| # | Title | Rating | Length |
|---|
| 1 | Catherine of Aragon- assistant recording engineer:
- Pete Flanagan (from 1972-02 until 1972-10)
- recording engineer:
- Ken Scott (from 1972-02 until 1972-10)
- producer:
- Rick Wakeman
- mixer:
- Ken Scott
- bass guitar:
- Les Hurdle (from 1972-02 until 1972-10) and Chris Squire (from 1972-02 until 1972-10)
- drums (drum set):
- Bill Bruford (from 1972-02 until 1972-10)
- electric piano [RMI], grand piano [Steinway 9'], Hammond organ [Custom-built C-3 organ], harpsichord [Thomas Goff], mellotron [2 400-D, one for vocals, sound effects and vibes; the other for brass, strings and flutes], Minimoog [2 Minimoog] and synthesizer [ARP] and organ [Church organ at St Giles-without-Cripplegate]:
- Rick Wakeman (from 1972-02 until 1972-10)
- guitar:
- Mike Egan (from 1972-02 until 1972-10) and Steve Howe (from 1972-02 until 1972-10)
- percussion:
- Ray Cooper (from 1972-02 until 1972-10)
- choir vocals:
- Judy Powell (from 1972-02 until 1972-10), Barry St. John (from 1972-02 until 1972-10) and Liza Strike (from 1972-02 until 1972-10)
- arranger:
- Rick Wakeman
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1973)
- mixed at and engineered at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- recording of:
- Catherine of Aragon (from 1972-02 until 1972-10)
- composer:
- Rick Wakeman
- publisher:
- Almo Music Corp. and Imagem Songs Ltd.
| 3 | 3:47 |
| 2 | Anne of Cleves- assistant recording engineer:
- Pete Flanagan (from 1972-02 until 1972-10)
- recording engineer:
- Paul Tregurtha (from 1972-02 until 1972-10)
- producer:
- Rick Wakeman
- mixer:
- Paul Tregurtha
- bass guitar:
- Dave Winter (from 1972-02 until 1972-10)
- drums (drum set):
- Alan White (from 1972-02 until 1972-10)
- electric piano [RMI], grand piano [Steinway 9'], Hammond organ [Custom-built C-3 organ], harpsichord [Thomas Goff], mellotron [2 400-D, one for vocals, sound effects and vibes; the other for brass, strings and flutes], Minimoog [2 Minimoog] and synthesizer [ARP] and organ [Church organ at St Giles-without-Cripplegate]:
- Rick Wakeman (from 1972-02 until 1972-10)
- guitar:
- Mike Egan (from 1972-02 until 1972-10)
- percussion:
- Frank Ricotti (from 1972-02 until 1972-10)
- arranger:
- Rick Wakeman
- mixed at and engineered at:
- Morgan Studios in Willesden, Brent, London , England, United Kingdom
- recording of:
- Anne of Cleves (from 1972-02 until 1972-10)
- composer:
- Rick Wakeman
- publisher:
- Almo Music Corp. and Imagem Songs Ltd.
| 3 | 7:55 |
| 3 | Catherine Howard- assistant recording engineer:
- Pete Flanagan (from 1972-02 until 1972-10)
- recording engineer:
- Paul Tregurtha (from 1972-02 until 1972-10)
- producer:
- Rick Wakeman
- mixer:
- Paul Tregurtha
- banjo:
- Dave Cousins (from 1972-02 until 1972-10)
- bass guitar:
- Chas Cronk (from 1972-02 until 1972-10)
- drums (drum set):
- Barry De Souza (from 1972-02 until 1972-10)
- electric piano [RMI], grand piano [Steinway 9'], Hammond organ [Custom-built C-3 organ], harpsichord [Thomas Goff], mellotron [2 400-D, one for vocals, sound effects and vibes; the other for brass, strings and flutes], Minimoog [2 Minimoog] and synthesizer [ARP] and organ [Church organ at St Giles-without-Cripplegate]:
- Rick Wakeman (from 1972-02 until 1972-10)
- guitar:
- Dave Lambert (from 1972-02 until 1972-10)
- percussion:
- Frank Ricotti (from 1972-02 until 1972-10)
- arranger:
- Rick Wakeman
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1973)
- mixed at and engineered at:
- Morgan Studios in Willesden, Brent, London , England, United Kingdom
- recording of:
- Catherine Howard (from 1972-02 until 1972-10)
- composer:
- Rick Wakeman
- publisher:
- Almo Music Corp. and Imagem Songs Ltd.
