# | Title | Rating | Length |
---|
A1 | Chapter 24 | | 3:36 |
A2 | Mathilda Mother | | 3:03 |
A3 | Arnold Layne- engineer:
- John Woods
- producer:
- Joe Boyd and Norman Smith
- acoustic guitar and electric guitar and lead vocals:
- Syd Barrett (on 1967-01-29)
- bass guitar:
- Roger Waters (on 1967-01-29)
- drums (drum set):
- Nick Mason (on 1967-01-29)
- farfisa and background vocals:
- Richard Wright (on 1967-01-29)
- phonographic copyright (℗) by:
- Joe Boyd (in 1967)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1967, in 1974, in 2007) and Capitol Records, Inc. (in 1983)
- recorded at:
- Sound Techniques in Chelsea, Kensington and Chelsea, London , England, United Kingdom (on 1967-01-29) and EMI Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1967-02-27)
- music videos:
- Arnold Layne by Pink Floyd
- recording of:
- Arnold Layne (from 1967-01-29 until 1967-02-27)
- lyricist and composer:
- Syd Barrett
- publisher:
- Dunmo Music, Ltd., Peermusic and Southern Music Publishing
| 3.2 | 2:51 |
A4 | Candy and a Currant Bun | | 2:38 |
A5 | The Scarecrow- recording engineer:
- Peter Bown (on 1967-03-22)
- producer and phonographic copyright (℗) by:
- Norman Smith (in 1967)
- 12 string guitar [12-string acoustic guitar], electric guitar and lead vocals:
- Syd Barrett (on 1967-03-22)
- bass guitar and double bass [bowed bass]:
- Roger Waters (on 1967-03-22)
- cello, farfisa, flute and background vocals:
- Rick Wright (on 1967-03-22)
- other instruments [metal cups] and temple blocks:
- Nicky Mason (on 1967-03-22)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 2007)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1967-03-22)
- recording of:
- The Scarecrow (on 1967-03-22)
- lyricist and composer:
- Syd Barrett
- publisher:
- Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. and Westminster Music Ltd.
| 3.5 | 2:07 |
B1 | Apples and Oranges | 2 | 3:01 |
B2 | It Would Be So Nice | | 3:39 |
B3 | Paint Box | 3 | 3:27 |
B4 | Julia Dream- producer:
- Norman Smith
- acoustic guitar, electric guitar [electric guitar processed through delay] and lead vocals:
- David Gilmour (in 1968-02)
- bass:
- Roger Waters (in 1968-02)
- Hammond organ and mellotron:
- Rick Wright (in 1968-02)
- percussion:
- Nick Mason (in 1968-02)
- background vocals:
- Roger Waters (in 1968-02) and Richard Wright (in 1968-02)
- phonographic copyright (℗) by:
- Pink Floyd (in 1968)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1968, in 1974)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1968-02)
- recording of:
- Julia Dream (on 1968-02-13)
- lyricist and composer:
- Roger Waters
- publisher:
- Essex , Essex Music International, Essex Music, Inc., Magdalene Music Ltd., TRO-Essex Music, Inc. and Westminster Music Ltd.
| 3 | 2:28 |
B5 | See Emily Play- recording engineer:
- Peter Bown (on 1967-05-21)
- engineer:
- John Woods
- producer and phonographic copyright (℗) by:
- Norman Smith (in 1967)
- bass guitar:
- Roger Waters (on 1967-05-21)
- drums (drum set):
- Nick Mason (on 1967-05-21)
- electric guitar, slide guitar and lead vocals:
- Syd Barrett (on 1967-05-21)
- farfisa, harpsichord [Baldwin Spinet electric harpsichord], piano and tack piano:
- Richard Wright (on 1967-05-21)
- background vocals:
- Roger Waters (on 1967-05-21) and Richard Wright (on 1967-05-21)
- conductor:
- Norman Smith
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1967, in 1974, in 2007)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1967-05-21) and Sound Techniques in Chelsea, Kensington and Chelsea, London , England, United Kingdom (on 1967-05-21)
- recording of:
- See Emily Play (on 1967-05-21)
- lyricist and composer:
- Syd Barrett
- publisher:
- Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc. and Westminster Music Ltd.
| 4 | 2:50 |