Invitation

~ Release by Joe Sample (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1Black Is the Color
assistant engineer:
Chris Albert (US engineer) and Robert Smith (engineer)
producer:
Tommy LiPuma
mixer:
Al Schmitt
double bass:
Cecil McBee
drums (drum set):
Victor Lewis (drums)
arranger:
Joe Sample
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
3:54
2A House Is Not a Home
assistant engineer:
Chris Albert (US engineer) and Robert Smith (engineer)
producer:
Tommy LiPuma
mixer:
Al Schmitt
double bass:
Cecil McBee
drums (drum set):
Victor Lewis (drums)
arranger:
Joe Sample
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
instrumental recording of:
A House Is Not a Home
lyricist:
Hal David (in 1964)
composer:
Burt Bacharach (in 1964)
publisher:
Diplomat Music (ended), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (ended), Famous Chappell, Famous Music (UK) Ltd. and Sony/ATV Harmony
4:58
3Come Rain or Come Shine
assistant engineer:
Chris Albert (US engineer) and Robert Smith (engineer)
producer:
Tommy LiPuma
mixer:
Al Schmitt
double bass:
Cecil McBee
drums (drum set):
Victor Lewis (drums)
arranger:
Joe Sample
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
instrumental recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
5:07
4Invitation
assistant engineer:
Chris Albert (US engineer) and Robert Smith (engineer)
producer:
Tommy LiPuma
mixer:
Al Schmitt
double bass:
Cecil McBee
drums (drum set):
Victor Lewis (drums)
arranger:
Joe Sample
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
instrumental recording of:
Invitation
lyricist:
Paul Francis Webster
composer:
Bronisław Kaper
4:22
5Summertime
assistant engineer:
Chris Albert (US engineer) and Robert Smith (engineer)
producer:
Tommy LiPuma
mixer:
Al Schmitt
double bass:
Cecil McBee
drums (drum set):
Victor Lewis (drums)
arranger:
Joe Sample
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
6:49
6Nica’s Dream
assistant engineer:
Chris Albert (US engineer) and Robert Smith (engineer)
producer:
Tommy LiPuma
mixer:
Al Schmitt
double bass:
Cecil McBee
drums (drum set):
Victor Lewis (drums)
arranger:
Joe Sample
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
recording of:
Nica’s Dream
composer:
Horace Silver
publisher:
Ecaroh Music, Inc., Universal Music Publishing MGB France and フジパシフィックミュージック
5:21
7Stormy Weather
assistant engineer:
Chris Albert (US engineer) and Robert Smith (engineer)
producer:
Tommy LiPuma
mixer:
Al Schmitt
double bass:
Cecil McBee
drums (drum set):
Victor Lewis (drums)
arranger:
Joe Sample
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
instrumental recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
5:01
8Django
assistant engineer:
Chris Albert (US engineer) and Robert Smith (engineer)
producer:
Tommy LiPuma
mixer:
Al Schmitt
double bass:
Cecil McBee
drums (drum set):
Victor Lewis (drums)
arranger:
Joe Sample
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
recording of:
Django
composer:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1954)
publisher:
MJQ Music, Inc.
3:45
9My One and Only Love
assistant engineer:
Chris Albert (US engineer) and Robert Smith (engineer)
producer:
Tommy LiPuma
mixer:
Al Schmitt
double bass:
Cecil McBee
drums (drum set):
Victor Lewis (drums)
arranger:
Joe Sample
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
instrumental recording of:
My One and Only Love
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京
version of:
Music from Beyond the Moon (My One and Only Love)
6:12
10Mood Indigo
assistant engineer:
Chris Albert (US engineer) and Robert Smith (engineer)
producer:
Tommy LiPuma
mixer:
Al Schmitt
double bass:
Cecil McBee
drums (drum set):
Victor Lewis (drums)
arranger:
Joe Sample
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
instrumental recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:27