Atomic Basie

~ Release by Count Basie (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Atomic Mr Basie
#TitleRatingLength
1Kid From Red Bank
recorded in:
New York, New York, United States (on 1957-10-21)
recording engineer:
Bob Arnold (engineer) (on 1957-10-21)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Charles Fowlke (on 1957-10-21), Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21), Frank Foster (saxophonist) (on 1957-10-21), Marshall Royal (on 1957-10-21) and Frank Wess (on 1957-10-21)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
The Kid From Red Bank (on 1957-10-21)
composer and arranger:
Neal Hefti
2:42
2Duet
recorded in:
New York, New York, United States (on 1957-10-21)
recording engineer:
Bob Arnold (engineer) (on 1957-10-21)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Duet (on 1957-10-21)
composer and arranger:
Neal Hefti
4:12
3After Supper
recorded in:
New York, New York, United States (on 1957-10-22)
producer:
Teddy Reig (on 1957-10-22)
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22) and Ralph Sharon (on 1957-10-22)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (on 1957-10-22)
trumpet:
Wendell Culley (on 1957-10-22), Thad Jones (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1957-10-22)
arranger:
Ralph Sharon (on 1957-10-22)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
recording of:
After Supper (on 1957-10-22)
composer and arranger:
Neal Hefti
publisher:
International Korwin Corp.
3:26
4Flight of the Foo Birds
recorded in:
New York, New York, United States (on 1957-10-21)
recording engineer:
Bob Arnold (engineer) (on 1957-10-21)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Flight of the Foo Birds (on 1957-10-21)
composer and arranger:
Neal Hefti
3:24
5Double O
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (, on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Double-O (on 1957-10-21)
composer and arranger:
Neal Hefti
2:47
6Teddy the Toad
recording of:
Teddy the Toad
composer and arranger:
Neal Hefti
3:20
7Whirlybird
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (, on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Whirly-bird (on 1957-10-21)
composer and arranger:
Neal Hefti
3:52
8Midnite Blue
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Midnight Blue (on 1957-10-21)
composer and arranger:
Neal Hefti
4:28
9Splanky
recorded in:
New York, New York, United States (on 1957-10-22)
recording engineer:
Bob Arnold (engineer) (on 1957-10-22)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (on 1957-10-22)
trumpet:
Wendell Culley (on 1957-10-22), Thad Jones (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
recording of:
Splanky (on 1957-10-22)
composer and arranger:
Neal Hefti
publisher:
Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
arrangement of:
Splanky
3:37
10Fantail
recorded in:
New York, New York, United States (on 1957-10-22)
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (, on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (on 1957-10-22)
trumpet:
Wendell Culley (on 1957-10-22), Thad Jones (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
woodwind:
Frank Wess
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
recording of:
Fantail (on 1957-10-22)
composer and arranger:
Neal Hefti
2:57
11Lil' Darlin
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (, on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
woodwind:
Frank Wess
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Lil’ Darlin’ (on 1957-10-21)
composer and arranger:
Neal Hefti
4:50
▼ CD 2: One More Time
#TitleRatingLength
1For Lena and Lennie
recorded in:
New York, New York, United States (on 1958-12-18)
producer:
Rudy Taylor (vocalist and songwriter)
baritone saxophone:
Charlie Fowlkes (on 1958-12-18)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-12-18)
drums (drum set):
Sonny Payne (on 1958-12-18)