| 5 | 6:38 |
| 4 | Jane Seymour- assistant recording engineer:
- Pete Flanagan (from 1972-02 until 1972-10)
- recording engineer:
- Paul Tregurtha (from 1972-02 until 1972-10)
- producer:
- Rick Wakeman
- mixer:
- Paul Tregurtha
- drums (drum set):
- Alan White (from 1972-02 until 1972-10)
- electric piano [RMI], grand piano [Steinway 9'], Hammond organ [Custom-built C-3 organ], harpsichord [Thomas Goff], mellotron [2 400-D, one for vocals, sound effects and vibes; the other for brass, strings and flutes], Minimoog [2 Minimoog] and synthesizer [ARP] and organ [Church organ at St Giles-without-Cripplegate]:
- Rick Wakeman (from 1972-02 until 1972-10)
- arranger:
- Rick Wakeman
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1973)
- additionally recorded at:
- St. Giles’ Cripplegate in London , England, United Kingdom (in 1972)
- recorded at:
- Morgan Studios in Willesden, Brent, London , England, United Kingdom (from 1972-02 until 1972-10) and Trident Studios in Soho, Westminster, London , England, United Kingdom (from 1972-02 until 1972-10)
- mixed at and engineered at:
- Morgan Studios in Willesden, Brent, London , England, United Kingdom
- recording of:
- Jane Seymour (from 1972-02 until 1972-10)
- composer:
- Rick Wakeman
- publisher:
- Almo Music Corp. , Imagem Songs Ltd. and Rondor Music
| 5 | 4:51 |
| 5 | Anne Boleyn ‘The Day Thou Gavest Lord Hath Ended’- assistant recording engineer:
- Pete Flanagan (from 1972-02 until 1972-10)
- recording engineer:
- Ken Scott (from 1972-02 until 1972-10)
- producer:
- Rick Wakeman
- mixer:
- Dave Henshall
- bass guitar:
- Les Hurdle (from 1972-02 until 1972-10)
- drums (drum set):
- Bill Bruford (from 1972-02 until 1972-10)
- electric piano [RMI], grand piano [Steinway 9'], Hammond organ [Custom-built C-3 organ], harpsichord [Thomas Goff], mellotron [2 400-D, one for vocals, sound effects and vibes; the other for brass, strings and flutes], Minimoog [2 Minimoog] and synthesizer [ARP] and organ [Church organ at St Giles-without-Cripplegate]:
- Rick Wakeman (from 1972-02 until 1972-10)
- guitar:
- Mike Egan (from 1972-02 until 1972-10)
- percussion:
- Ray Cooper (from 1972-02 until 1972-10)
- choir vocals:
- Laura Lee (from 1972-02 until 1972-10), Sylvia McNeill (from 1972-02 until 1972-10) and Liza Strike (from 1972-02 until 1972-10)
- arranger:
- Rick Wakeman
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1973)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- engineered at:
- Morgan Studios in Willesden, Brent, London , England, United Kingdom
- recording of:
- Anne Boleyn (from 1972-02 until 1972-10)
- composer:
- Rick Wakeman
- publisher:
- Almo Music Corp. and Imagem Songs Ltd.
- is based on:
- The Day Thou Gavest, Lord, Is Ended
| 4 | 6:37 |
| 6 | Catherine Parr- assistant recording engineer:
- Pete Flanagan (from 1972-02 until 1972-10)
- recording engineer:
- Paul Tregurtha (from 1972-02 until 1972-10)
- producer:
- Rick Wakeman
- mixer:
- Paul Tregurtha
- bass guitar:
- Dave Winter (from 1972-02 until 1972-10)
- drums (drum set):
- Alan White (from 1972-02 until 1972-10)
- electric piano [RMI], grand piano [Steinway 9'], Hammond organ [Custom-built C-3 organ], harpsichord [Thomas Goff], mellotron [2 400-D, one for vocals, sound effects and vibes; the other for brass, strings and flutes], Minimoog [2 Minimoog] and synthesizer [ARP] and organ [Church organ at St Giles-without-Cripplegate]:
- Rick Wakeman (from 1972-02 until 1972-10)
- guitar:
- Mike Egan (from 1972-02 until 1972-10)
- percussion:
- Frank Ricotti (from 1972-02 until 1972-10)
- arranger:
- Rick Wakeman
- mixed at and engineered at:
- Morgan Studios in Willesden, Brent, London , England, United Kingdom
- recording of:
- Catherine Parr (from 1972-02 until 1972-10)
- composer:
- Rick Wakeman
- publisher:
- Almo Music Corp. , Imagem Songs Ltd., Rondor Music and Write Notes Ltd.
| 5 | 7:05 |
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