Panorama: Viva españa

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1España
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
España (rhapsody for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier6:14
2Capriccio Brillante on the Jota Aragonesa "Spanish Overture no. 1", G. ii3
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Испанская увертюра № 1 «Блестящее каприччио на тему Арагонской хоты»
premiered in:
Sankt-Peterburg, Russia (in 1850)
composer:
Михаил Иванович Глинка (Russian composer) (in 1845)
Mikhail Glinka9:23
3Recuerdos de la Alhambra
guitar:
Narciso Yepes (classical guitarist) (from 1967-09-26 until 1967-09-28)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (from 1967-09-26 until 1967-09-28)
recording of:
Recuerdos de la Alhambra (from 1967-09-26 until 1967-09-28)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega3:15
4Capriccio espagñol, op. 34: I. Alborada: Vivo e strepitoso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio espagnol, op. 34: I. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Nikolai Rimsky-Korsakov1:12
5Capriccio espagñol, op. 34: II. Variazioni: Andante con moto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: II. Variazioni (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Nikolai Rimsky-Korsakov4:47
6Capriccio espagñol, op. 34: III. Alborada: Vivo e strepitoso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: III. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Nikolai Rimsky-Korsakov1:11
7Capriccio espagñol, op. 34: IV. Scena e canto gitano: Allegretto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: IV. Scena e canto gitano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Nikolai Rimsky-Korsakov4:27
8Capriccio espagñol, op. 34: V. Fandango asturiano
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: V. Fandango asturiano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Nikolai Rimsky-Korsakov3:09
9Carmen Suite No. 1: I. Prélude: Allegro giocoso
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (in 1977-09)
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
Georges Bizet3:28
10Carmen Suite No. 1: II. Entr'acte: Allegro moderato
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (in 1977-09)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:49
11Carmen Suite No. 1: III. Entr'acte: Andantino quasi allegretto
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1977-09)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet3:01
12Carmen Suite No. 1: IV. Entr'acte: Allegro vivo
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (in 1977-09)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:15
13Danzas fantásticas, op. 22: I. Exaltación
orchestra:
Orchestre National de l’Opéra de Monte‐Carlo
conductor:
Louis Frémaux (conductor)
recording of:
Danzas fantásticas, op. 22, nº 1: Exaltación (for orchestra)
orchestrator:
Joaquín Turina (composer) (from 1919-09-15 until 1919-12-30)
composer:
Joaquín Turina (composer) (from 1919-08-11 until 1919-08-29)
version of:
Danzas fantásticas, op. 22, nº 1: Exaltación (for piano)
part of:
Danzas fantásticas, op. 22 (for orchestra)
Joaquín Turina5:35
14Danzas fantásticas, op. 22: II. Ensueño
orchestra:
Orchestre National de l’Opéra de Monte‐Carlo
conductor:
Louis Frémaux (conductor)
recording of:
Danzas fantásticas, op. 22, nº 2: Ensueño (for orchestra)
orchestrator:
Joaquín Turina (composer) (from 1919-09-15 until 1919-12-30)
composer:
Joaquín Turina (composer) (from 1919-08-11 until 1919-08-29)
version of:
Danzas fantásticas, op. 22, nº 2: Ensueño (for piano)
part of:
Danzas fantásticas, op. 22 (for orchestra)
Joaquín Turina5:42
15Danzas fantásticas, op. 22: III. Orgía
orchestra:
Orchestre National de l’Opéra de Monte‐Carlo
conductor:
Louis Frémaux (conductor)
recording of:
Danzas fantásticas, op. 22, nº 3: Orgía (for orchestra)
orchestrator:
Joaquín Turina (composer) (from 1919-09-15 until 1919-12-30)
composer:
Joaquín Turina (composer) (from 1919-08-11 until 1919-08-29)
version of:
Danzas fantásticas, op. 22, nº 3: Orgía (for piano)
part of:
Danzas fantásticas, op. 22 (for orchestra)
Joaquín Turina4:27
16Suite española no. 1, op. 47 no. 5: Asturias: Leyenda in G minor
producer:
Hans Hirsch (producer at Deutsche Grammophon)
classical guitar:
Narciso Yepes (classical guitarist) (in 1970-10)
arranger:
Andrés Segovia (guitarist) and Narciso Yepes (classical guitarist)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1970-10)
recording of:
Suite española No. 1, B 7, Op. 47 No. 5 "Asturias": Leyenda in G minor (for guitar, Segovia) (in 1970-10)
composer:
Isaac Albéniz (Spanish composer)
arranger:
Andrés Segovia (guitarist)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz6:29
17Estampes, L. 100 no. 2: La soirée dans Grenade
piano:
Святослав Теофилович Рихтер (Sviatoslav Richter, pianist)
recording of:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera
composer:
Claude Debussy (composer) (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy5:26
18La sérénade interrompue, L. 117 no. 9
piano:
Dino Ciani (Italian pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: IX. La sérénade interrompue. Modérément animé
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-14)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:23
19La puerta del vino, L. 123 no. 3
piano:
Dino Ciani (Italian pianist)
recording of:
