Extravagantes für 2 Klaviere

~ Release by Martha Argerich & Friends (see all versions of this release, 3 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Andante and Variations for Piano with 4 Hands in G major, K. 501: Theme: Andante
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Thema (Andante) (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart1:10
2Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation 1
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation I (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart1:00
3Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation 2
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation II (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart0:57
4Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation 3
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation III (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart0:55
5Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation 4
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation IV (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart1:29
6Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation 5
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation V (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart2:05
7Suite no. 2, op. 17 for two pianos: Introduction
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Martha Argerich (Argentine pianist) (from 1982-08-18 until 1982-08-20) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
Suite no. 2, op. 17: I. Introduction: Alla marcia (from 1982-08-18 until 1982-08-20)
composer:
Сергей Рахманинов (Russian composer) (in 1901)
part of:
Suite no. 2, op. 17
Сергей Васильевич Рахманинов3:27
8Suite no. 2, op. 17 for two pianos: Waltz
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Martha Argerich (Argentine pianist) (from 1982-08-18 until 1982-08-20) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
Suite no. 2, op. 17: II. Valse: Presto (from 1982-08-18 until 1982-08-20)
composer:
Сергей Рахманинов (Russian composer) (in 1901)
part of:
Suite no. 2, op. 17
Сергей Васильевич Рахманинов5:17
9Suite no. 2, op. 17 for two pianos: Romance
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Martha Argerich (Argentine pianist) (from 1982-08-18 until 1982-08-20) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
Suite no. 2, op. 17: III. Romance: Andantino (from 1982-08-18 until 1982-08-20)
composer:
Сергей Рахманинов (Russian composer) (in 1901)
part of:
Suite no. 2, op. 17
Сергей Васильевич Рахманинов6:41
10Suite no. 2, op. 17 for two pianos: Tarantella
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Martha Argerich (Argentine pianist) (from 1982-08-18 until 1982-08-20) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
Suite no. 2, op. 17: IV. Tarantelle: Presto (from 1982-08-18 until 1982-08-20)
composer:
Сергей Рахманинов (Russian composer) (in 1901)
part of:
Suite no. 2, op. 17
Сергей Васильевич Рахманинов5:29
11Concerto for 2 Pianos, Percussion and Orchestra: I. Assai lento - allegro molto
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
percussion:
Jan Labordus (from 1985-08-22 until 1985-08-23) and Jan Pustjens (from 1985-08-22 until 1985-08-23)
piano:
Martha Argerich (Argentine pianist) (from 1985-08-22 until 1985-08-23) and Nelson Freire (pianist) (from 1985-08-22 until 1985-08-23)
orchestra:
Koninklijk Concertgebouworkest (from 1985-08-22 until 1985-08-23)
conductor:
David Zinman (conductor) (from 1985-08-22 until 1985-08-23)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-08-22 until 1985-08-23)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: I. Assai lento (from 1985-08-22 until 1985-08-23)
composer:
Béla Bartók (composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók13:22
12Concerto for 2 Pianos, Percussion and Orchestra: II. Lento, ma non troppo
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
percussion:
Jan Labordus (from 1985-08-22 until 1985-08-23) and Jan Pustjens (from 1985-08-22 until 1985-08-23)
piano:
Martha Argerich (Argentine pianist) (from 1985-08-22 until 1985-08-23) and Nelson Freire (pianist) (from 1985-08-22 until 1985-08-23)
orchestra:
Koninklijk Concertgebouworkest (from 1985-08-22 until 1985-08-23)
conductor:
David Zinman (conductor) (from 1985-08-22 until 1985-08-23)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-08-22 until 1985-08-23)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: II. Lento, ma non troppo (from 1985-08-22 until 1985-08-23)
composer:
Béla Bartók (composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók7:13
13Concerto for 2 Pianos, Percussion and Orchestra: III. Allegro ma non troppo
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
percussion:
Jan Labordus (from 1985-08-22 until 1985-08-23) and Jan Pustjens (from 1985-08-22 until 1985-08-23)
piano:
Martha Argerich (Argentine pianist) (from 1985-08-22 until 1985-08-23) and Nelson Freire (pianist) (from 1985-08-22 until 1985-08-23)
orchestra:
Koninklijk Concertgebouworkest (from 1985-08-22 until 1985-08-23)
conductor:
David Zinman (conductor) (from 1985-08-22 until 1985-08-23)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-08-22 until 1985-08-23)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: III. Allegro non troppo (from 1985-08-22 until 1985-08-23)
composer:
Béla Bartók (composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók6:42
14En blanc et noir pour 2 pianos: Avec emportement
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
En blanc et noir: I. Avec emportement (from 1977-05-21 until 1977-05-23)
composer:
Claude Debussy (composer) (from 1915-06-04 until 1915-07-20)
dedicated to:
A. Kussewitsky
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy4:10
