Händel's Messiah (English Chamber Orchestra)

~ Release by Georg Friedrich Händel (see all versions of this release, 1 available)

Tracklist

▼ Medium 1
#	Title	Rating	Length
1	Sinfonia recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) choir vocals: Amor Artis Chorale (in 1970-07) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part I, no. 1. Symphony (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		3:08
2	Comfort Ye recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) choir vocals: Amor Artis Chorale (in 1970-07) solo tenor vocals and tenor vocals: Alexander Young (tenor) (in 1970-07) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		3:48
3	Ev'ry Valley recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) choir vocals: Amor Artis Chorale (in 1970-07) solo tenor vocals and tenor vocals: Alexander Young (tenor) (in 1970-07) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		4:00
4	For Unto Us recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) choir vocals: Amor Artis Chorale (in 1970-07) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		4:14
5	Pifa recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		3:46
6	And Suddenly recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) choir vocals: Amor Artis Chorale (in 1970-07) solo soprano vocals and soprano vocals: Margaret Price (soprano) (in 1970-07) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I		0:20
7	Glory to God recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) choir vocals: Amor Artis Chorale (in 1970-07) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		1:40
8	He Was Despised		5:02
9	Rejoice Greatly		5:06
10	Surely He Hath Borne		1:51
11	The Lord Gave the Word recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) choir vocals: Amor Artis Chorale (in 1970-07) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		1:10
12	Why Do the Nations recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) bass vocals and solo bass vocals: Justino Díaz (operatic bass) (in 1970-07) choir vocals: Amor Artis Chorale (in 1970-07) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		3:01
13	Hallelujah recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) bass vocals: Justino Díaz (operatic bass) choir vocals: Amor Artis Chorale (in 1970-07) contralto vocals: Yvonne Minton (mezzo-soprano) soprano vocals: Margaret Price (soprano) tenor vocals: Alexander Young (tenor) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II		3:37
14	I Know That My Redeemer Liveth recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) choir vocals: Amor Artis Chorale (in 1970-07) solo soprano vocals and soprano vocals: Margaret Price (soprano) (in 1970-07) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III		7:20
15	Worthy Is the Lamb recording engineer: Robert Auger (audio) (in 1970-07) producer: Seymour Solomon (producer and founder of Vanguard Records) harpsichord and organ: Colin Tilney (harpsichordist) harpsichord and organ: Colin Tilney (harpsichordist) (in 1970-07) bass vocals: Justino Díaz (operatic bass) choir vocals: Amor Artis Chorale (in 1970-07) contralto vocals: Yvonne Minton (mezzo-soprano) soprano vocals: Margaret Price (soprano) tenor vocals: Alexander Young (tenor) orchestra: English Chamber Orchestra (in 1970-07) conductor: Johannes Somary (in 1970-07) phonographic copyright (℗) by: Vanguard Classics (in 1990) recorded at: Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-07) recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1970-07) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III		6:42