Swingin' in Seattle: Live at the Penthouse (1966-1967)

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#TitleRatingLength
1Jim Wilke (intro)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
0:13
2Big "P"
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
alto saxophone:
Cannonball Adderley (from 1966 until 1967)
bass:
Victor Gaskin (from 1966 until 1967)
cornet:
Nat Adderley (from 1966 until 1967)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (from 1966 until 1967)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1966 until 1967)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
8:49
3Spoken (outro)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
0:24
4Spoken (intro)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
0:14
5The Girl Next Door
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
alto saxophone:
Cannonball Adderley (from 1966 until 1967)
bass:
Victor Gaskin (from 1966 until 1967)
cornet:
Nat Adderley (from 1966 until 1967)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (from 1966 until 1967)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1966 until 1967)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
11:10
6Spoken (intro)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
0:48
7Sticks
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
alto saxophone:
Cannonball Adderley (from 1966 until 1967)
bass:
Victor Gaskin (from 1966 until 1967)
cornet:
Nat Adderley (from 1966 until 1967)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (from 1966 until 1967)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1966 until 1967)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
recording of:
Sticks
composer:
Julian Adderley
4:33
8Spoken (outro)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
0:06
9Spoken (intro)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
0:12
10The Morning of the Carnival (Manhã de Carnaval)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
alto saxophone:
Cannonball Adderley (from 1966 until 1967)
bass:
Victor Gaskin (from 1966 until 1967)
cornet:
Nat Adderley (from 1966 until 1967)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (from 1966 until 1967)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1966 until 1967)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
10:44
11Spoken (outro)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
0:12
12Spoken (intro)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
0:34
13Somewhere
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
alto saxophone:
Cannonball Adderley (from 1966 until 1967)
bass:
Victor Gaskin (from 1966 until 1967)
cornet:
Nat Adderley (from 1966 until 1967)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (from 1966 until 1967)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1966 until 1967)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
5:04
14Spoken (intro)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
0:16
1574 Miles Away
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
alto saxophone:
Cannonball Adderley (from 1966 until 1967)
bass:
Victor Gaskin (from 1966 until 1967)
cornet:
Nat Adderley (from 1966 until 1967)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (from 1966 until 1967)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1966 until 1967)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
live recording of:
74 Miles Away
composer:
Joe Zawinul (jazz and fusion keyboard player)
10:38
16Spoken (outro)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
0:31
17Back Home Blues
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
alto saxophone:
Cannonball Adderley (from 1966 until 1967)
bass:
Victor Gaskin (from 1966 until 1967)
cornet:
Nat Adderley (from 1966 until 1967)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (from 1966 until 1967)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1966 until 1967)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
6:46
18Hippodelphia
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
alto saxophone:
Cannonball Adderley (from 1966 until 1967)
bass:
Victor Gaskin (from 1966 until 1967)
cornet:
Nat Adderley (from 1966 until 1967)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (from 1966 until 1967)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1966 until 1967)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
10:44
19Set-Closing (outro)
recording engineer:
Jim Wilke
producer:
Cory Weeds (Canadian jazz saxophonist and label founder)
phonographic copyright (℗) by:
Reel To Real Recordings Ltd
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966 until 1967)
0:57