)
clarinet:
Red Mandel (on 1955-09-20)
double bass [bass]:
Rolly Bundock (on 1955-09-20)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-09-20)
finger snaps and lead vocals:
Tennessee Ernie Ford (on 1955-09-20)
trombone:
George Bruns (on 1955-09-20)
trumpet:
Charlie Parlato (on 1955-09-20)
conductor:
Jack Fascinato (on 1955-09-20)
arranger:
Jack Fascinato
phonographic copyright (℗) by:
Bacci Bros Records (in 2010) and Lucky Vintage (in 2014)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-09-20)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 12)
cover recording of:
Sixteen Tons (on 1955-09-20)
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Campbell Connelly & Co. Ltd.
parody version of:
Sixteen Tons (yiddish parody)
Tennessee Ernie Ford52:36
19Banana Boat Song (Day‐o)
producer:
Herman Diaz, Jr.
congas:
Alexander Cambrelen (on 1955-10-20) and Mario Castillo (on 1955-10-20)
double bass:
Milt Hinton (on 1955-10-20)
drums (drum set):
Osie Johnson (on 1955-10-20)
flute:
Herbert Levy (on 1955-10-20)
guitar:
Millard Thomas (on 1955-10-20)
choir vocals:
Charles Colman (on 1955-10-20), J. Hamilton Grandison (on 1955-10-20), Herbert L. Stubbs (on 1955-10-20), Joseph Lewis (on 1955-10-20), Lord Burgess (on 1955-10-20), Brock Peters (on 1955-10-20), Sherman Sneed (on 1955-10-20), John White (50s US vocalist) (on 1955-10-20) and Gloria Wynder (on 1955-10-20)
lead vocals:
Harry Belafonte (on 1955-10-20)
vocals:
Harry Belafonte
orchestra:
Tony Scott's Orchestra & Chorus (on 1955-10-20)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-10-20)
recorded at:
Webster Hall in New York, New York, United States (on 1955-10-20)
recording of:
Day-O (The Banana Boat Song) (Burgess/Attaway version made famous by Harry Belafonte) (on 1955-10-20)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd and Lord Burgess Music Publishing Co.
version of:
Day-O (The Banana Boat Song) (Original folk song)
Harry Belafonte4.753:03
20Mr. Sandman
The Chordettes2:23
21Dreamboat
vocals:
Alma Cogan
recording of:
Dreamboat (1955 song)
lyricist and composer:
Jack Hoffman
Alma Cogan1:45
22Rockin’ Robin
Bobby Day2:34
23White Sport Coat (and a Pink Carnation)
recording of:
A White Sport Coat and a Pink Carnation
lyricist and composer:
Marty Robbins
Marty Robbins2:17
24What Do You Want
producer:
John Barry (English score composer) and John Burgess (British record producer)
vocals:
Adam Faith (on 1959-09-25)
conductor and performer:
John Barry (English score composer) (on 1959-09-25)
arranger:
John Barry (English score composer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-09-25)
recording of:
What Do You Want? (on 1959-09-25)
lyricist and composer:
Les Vandyke
Adam Faith1:36
25Only Sixteen
cover recording of:
Only Sixteen
writer:
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
Craig Douglas2:12
26Kisses Sweeter Than Wine
cover recording of:
Kisses Sweeter Than Wine
lyricist:
Paul Campbell (songwriting pseudonym used by The Weavers)
composer:
Joel Newman
translated version of:
נשיקות מתוקות מדבש
Jimmie Rodgers42:20
27Butterfly
vocals:
Andy Williams (US pop/jazz vocalist)
conductor:
Archie Bleyer
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
cover recording of:
Butterfly
writer:
Bernie Lowe and Kal Mann
publisher:
Mayland‐Presley
Andy Williams2:20
28Big Man
The Four Preps2:21
29All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
The Everly Brothers2:20
30Travellin’ Light
cover recording of:
Travellin’ Light
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
Cliff Richard2:37
31Smile
producer:
Lee Gillette
bass:
Charlie Harris (jazz bassist) (on 1954-07-27)
bass trombone:
George Roberts (american bass trombone) (on 1954-07-27)
cello:
Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (on 1954-07-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-07-27)
French horn:
Vincent DeRosa (on 1954-07-27) and William Hinshaw (American horn player) (on 1954-07-27)
guitar:
John Collins (jazz guitarist) (on 1954-07-27)
percussion:
Louis Singer (percussionist) (on 1954-07-27)
piano:
Bill Miller (pianist) (on 1954-07-27)
reeds:
John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
trombone:
Francis Howard (trombone) (on 1954-07-27)
viola:
Stanley Harris (US big band viola player) (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
violin:
Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (violinist) (on 1954-07-27), Eudice Shapiro (Violinist) (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (American violinist and strings conductor) (on 1954-07-27)
vocals:
Nat King Cole (on 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (on 1954-07-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-27)
cover recording of:
Smile (on 1954-07-27)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
Nat King Cole2:52
32It’s Only Make Believe
recording of:
It’s Only Make Believe
writer:
Jack Nance (in 1958) and Conway Twitty (in 1958)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:13

Credits

Release

ASIN:UK: B000H9HXHM [info]

Release group

part of:Capital Gold Legends (number: 50s) (order: 4)