Préludes, Livre II, L. 123: III. La puerta del Vino. Mouvement de Habanera
composer:
Claude Debussy (composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:41
▼ CD 2
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1El Sombrero de Tres Picos, G. 53 Part I: Danza de la molinera
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 1: II. Danza de la molinera (in 1965-06)
composer:
Manuel de Falla (Spanish composer) (in 1919)
part of:
El sombrero de tres picos, suite no. 1
recording of:
El sombrero de tres picos: Parte I. Danza de la molinera (Fandango)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla7:58
2El Sombrero de Tres Picos, G. 53 Part II: Danza de la vicinos
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 2: I. Danza de los vecinos (seguidillas) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2
recording of:
El sombrero de tres picos: Parte II. Danza de los vecinos (Seguidillas)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla3:34
3El Sombrero de Tres Picos, G. 53 Part II: Danza del molinero
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 2: II. Danza del molinero (farruca) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2
recording of:
El sombrero de tres picos: Parte II. Danza del molinero (Farruca)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla2:31
4El Sombrero de Tres Picos, G. 53 Part II: Danza Final
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 2: III. Danza final (jota) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2
recording of:
El sombrero de tres picos: Parte II. Danza final (Jota)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla6:08
5Goyescas, H. 64 Book I no. 3: El fandango del candil
piano:
Jean‐Marc Luisada (pianist)
recording of:
Goyescas, H.64, No. 3: El fandango de Candil
composer:
Enrique Granados (composer)
part of:
Goyescas, H.64 (piano suite)
Enrique Granados6:17
6Goyescas, H. 64 Book I no. 4: Quejas o La maja y el ruiseñor
piano:
Jean‐Marc Luisada (pianist)
recording of:
Goyescas, H.64, No. 4: Quejas o la maja y el ruiseñor (piano piece)
composer:
Enrique Granados (composer)
part of:
Goyescas, H.64 (piano suite)
Enrique Granados7:20
7Rapsodie espagnole: I. Prélude à la nuit: Trè modéré
orchestra:
Boston Symphony Orchestra (in 1974-03)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-03)
recording of:
Rapsodie espagnole: I. Prélude à la nuit. Très modéré (orchestrated by Ravel) (in 1974-03)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: I. Prélude à la nuit. Très modéré (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel3:54
8Rapsodie espagnole: II. Malagueña: Assez vif
orchestra:
Boston Symphony Orchestra (in 1974-03)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-03)
recording of:
Rapsodie espagnole: II. Malagueña. Assez vif (orchestrated by Ravel) (in 1974-03)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: II. Malagueña. Assez vif (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel2:05
9Rapsodie espagnole: III. Habanera: Assez lent et d'un rythme las
orchestra:
Boston Symphony Orchestra (in 1974-03)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-03)
recording of:
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (orchestrated by Ravel) (in 1974-03)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel2:35
10Rapsodie espagnole: IV. Feria: Assez animé
orchestra:
Boston Symphony Orchestra (in 1974-03)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-03)
recording of:
Rapsodie espagnole: IV. Feria. Assez animé (orchestrated by Ravel) (in 1974-03)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: IV. Feria. Assez animé (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel6:14
11Iberia Suite: I. Evocación
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Iberia, B. 47: Book I: I. Evocación (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer) (in 1906)
arrangement of:
Iberia, B. 47: Book I: I. Evocación
part of:
Iberia, B. 47 (catch-all for arrangements)
Isaac Albéniz5:40
12Iberia Suite: II. El Corpus Christi en Sevilla
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Iberia, B. 47: Book I: III. El Corpus en Sevilla (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer) (in 1906)
arrangement of:
Iberia, B. 47: Book I: III. El Corpus en Sevilla
part of:
Iberia, B. 47 (catch-all for arrangements)
Isaac Albéniz8:18
13Iberia Suite: III. Triana
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Iberia, B. 47: Book II: III. Triana (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Iberia, B. 47: Book II: III. Triana
part of:
Iberia, B. 47 (catch-all for arrangements)
Isaac Albéniz4:36
14Iberia Suite: IV. El puerto
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Iberia, B. 47: Book I: II. El puerto (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer) (in 1906)
arrangement of:
Iberia, B. 47: Book I: II. El puerto
part of:
Iberia, B. 47 (catch-all for arrangements)
Isaac Albéniz4:23
15Iberia Suite: V. El Albaicín
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Iberia, B. 47: Book III: I. El Albaicín (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer) (in 1907)
arrangement of:
Iberia, B. 47: Book III: I. El Albaicín
part of:
Iberia, B. 47 (catch-all for arrangements)
Isaac Albéniz6:51

Credits

Release

part of:Panorama (Deutsche Grammophon) (order: 35)
ASIN:US: B00004YMTO [info]