Time Out (Essential Jazz Classics Release of Time Out which includes bonus album Brubeck Time)

~ Release by The Dave Brubeck Quartet (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Time Out
#TitleRatingLength
1Blue Rondo à la Turk
recorded in:
New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording of:
Blue Rondo à la Turk (from 1959-08-18 until 1959-08-19)
composer:
Dave Brubeck
publisher:
Budde Music France, Derry Music Company, Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
36:47
2Strange Meadow Lark
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Strange Meadow Lark (on 1959-07-01)
composer:
Dave Brubeck and Iola Brubeck
publisher:
Derry Music Company
37:27
3Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
4.355:29
4Three to Get Ready
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Three to Get Ready (on 1959-06-25)
composer:
Dave Brubeck
35:26
5Kathy’s Waltz
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Kathy's Waltz (on 1959-06-25)
composer:
Dave Brubeck
34:54
6Everybody’s Jumpin’
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Everybody's Jumpin' (on 1959-06-25)
composer:
Dave Brubeck
34:27
7Pick Up Sticks
recorded in:
New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording of:
Pick Up Sticks (from 1959-08-18 until 1959-08-19)
composer:
Dave Brubeck
34:17
▼ CD 2: Brubeck Time
#TitleRatingLength
1Audrey
producer:
George Avakian
alto saxophone:
Paul Desmond (on 1954-10-12)
double bass [bass]:
Bob Bates (on 1954-10-12)
drums (drum set):
Joe Dodge (on 1954-10-12)
piano:
Dave Brubeck (on 1954-10-12)
recorded at:
Basin Street East in New York, New York, United States (on 1954-10-12)
recording of:
Audrey (on 1954-10-12)
composer:
Dave Brubeck and Paul Desmond
3:35
2Jeepers Creepers
producer:
George Avakian
alto saxophone:
Paul Desmond (on 1954-10-12)
double bass:
Bob Bates (on 1954-10-12)
drums (drum set):
Joe Dodge (on 1954-10-12)
piano:
Dave Brubeck (on 1954-10-12)
recorded at:
Basin Street East in New York, New York, United States (on 1954-10-12)
cover recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
4:58
3Pennies From Heaven
recorded in:
New York, New York, United States (on 1954-10-14)
producer:
George Avakian
alto saxophone:
Paul Desmond (on 1954-10-14)
double bass:
Bob Bates (on 1954-10-14)
drums (drum set):
Joe Dodge (on 1954-10-14)
piano:
Dave Brubeck (on 1954-10-14)
recording of:
Pennies From Heaven (on 1954-10-14)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
6:29
4Why Do I Love You?
recorded in:
New York, New York, United States (on 1954-10-14)
producer:
George Avakian
alto saxophone:
Paul Desmond (on 1954-10-14)
double bass:
Bob Bates (on 1954-10-14)
drums (drum set):
Joe Dodge (on 1954-10-14)
piano:
Dave Brubeck (on 1954-10-14)
instrumental recording of:
Why Do I Love You? (Show Boat) (on 1954-10-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
5:42
5Stompin’ for Mili
recorded in:
New York, New York, United States (on 1954-10-13)
producer:
George Avakian
alto saxophone:
Paul Desmond (on 1954-10-13)
double bass:
Bob Bates (on 1954-10-13)
drums (drum set):
Joe Dodge (on 1954-10-13)
piano:
Dave Brubeck (on 1954-10-13)
recording of:
Stompin’ for Mili
composer:
Dave Brubeck and Paul Desmond
5:27
6Keepin’ Out of Mischief Now
recorded in:
Los Angeles, California, United States (on 1954-11-10)
producer:
George Avakian
alto saxophone:
Paul Desmond (on 1954-11-10)
double bass:
Bob Bates (on 1954-11-10)
drums (drum set):
Joe Dodge (on 1954-11-10)
piano:
Dave Brubeck (on 1954-11-10)
recording of:
Keepin’ Out of Mischief Now
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
5:07
7A Fine Romance
producer:
George Avakian
alto saxophone:
Paul Desmond (on 1954-10-12)
double bass:
Bob Bates (on 1954-10-12)
drums (drum set):
Joe Dodge (on 1954-10-12)
piano:
Dave Brubeck (on 1954-10-12)
recorded at:
Basin Street East in New York, New York, United States (on 1954-10-12)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:50
8Brother, Can You Spare a Dime?
recorded in:
New York, New York, United States (on 1954-10-14)
producer:
George Avakian
alto saxophone:
Paul Desmond (on 1954-10-14)
double bass:
Bob Bates (on 1954-10-14)
drums (drum set):
Joe Dodge (on 1954-10-14)
piano:
Dave Brubeck (on 1954-10-14)
recording of:
Brother Can You Spare a Dime
lyricist:
Yip Harburg
composer:
Jay Gorney
5:17

Credits

Release group

includes:Brubeck Time
Time Out