The Chronological Classics: Oscar Peterson 1952, Volume 2

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Too Marvelous for Words
double bass [bass]:
Ray Brown (jazz bassist) (on 1952-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-02-26)
instrumental recording of:
Too Marvelous for Words (on 1952-02-26)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:47
2But Not for Me
recorded in:
Los Angeles, California, United States (on 1952-02-26)
double bass [bass]:
Ray Brown (jazz bassist) (on 1952-02-26)
drums (drum set):
Alvin Stoller (on 1952-02-26)
guitar:
Barney Kessel (on 1952-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-02-26)
instrumental recording of:
But Not for Me (on 1952-02-26)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:28
3Thou Swell
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-05-06)
instrumental recording of:
Thou Swell (on 1952-05-06)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: File NO Releases)
2:27
4Willow Weep for Me
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-05-06)
instrumental recording of:
Willow Weep for Me (on 1952-05-06)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
3:18
5Pick Yourself Up
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
3:21
6Long Ago and Far Away
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental cover recording of:
Long Ago (and Far Away) (on 1952-11-12)
lyricist:
Ira Gershwin
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and T.B. Harms Co. (in 1944)
part of:
The 17th Academy Award for Best Original Song (number: 2)
3:44
7Love Walked In
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
Love Walked In (on 1952-11-12)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:06
8I Got Rhythm
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
I Got Rhythm (on 1952-11-12)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:15
9A Fine Romance
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
A Fine Romance (from “Swing Time”) (on 1952-11-12)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:13
10A Foggy Day
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
recording of:
A Foggy Day (in London Town) (on 1952-11-12)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
3:36
11Strike Up the Band
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (on 1952-11-12)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
3:14
12The Man I Love
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
The Man I Love (on 1952-11-12)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
3:30
13Let's Do It
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
recording of:
Let’s Do It (Noël Coward version)
additional lyricist:
Noël Coward
lyricist and composer:
Cole Porter (composer)
version of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
2:53
14It Ain't Necessarily So
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
3:12
15I've Got My Love to Keep Me Warm
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
I’ve Got My Love to Keep Me Warm (on 1952-11-12)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:48
16I've Got a Crush on You
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
I’ve Got a Crush on You (on 1952-11-12)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Treasure Girl (1928 musical)
2:52
17Night and Day
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1952-11-12)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:39
18Isn't This a Lovely Day
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (on 1952-11-12)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:18
19What Is This Thing Called Love?
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1952-11-12)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
3:08
20Oh, Lady Be Good!
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
Oh, Lady Be Good! (on 1952-11-12)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
3:52
21's Wonderful
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-12)
instrumental recording of:
’S Wonderful (on 1952-11-12)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
2:36

Credits

Release group

part of:The Chronological Classics (number: 1399) (order: 908)