guitar:
Freddie Green (on 1958-12-18)
piano:
Count Basie (pianist) (on 1958-12-18)
reeds:
Marshall Royal (on 1958-12-18)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-18) and Billy Mitchell (US jazz saxophonist) (on 1958-12-18)
trombone:
Henry Coker (on 1958-12-18), Al Grey (trombone) (on 1958-12-18) and Benny Powell (on 1958-12-18)
trumpet:
Wendell Culley (on 1958-12-18), Thad Jones (on 1958-12-18), Joe Newman (US jazz trumpeter) (on 1958-12-18) and Snooky Young (on 1958-12-18)
woodwind:
Frank Wess (on 1958-12-18)
recording of:
For Lena and Lennie (on 1958-12-18)
composer:
Quincy Jones (in 1959)
3:57
2Rat Race
recorded in:
New York, New York, United States (on 1958-12-19)
producer:
Rudy Taylor (vocalist and songwriter)
bass:
Eddie Jones (US jazz double bassist) (on 1958-12-19)
drums (drum set):
Sonny Payne (on 1958-12-19)
guitar:
Freddie Green (on 1958-12-19)
piano:
Count Basie (pianist) (on 1958-12-19)
saxophone:
Frank Foster (saxophonist) (on 1958-12-19), Charlie Fowlkes (on 1958-12-19), Billy Mitchell (US jazz saxophonist) (on 1958-12-19), Marshall Royal (on 1958-12-19) and Frank Wess (on 1958-12-19)
trombone:
Henry Coker (on 1958-12-19), Al Grey (trombone) (on 1958-12-19) and Benny Powell (on 1958-12-19)
trumpet:
Wendell Culley (on 1958-12-19), Thad Jones (on 1958-12-19), Joe Newman (US jazz trumpeter) (on 1958-12-19) and Snooky Young (on 1958-12-19)
2:47
3Quince
recorded in:
Chicago, Illinois, United States (from 1959-01-23 until 1959-01-24)
producer:
Rudy Taylor (vocalist and songwriter)
bass:
Eddie Jones (US jazz double bassist) (from 1959-01-23 until 1959-01-24)
drums (drum set):
Sonny Payne (from 1959-01-23 until 1959-01-24)
guitar:
Freddie Green (from 1959-01-23 until 1959-01-24)
piano:
Count Basie (pianist) (from 1959-01-23 until 1959-01-24)
saxophone:
Frank Foster (saxophonist) (from 1959-01-23 until 1959-01-24), Charlie Fowlkes (from 1959-01-23 until 1959-01-24), Billy Mitchell (US jazz saxophonist) (from 1959-01-23 until 1959-01-24), Marshall Royal (from 1959-01-23 until 1959-01-24) and Frank Wess (from 1959-01-23 until 1959-01-24)
trombone:
Henry Coker (from 1959-01-23 until 1959-01-24), Al Grey (trombone) (from 1959-01-23 until 1959-01-24) and Benny Powell (from 1959-01-23 until 1959-01-24)
trumpet:
Wendell Culley (from 1959-01-23 until 1959-01-24), Thad Jones (from 1959-01-23 until 1959-01-24), Joe Newman (US jazz trumpeter) (from 1959-01-23 until 1959-01-24) and Snooky Young (from 1959-01-23 until 1959-01-24)
4:04
4Meet B.B.
recorded in:
New York, New York, United States (on 1958-12-19)
producer:
Rudy Taylor (vocalist and songwriter)
bass:
Eddie Jones (US jazz double bassist) (on 1958-12-19)
drums (drum set):
Sonny Payne (on 1958-12-19)
guitar:
Freddie Green (on 1958-12-19)
piano:
Count Basie (pianist) (on 1958-12-19)
saxophone:
Frank Foster (saxophonist) (on 1958-12-19), Charlie Fowlkes (on 1958-12-19), Billy Mitchell (US jazz saxophonist) (on 1958-12-19), Marshall Royal (on 1958-12-19) and Frank Wess (on 1958-12-19)
trombone:
Henry Coker (on 1958-12-19), Al Grey (trombone) (on 1958-12-19) and Benny Powell (on 1958-12-19)
trumpet:
Wendell Culley (on 1958-12-19), Thad Jones (on 1958-12-19), Joe Newman (US jazz trumpeter) (on 1958-12-19) and Snooky Young (on 1958-12-19)
3:33
5The Big Walk
recorded in:
New York, New York, United States (on 1958-12-19)
producer:
Rudy Taylor (vocalist and songwriter)
baritone saxophone:
Charlie Fowlkes (on 1958-12-19)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-12-19)
drums (drum set):
Sonny Payne (on 1958-12-19)
guitar:
Freddie Green (on 1958-12-19)
piano:
Count Basie (pianist) (on 1958-12-19)
reeds:
Marshall Royal (on 1958-12-19)
saxophone:
Frank Foster (saxophonist) (on 1958-12-19), Charlie Fowlkes (on 1958-12-19), Billy Mitchell (US jazz saxophonist) (on 1958-12-19), Marshall Royal (on 1958-12-19) and Frank Wess (on 1958-12-19)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-19) and Billy Mitchell (US jazz saxophonist) (on 1958-12-19)
