The Best Easy Album …Ever!

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Can’t Take My Eyes Off You
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Andy Williams?:??
2Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (in 1955)
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
Dean Martin5?:??
3On the Street Where You Live
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Nat King Cole?:??
4Beyond the Sea
Bobby Darin?:??
5We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.5?:??
6I Left My Heart in San FranciscoTony Bennett?:??
7Wives and Lovers
recording of:
Wives and Lovers
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
Jack Jones?:??
8Comin’ Home Baby
Mel Tormé?:??
9Mas que nada
Sérgio Mendes?:??
10If I Had a Hammer
recording of:
If I Had a Hammer
writer:
Lee Hays (in 1949) and Pete Seeger (in 1949)
Trini Lopez?:??
11The More I See You
Chris Montez?:??
12Up Up and Away
The Johnny Mann Singers?:??
13Whatever Will Be, Will Be (Que será, será)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
recording of:
Que será, será (Whatever Will Be, Will Be)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
Doris Day2:08
14Sugar Town
recording of:
Sugar Town
lyricist and composer:
Lee Hazlewood
publisher:
Granite Music Corporation
Nancy Sinatra?:??
15I Couldn’t Live Without Your Love
recording of:
I Couldn’t Live Without Your Love
lyricist:
Jackie Trent (English singer‐songwriter and actress)
composer:
Tony Hatch
publisher:
Welbeck Music Ltd.
Petula Clark?:??
16Avenues & Alleyways
recording of:
Avenues and Alleyways (The Protectors)
lyricist and composer:
Peter Callander and Mitch Murray
publisher:
ATV Kirshner (publisher) (in 1972)
Tony Christie?:??
17Where Are You Now (My Love)
recording of:
Where Are You Now (My Love)
composer:
Tony Hatch and Jackie Trent (English singer‐songwriter and actress)
Jackie Trent?:??
18Raindrops Keep Falling on My HeadB.J. Thomas4?:??
19Candy Man
Sammy Davis Jr.?:??
20Sway
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (in 1952)
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
Dean Martin4?:??
21A Man Without Love
recording of:
A Man Without Love (Quando m'innamoro)
lyricist:
Mario Panzeri (Italian Composer and “paroliere”)
composer:
Roberto Livraghi and Daniele Pace (italian lyricist & songwriter)
translator:
Barry Mason (English songwriter)
translated version of:
Quando m’innamoro
Engelbert Humperdinck4?:??
22We’re Gonna Change the WorldMatt Monro?:??
23Big Spender
producer:
Kenneth Hume and Norman Newell
lead vocals:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Shirley Bassey4.5?:??
24King of the Road
recorded in:
Tennessee, United States
producer:
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964-11)
phonographic copyright (℗) by:
Smash (in 1965)
recording of:
King of the Road (on 1964-11-03)
lyricist:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
composer:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.65?:??
25What the World Needs Now Is LoveJackie DeShannon3.6?:??
CD 2
#TitleArtistRatingLength
1Smile
producer:
Lee Gillette
bass:
Charlie Harris (jazz bassist) (on 1954-07-27)
bass trombone:
George Roberts (american bass trombone) (on 1954-07-27)
cello:
Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (on 1954-07-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-07-27)
French horn:
Vincent DeRosa (on 1954-07-27) and William Hinshaw (American horn player) (on 1954-07-27)
guitar:
John Collins (jazz guitarist) (on 1954-07-27)
percussion:
Louis Singer (percussionist) (on 1954-07-27)
piano:
Bill Miller (pianist) (on 1954-07-27)
reeds:
John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
trombone:
Francis Howard (trombone) (on 1954-07-27)
viola:
Stanley Harris (US big band viola player) (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
violin:
Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (violinist) (on 1954-07-27), Eudice Shapiro (Violinist) (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (American violinist and strings conductor) (on 1954-07-27)
vocals:
Nat King Cole (on 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (on 1954-07-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-27)
cover recording of:
Smile (on 1954-07-27)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
Nat King Cole2:53
2The Look of LoveDusty Springfield53:41
3Joanna
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1968)
recording of:
Joanna
writer:
Tony Hatch and Jackie Trent (English singer‐songwriter and actress)
publisher:
ATV Music Ltd.