15En blanc et noir pour 2 pianos: Lent, Sombre
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
En blanc et noir: II. Lent, sombre (from 1977-05-21 until 1977-05-23)
composer:
Claude Debussy (composer) (from 1915-06-04 until 1915-07-20)
dedicated to:
Jacques Charlot
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy7:17
16En blanc et noir pour 2 pianos: Scherzando
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
En blanc et noir: III. Scherzando (from 1977-05-21 until 1977-05-23)
composer:
Claude Debussy (composer) (from 1915-06-04 until 1915-07-20)
dedicated to:
Игорь Фёдорович Стравинский (Russian composer)
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy3:54
▼ CD 2
#TitleArtistRatingLength
1Variations on a Theme by Paganini for two pianos
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Martha Argerich (Argentine pianist) (in 1982-08) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
Variations on a Theme of Paganini (for two pianos) (from 1982-08-18 until 1982-08-20)
composer:
Witold Lutosławski (composer) (in 1941)
Witold Lutosławski5:18
2Sonata for 2 Pianos and Percussion: I. Assai lento - Allegro molto
producer:
Vittorio Negri (conductor)
percussion:
Willy Goudswaard (percussionist) (from 1977-05-10 until 1977-05-11) and Michael De Roo (percussionist) (from 1977-05-10 until 1977-05-11)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-10 until 1977-05-11) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-10 until 1977-05-11)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-10 until 1977-05-11)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: I. Assai lento (from 1977-05-10 until 1977-05-11)
composer:
Béla Bartók (composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók13:31
3Sonata for 2 Pianos and Percussion: II. Lento, ma non troppo
producer:
Vittorio Negri (conductor)
percussion:
Willy Goudswaard (percussionist) (from 1977-05-10 until 1977-05-11) and Michael De Roo (percussionist) (from 1977-05-10 until 1977-05-11)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-10 until 1977-05-11) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-10 until 1977-05-11)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-10 until 1977-05-11)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: II. Lento, ma non troppo (from 1977-05-10 until 1977-05-11)
composer:
Béla Bartók (composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:46
4Sonata for 2 Pianos and Percussion: III. allegro non troppo
producer:
Vittorio Negri (conductor)
percussion:
Willy Goudswaard (percussionist) (from 1977-05-10 until 1977-05-11) and Michael De Roo (percussionist) (from 1977-05-10 until 1977-05-11)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-10 until 1977-05-11) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-10 until 1977-05-11)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-10 until 1977-05-11)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: III. Allegro non troppo (from 1977-05-10 until 1977-05-11)
composer:
Béla Bartók (composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:34
5Le carnaval des animaux: Intro et Marche royale du lion
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:24
6Le carnaval des animaux: Poules et coqs
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : II. Poules et coqs (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:42
7Le carnaval des animaux: Hémiones (Animaux véloces)
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : III. Hèmiones (Animaux véloces) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:35
8Le carnaval des animaux: Tortues
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : IV. Tortues (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:56
9Le carnaval des animaux: L'élephant
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : V. L'Éléphant (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:36
10Le carnaval des animaux: Kangourous
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VI. Kangourous (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:04
11Le carnaval des animaux: Aquarium
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bell and glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VII. Aquarium (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:35
12Le carnaval des animaux: Personnages a longues oreilles
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:50
13Le carnaval des animaux: Le coucou au fond des bois
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:19
14Le carnaval des animaux: Voliéres
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : X. Volière (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:15
15Le carnaval des animaux: Pianistes
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XI. Pianistes (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:26
16Le carnaval des animaux: Fossiles
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XII. Fossiles (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:17
17Le carnaval des animaux: Ly cygne
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:10
18Le carnaval des animaux: Final
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bell and glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIV. Finale (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:59
19La valse for 2 Pianos
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Martha Argerich (Argentine pianist) (from 1982-08-18 until 1982-08-20) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
La Valse (for piano duo) (from 1982-08-18 until 1982-08-20)
composer:
Maurice Ravel (classical composer) (from 1919 until 1920)
arranger:
Maurice Ravel (classical composer) (in 1920)
arrangement of:
La Valse (for orchestra)
Maurice Ravel11:11

Credits

Release

ASIN:DE: B0000041D3 [info]