The Hawaiians

~ Release by Henry Mancini (see all versions of this release, 1 available)

Annotation

This volume is limited to 1500 copies.

Annotation last modified on 2013-01-31 14:41 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Theme From “the Hawaiians”
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Theme From “the Hawaiians”
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
2:57
2Mun Ki Is a Grabber
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Mun Ki Is a Grabber
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
1:11
3Ship in the Night / After the Grab / Homecoming
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Ship in the Night / After the Grab / Homecoming
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
4:32
4Aloha Little Pakes / Longside New Home / Whipped Whip
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Aloha Little Pakes / Longside New Home / Whipped Whip
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
3:32
5Streets of Chinatown
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Streets of Chinatown
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
1:18
6Welcome to Asia
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Welcome to Asia
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
2:03
7Pretty Soon Water
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Pretty Soon Water
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
1:15
8Thinking Back / Overpeck Pays Off
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Thinking Back / Overpeck Pays Off
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
2:21
9Fish & Poi
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Fish & Poi
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
1:20
10Stubborn Hakka / Sad Auntie
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Stubborn Hakka / Sad Auntie
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
3:59
11The Payoff
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
The Payoff
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
0:36
12Medicine for Pake
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Medicine for Pake
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
1:25
13Mun Ki Breakdown / Pineapple Pirates
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Mun Ki Breakdown / Pineapple Pirates
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
4:45
14No Feel Sick / Better We Go
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
No Feel Sick / Better We Go
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
2:18
15She Gone / Poor Little Pakes
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
She Gone / Poor Little Pakes
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
2:51
16The Molokai Express
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
The Molokai Express
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
4:39
17Ready Whip
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Ready Whip
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
1:25
18Leap You Lepers
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Leap You Lepers
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
1:00
19Bye Bye Mun Ki
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Bye Bye Mun Ki
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
0:39
20Music for a Japanese Bath
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Music for a Japanese Bath
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
2:38
21Fumiko
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Fumiko
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
1:43
22Auntie Returns
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Auntie Returns
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
4:12
23The Wedding / Matinee for Whip
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
The Wedding / Matinee for Whip
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
1:55
24Arm in Arm
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Arm in Arm
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
1:20
25Him Very Sick / Pay the Ten Lots / Short Arm for All
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Him Very Sick / Pay the Ten Lots / Short Arm for All
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
2:25
26The Final Deal / Wrap Up
recording engineer and mixer:
John Norman (recording engineer)
producer:
Douglass Fake
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
The Final Deal / Wrap Up
composer and arranger:
Henry Mancini (US composer, conductor & arranger)
4:07
▶ CD 2