trombone:
Henry Coker (on 1958-12-19), Al Grey (trombone) (on 1958-12-19) and Benny Powell (on 1958-12-19)
trumpet:
Wendell Culley (on 1958-12-19), Thad Jones (on 1958-12-19), Joe Newman (US jazz trumpeter) (on 1958-12-19) and Snooky Young (on 1958-12-19)
woodwind:
Frank Wess (on 1958-12-19)
3:03
6A Square at the Roundtable
recorded in:
Chicago, Illinois, United States (from 1959-01-23 until 1959-01-24)
producer:
Rudy Taylor (vocalist and songwriter)
bass:
Eddie Jones (US jazz double bassist) (from 1959-01-23 until 1959-01-24)
drums (drum set):
Sonny Payne (from 1959-01-23 until 1959-01-24)
guitar:
Freddie Green (from 1959-01-23 until 1959-01-24)
piano:
Count Basie (pianist) (from 1959-01-23 until 1959-01-24)
saxophone:
Frank Foster (saxophonist) (from 1959-01-23 until 1959-01-24), Charlie Fowlkes (from 1959-01-23 until 1959-01-24), Billy Mitchell (US jazz saxophonist) (from 1959-01-23 until 1959-01-24), Marshall Royal (from 1959-01-23 until 1959-01-24) and Frank Wess (from 1959-01-23 until 1959-01-24)
trombone:
Henry Coker (from 1959-01-23 until 1959-01-24), Al Grey (trombone) (from 1959-01-23 until 1959-01-24) and Benny Powell (from 1959-01-23 until 1959-01-24)
trumpet:
Wendell Culley (from 1959-01-23 until 1959-01-24), Thad Jones (from 1959-01-23 until 1959-01-24), Joe Newman (US jazz trumpeter) (from 1959-01-23 until 1959-01-24) and Snooky Young (from 1959-01-23 until 1959-01-24)
2:24
7I Needs to Be Bee'd With
recorded in:
Chicago, Illinois, United States (from 1959-01-23 until 1959-01-24)
producer:
Rudy Taylor (vocalist and songwriter)
bass:
Eddie Jones (US jazz double bassist) (from 1959-01-23 until 1959-01-24)
drums (drum set):
Sonny Payne (from 1959-01-23 until 1959-01-24)
guitar:
Freddie Green (from 1959-01-23 until 1959-01-24)
piano:
Count Basie (pianist) (from 1959-01-23 until 1959-01-24)
saxophone:
Frank Foster (saxophonist) (from 1959-01-23 until 1959-01-24), Charlie Fowlkes (from 1959-01-23 until 1959-01-24), Billy Mitchell (US jazz saxophonist) (from 1959-01-23 until 1959-01-24), Marshall Royal (from 1959-01-23 until 1959-01-24) and Frank Wess (from 1959-01-23 until 1959-01-24)
trombone:
Henry Coker (from 1959-01-23 until 1959-01-24), Al Grey (trombone) (from 1959-01-23 until 1959-01-24) and Benny Powell (from 1959-01-23 until 1959-01-24)
trumpet:
Wendell Culley (from 1959-01-23 until 1959-01-24), Thad Jones (from 1959-01-23 until 1959-01-24), Joe Newman (US jazz trumpeter) (from 1959-01-23 until 1959-01-24) and Snooky Young (from 1959-01-23 until 1959-01-24)
recording of:
I Needs to Be Bee'd With (in 1959-01)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:38
8Jessica's Day
recorded in:
Chicago, Illinois, United States (from 1959-01-23 until 1959-01-24)
producer:
Rudy Taylor (vocalist and songwriter)
bass:
Eddie Jones (US jazz double bassist) (from 1959-01-23 until 1959-01-24)
drums (drum set):
Sonny Payne (from 1959-01-23 until 1959-01-24)
guitar:
Freddie Green (from 1959-01-23 until 1959-01-24)
piano:
Count Basie (pianist) (from 1959-01-23 until 1959-01-24)
saxophone:
Frank Foster (saxophonist) (from 1959-01-23 until 1959-01-24), Charlie Fowlkes (from 1959-01-23 until 1959-01-24), Billy Mitchell (US jazz saxophonist) (from 1959-01-23 until 1959-01-24), Marshall Royal (from 1959-01-23 until 1959-01-24) and Frank Wess (from 1959-01-23 until 1959-01-24)
trombone:
Henry Coker (from 1959-01-23 until 1959-01-24), Al Grey (trombone) (from 1959-01-23 until 1959-01-24) and Benny Powell (from 1959-01-23 until 1959-01-24)
trumpet:
Wendell Culley (from 1959-01-23 until 1959-01-24), Thad Jones (from 1959-01-23 until 1959-01-24), Joe Newman (US jazz trumpeter) (from 1959-01-23 until 1959-01-24) and Snooky Young (from 1959-01-23 until 1959-01-24)
recording of:
Jessica’s Day (in 1959-01)
composer:
Quincy Delight Jones, Jr.
