Zounds!

~ Release by The Lennie Niehaus Octet (see all versions of this release, 2 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1The Sermon
recording engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1956-12-10)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-12-10)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-12-10)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-12-10)
French horn:
Vincent DeRosa (on 1956-12-10)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1956-12-10)
trombone:
Frank Rosolino (on 1956-12-10)
tuba:
James McAllister (tuba) (on 1956-12-10)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-10)
5:16
A2How About You
recording engineer:
John Palladino
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1954-08-23)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1954-08-23)
bass:
Monty Budwig (on 1954-08-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-08-23)
piano:
Lou Levy (on 1954-08-23)
tenor saxophone:
Jack Montrose (on 1954-08-23)
trumpet:
Stu Williamson (on 1954-08-23)
valve trombone:
Bob Enevoldsen (on 1954-08-23)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-08-23)
instrumental recording of:
How About You? (on 1954-08-23)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2)
2:32
A3Figure 8
recording engineer:
John Palladino
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1954-08-23)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1954-08-23)
bass:
Monty Budwig (on 1954-08-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-08-23)
piano:
Lou Levy (on 1954-08-23)
tenor saxophone:
Jack Montrose (on 1954-08-23)
trumpet:
Stu Williamson (on 1954-08-23)
valve trombone:
Bob Enevoldsen (on 1954-08-23)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-08-23)
3:39
A4Patti-Cake
recording engineer:
John Palladino
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1954-08-23)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1954-08-23)
bass:
Monty Budwig (on 1954-08-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-08-23)
piano:
Lou Levy (on 1954-08-23)
tenor saxophone:
Jack Montrose (on 1954-08-23)
trumpet:
Stu Williamson (on 1954-08-23)
valve trombone:
Bob Enevoldsen (on 1954-08-23)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-08-23)
2:40
A5With the Wind and the Rain in Your Hair
recording engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1956-12-10)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-12-10)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-12-10)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-12-10)
French horn:
Vincent DeRosa (on 1956-12-10)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1956-12-10)
trombone:
Frank Rosolino (on 1956-12-10)
tuba:
James McAllister (tuba) (on 1956-12-10)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-10)
instrumental recording of:
With the Wind and the Rain in Your Hair (on 1956-12-10)
writer:
Clara Edwards (American singer and songwriter) and Jack Lawrence (US songwriter)
4:04
A6The Way You Look Tonight
recording engineer:
John Palladino
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1954-08-23)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1954-08-23)
bass:
Monty Budwig (on 1954-08-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-08-23)
piano:
Lou Levy (on 1954-08-23)
tenor saxophone:
Jack Montrose (on 1954-08-23)
trumpet:
Stu Williamson (on 1954-08-23)
valve trombone:
Bob Enevoldsen (on 1954-08-23)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-08-23)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1954-08-23)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
3:35
B1Have You Met Miss Jones?
recording engineer:
John Palladino
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1954-08-23)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1954-08-23)
bass:
Monty Budwig (on 1954-08-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-08-23)
piano:
Lou Levy (on 1954-08-23)
tenor saxophone:
Jack Montrose (on 1954-08-23)
trumpet:
Stu Williamson (on 1954-08-23)
valve trombone:
Bob Enevoldsen (on 1954-08-23)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-08-23)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1954-08-23)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:45
B2Four
recording engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1956-12-10)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-12-10)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-12-10)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-12-10)
French horn:
Vincent DeRosa (on 1956-12-10)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1956-12-10)
trombone:
Frank Rosolino (on 1956-12-10)
tuba:
James McAllister (tuba) (on 1956-12-10)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-10)
4:03
B3Night Life
recording engineer:
John Palladino
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1954-08-23)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1954-08-23)
bass:
Monty Budwig (on 1954-08-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-08-23)
piano:
Lou Levy (on 1954-08-23)
tenor saxophone:
Jack Montrose (on 1954-08-23)
trumpet:
Stu Williamson (on 1954-08-23)
valve trombone:
Bob Enevoldsen (on 1954-08-23)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-08-23)
2:41
B4The Night We Called It a Day
recording engineer:
John Palladino
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1954-08-23)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1954-08-23)
bass:
Monty Budwig (on 1954-08-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-08-23)
piano:
Lou Levy (on 1954-08-23)
tenor saxophone:
Jack Montrose (on 1954-08-23)
trumpet:
Stu Williamson (on 1954-08-23)
valve trombone:
Bob Enevoldsen (on 1954-08-23)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-08-23)
instrumental recording of:
The Night We Called It a Day (on 1954-08-23)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. and Dorsey Brothers Music
3:59
B5Blues for Susie
recording engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1956-12-10)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-12-10)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-12-10)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-12-10)
French horn:
Vincent DeRosa (on 1956-12-10)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1956-12-10)
trombone:
Frank Rosolino (on 1956-12-10)
tuba:
James McAllister (tuba) (on 1956-12-10)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-10)
3:38
B6Seaside
recording engineer:
John Palladino
producer:
Lester Koenig
alto saxophone:
Lennie Niehaus (American saxophonist and score composer) (on 1954-08-23)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1954-08-23)
bass:
Monty Budwig (on 1954-08-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-08-23)
piano:
Lou Levy (on 1954-08-23)
tenor saxophone:
Jack Montrose (on 1954-08-23)
trumpet:
Stu Williamson (on 1954-08-23)
valve trombone:
Bob Enevoldsen (on 1954-08-23)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-08-23)
2:29