Scott Walker3:51
4Ev’ry Time We Say Goodbye
engineer:
Val Valentin
producer:
Norman Granz
celesta and piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
orchestra:
Buddy Bregman Orchestra (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald3.53:31
5Anyone Who Had a Heart
recording of:
Anyone Who Had a Heart
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) and U.S. Songs, Inc. (in 1963)
translated version of:
Quelli che hanno un cuore
Dionne Warwick2:53
6Wondrous Place
Billy Fury2:25
7Galveston
phonographic copyright (℗) by:
Capitol Records Nashville (in 2001)
cover recording of:
Galveston (in 1969)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Glen Campbell2:42
8(It Looks Like) I’ll Never Fall in Love Again
cover recording of:
I’ll Never Fall in Love Again
lyricist:
Jimmie Currie (songwriter) and Lonnie Donegan
is based on:
Wanderin' (American folk song)
Tom Jones34:15
9Midnight Cowboy
recording of:
Midnight Cowboy
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
John Barry42:45
10Moon River
vocals:
Danny Williams
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 34)
Danny Williams3.52:37
11Misty
producer:
Al Ham and Mitch Miller
vocals:
Johnny Mathis (US pop/soul singer) (in 1959)
conductor:
Glenn Osser (in 1959)
arranger:
Glenn Osser
recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Johnny Mathis3:35
12For All We Know
producer:
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
cover recording of:
For All We Know (Lovers and Other Strangers, 1970)
lyricist:
Arthur James (soft rock singer/songwriter/guitarist) and Robb Wilson
composer:
Fred Karlin
publisher:
MCA Music Ltd. (ended), Pamco Music Inc. (ended), EMI Al Gallico Music Corp., Songs of Universal, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
The 43rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 43)
Shirley Bassey2:45
13Downtown
vocals:
Petula Clark (English singer & actor) (in 1964)
arranger:
Tony Hatch
recording of:
Downtown (in 1964)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020) and Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部
Petula Clark4.53:11
14That’s Amore
recording of:
That’s Amore
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Four Jays Music Co., Paramount Music Corp. and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin3:21
15Somethin’ Stupid
recorded in:
Hollywood, Los Angeles, California, United States (on 1967-02-01)
engineer:
Eddie Brackett and Phil Ramone
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter) and Lee Hazlewood
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1967-02-01) and Nancy Sinatra (on 1967-02-01)
conductor:
Billy Strange (on 1967-02-01)
arranger:
Billy Strange (on 1967-02-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1967)
cover recording of:
Somethin’ Stupid (on 1967-02-01)
lyricist and composer:
Carson Parks
publisher:
Greenwood Music, Montclare Music and Montclare Music Co Ltd.
Frank & Nancy Sinatra42:35
16Fever
bass:
Joe Mondragon (in 1958-05)
drums (drum set):
Shelly Manne (US jazz drummer) (in 1958-05)
finger snaps:
Peggy Lee (jazz vocalist) (in 1958-05) and Howard Roberts (jazz guitarist, educator, session musician and producer) (in 1958-05)
vocals:
Peggy Lee (jazz vocalist) (in 1958-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (in 1958-05)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee4.253:19
17It Had to Be You
recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
Vic Damone23:32
18And I Love You So
engineer:
Tom Pick
producer:
Chet Atkins
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1973-01-19)
conductor:
Cam Mullins (on 1973-01-19)
arranger:
Cam Mullins
cover recording of:
And I Love You So (on 1973-01-19)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., Songs of Universal, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Perry Como3:17
19Chanson d’amour
producer:
Richard Perry (producer)
accordion:
Steve Paietta
bass:
Andy Muson (in 1975)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (in 1975)
guitar:
Ben Benay (in 1975) and Ira Newborn (in 1975)
piano:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (in 1975)
solo tenor saxophone:
Jay Migliori (in 1975)
remixer:
Howard Steele (US producer, sound engineer)
arranger:
Ira Newborn
vocals arranger:
Tim Hauser (in 1975) and Janis Siegel (in 1975)
cover recording of:
Chanson d’amour (1958 song) (in 1975)
lyricist and composer:
Wayne Shanklin
publisher:
Carlin Music and Intersong (publisher) (in 1982)
The Manhattan Transfer2:53
20Dream a Little Dream of MeCass Elliot3.53:14
21(Where Do I Begin) Love Story
producer:
Dick Glasser
recording of:
(Where Do I Begin?) Love Story (Love Story) (on 1970-12-17)
lyricist:
Carl Sigman
composer:
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited, Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony, Sony/ATV Music Publishing, LLC (1995–2020), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
version of:
Theme From Love Story (Instrumental)
Andy Williams3:11
22Honey Come Back
recording engineer:
Peter Abbott (US recording engineer) and Joe Polito (Engineer)
producer:
Al de Lorry
conductor:
Al de Lory
arranger:
Al de Lory
cover recording of:
Honey Come Back
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Glen Campbell3:02
23Yesterday
cover recording of:
Yesterday
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC and Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (from 1965 to present)
Matt Monro2:48
24Unforgettable
recorded in:
Los Angeles, California, United States (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
guitar:
Irving Ashby (on 1951-08-17)
piano:
Nat King Cole (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra and performer:
Nelson Riddle and His Orchestra (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole43:12
25Cry Me a River
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:58