Tracklist

CD 1
#TitleArtistRatingLength
1A Midsummer Night’s Dream: Scherzo
orchestra:
Bamberg Symphony Orchestra
conductor:
Christian Rainer (fictitious conductor, Alfred Scholz pseudonym)
Felix Mendelssohn Bartholdy5:02
2The Nutcracker: Little OverturePyotr Ilyich Tchaikovsky3:05
3The Nutcracker: MarchPyotr Ilyich Tchaikovsky2:31
4The Nutcracker: Dance of the Sugar Plum FairyPyotr Ilyich Tchaikovsky1:44
5The Nutcracker: Russian Dance (Trepak)Pyotr Ilyich Tchaikovsky1:04
6The Nutcracker: Arab Dance
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky2:52
7The Nutcracker: Chinese Dance
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky1:12
8The Nutcracker: Dance of the Reed Flutes
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Hymisher Greenburg (probably a pseudonym of Alfred Sholz), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovsky2:00
9The Nutcracker: Flower WaltzPyotr Ilyich Tchaikovsky7:10
10Prelude a l’apres‐midi d’un faune
orchestra:
Belgrade Philharmonic Orchestra
conductor:
Igor Markevitch (conductor)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra)
composer:
Claude Debussy (composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:14
11Sheherazade: The Young Prince and the Young Princess
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Bystrík Režucha (conductor)
Nicolai Rimsky-Korsakov10:01
12The Dance of Puck
instruments:
Martin Souter (English organist, pianist and harpsichordist)
recording of:
Préludes, Livre I, L. 117, CD 125: XI. La danse de Puck. Capricieux et léger
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:36
13Sleeping Beauty: Introduction
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty)
Pyotr Ilyich Tchaikovsky3:32
14Sleeping Beauty: Pas d’action
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky5:24
15Sleeping Beauty: Panorama
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky2:35
16Sleeping Beauty: Valse
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky4:24
17Sleeping Beauty: Finale
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky2:03