4:31
9The Midnite Sun Never Sets
recorded in:
New York, New York, United States (on 1958-12-19)
producer:
Rudy Taylor (vocalist and songwriter)
baritone saxophone:
Charlie Fowlkes (on 1958-12-19)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-12-19)
drums (drum set):
Sonny Payne (on 1958-12-19)
guitar:
Freddie Green (on 1958-12-19)
piano:
Count Basie (pianist) (on 1958-12-19)
reeds:
Marshall Royal (on 1958-12-19)
saxophone:
Frank Foster (saxophonist) (on 1958-12-19), Charlie Fowlkes (on 1958-12-19), Billy Mitchell (US jazz saxophonist) (on 1958-12-19), Marshall Royal (on 1958-12-19) and Frank Wess (on 1958-12-19)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-19) and Billy Mitchell (US jazz saxophonist) (on 1958-12-19)
trombone:
Henry Coker (on 1958-12-19), Al Grey (trombone) (on 1958-12-19) and Benny Powell (on 1958-12-19)
trumpet:
Wendell Culley (on 1958-12-19), Thad Jones (on 1958-12-19), Joe Newman (US jazz trumpeter) (on 1958-12-19) and Snooky Young (on 1958-12-19)
woodwind:
Frank Wess (on 1958-12-19)
recording of:
The Midnight Sun Never Sets (on 1958-12-19)
composer:
Dorcas Cochran and Quincy Jones
3:39
10Muttnik
recorded in:
Chicago, Illinois, United States (from 1959-01-23 until 1959-01-24)
producer:
Rudy Taylor (vocalist and songwriter)
bass:
Eddie Jones (US jazz double bassist) (from 1959-01-23 until 1959-01-24)
drums (drum set):
Sonny Payne (from 1959-01-23 until 1959-01-24)
guitar:
Freddie Green (from 1959-01-23 until 1959-01-24)
piano:
Count Basie (pianist) (from 1959-01-23 until 1959-01-24)
saxophone:
Frank Foster (saxophonist) (from 1959-01-23 until 1959-01-24), Charlie Fowlkes (from 1959-01-23 until 1959-01-24), Billy Mitchell (US jazz saxophonist) (from 1959-01-23 until 1959-01-24), Marshall Royal (from 1959-01-23 until 1959-01-24) and Frank Wess (from 1959-01-23 until 1959-01-24)
trombone:
Henry Coker (from 1959-01-23 until 1959-01-24), Al Grey (trombone) (from 1959-01-23 until 1959-01-24) and Benny Powell (from 1959-01-23 until 1959-01-24)
trumpet:
Wendell Culley (from 1959-01-23 until 1959-01-24), Thad Jones (from 1959-01-23 until 1959-01-24), Joe Newman (US jazz trumpeter) (from 1959-01-23 until 1959-01-24) and Snooky Young (from 1959-01-23 until 1959-01-24)
5:31

Credits

Release

ASIN:UK: B0036BCCL0 [info]