Tracklist

CD 1
#TitleArtistRatingLength
1Overture
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Overture (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626
Henry Purcell2:03
2“Shake the cloud from off your brow”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
soprano vocals:
Lucy Crowe (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:08
3“Ah! Belinda, I am prest with torment”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
mezzo-soprano vocals:
Sarah Connolly (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell6:40
4“Grief increases by concealing”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
mezzo-soprano vocals:
Sarah Connolly (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
soprano vocals:
Lucy Crowe (soprano) (from 2008-06-23 until 2008-06-25) and Sarah Tynan (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:51
5“Whence could so much virtue spring?”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
mezzo-soprano vocals:
Sarah Connolly (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
soprano vocals:
Lucy Crowe (soprano) (from 2008-06-23 until 2008-06-25) and Sarah Tynan (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:22
6“See, your royal guest appears”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
baritone vocals:
Gerald Finley (bass-baritone) (from 2008-06-23 until 2008-06-25)
mezzo-soprano vocals:
Sarah Connolly (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
soprano vocals:
Lucy Crowe (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:53
7“Cupid only throws the dart”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:40
8“If not for mine, for Empire’s sake” – “Pursue thy conquest, love”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
baritone vocals:
Gerald Finley (bass-baritone) (from 2008-06-23 until 2008-06-25)
soprano vocals:
Lucy Crowe (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:10
9Gittars Chacony
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act I. Guitar Dance (interstitial, unnumbered) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:33
10“To the hills and vales”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:04
11Triumphing Dance
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:27
12Prelude – “Wayward sisters” – “Harm’s our delight”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
mezzo-soprano vocals:
Patricia Bardon (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
soprano vocals:
Carys Lane (soprano) (from 2008-06-23 until 2008-06-25) and Rebecca Outram (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:13
13“The Queen of Carthage” – “Ho ho ho!”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
mezzo-soprano vocals:
Patricia Bardon (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:41
14“Ruin’d ’ere the set of sun?” – “Ho ho ho!”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
mezzo-soprano vocals:
Patricia Bardon (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
soprano vocals:
Carys Lane (soprano) (from 2008-06-23 until 2008-06-25) and Rebecca Outram (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:27
15“In our deep vaulted cell, the charm we’ll prepare”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:19
16Echo Dance of Furies
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:17
17Ritornelle
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:50
18“Thanks to these lonesome vales”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
soprano vocals:
Lucy Crowe (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:00
19Gittars Passacaille
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Gittar Ground a Dance (interstitial, unnumbered) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:06
20“Oft she visits this lone mountain”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
soprano vocals:
Sarah Tynan (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:48
21“Behold, upon my bending spear” – “Haste, haste to town”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
baritone vocals:
Gerald Finley (bass-baritone) (from 2008-06-23 until 2008-06-25)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
mezzo-soprano vocals:
Sarah Connolly (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
soprano vocals:
Lucy Crowe (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:23
22“Stay, Prince, and hear great Jove’s command”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
baritone vocals:
Gerald Finley (bass-baritone) (from 2008-06-23 until 2008-06-25)
countertenor vocals:
William Purefoy (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:39
23“Then since our charms have sped”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) (unnumbered) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:32
24Prelude – “Come away, fellow sailors” – The Sailors’ Dance
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
tenor vocals:
John Mark Ainsley (tenor) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:17
25“See the flags and streamers curling”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
mezzo-soprano vocals:
Patricia Bardon (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
soprano vocals:
Carys Lane (soprano) (from 2008-06-23 until 2008-06-25) and Rebecca Outram (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:02
26“Our next motion”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
mezzo-soprano vocals:
Patricia Bardon (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:16
27The Witches’ Dance
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:22
28Almand – “Your counsel all is urg’d in vain”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
baritone vocals:
Gerald Finley (bass-baritone) (from 2008-06-23 until 2008-06-25)
mezzo-soprano vocals:
Sarah Connolly (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
soprano vocals:
Lucy Crowe (soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell7:48
29“Great minds against themselves conspire”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:01
30“Thy hand, Belinda, darkness shades me” – “When I am laid in earth”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
mezzo-soprano vocals:
Sarah Connolly (mezzo-soprano) (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:05
31“With drooping wings ye cupids come”
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Jonathan Cooper (classical music engineer)
producer and editor:
Rachel Smith (engineer, editor, producer)
choir vocals:
Choir of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
orchestra:
Orchestra of the Age of Enlightenment (from 2008-06-23 until 2008-06-25)
concertmaster:
Margaret Faultless (violinist) (from 2008-06-23 until 2008-06-25)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2009)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London, which includes the City of London), England, United Kingdom (from 2008-06-23 until 2008-06-25)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (from 2008-06-23 until 2008-06-25)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:53

Credits

Release

printed in:EU
liner notes:Sarah Connolly (mezzo-soprano)
Elizabeth Kenny (lutenist)
Stephen Pettitt
liner notes translator:Francis Marchal (linernotes, traduction french)
design:Cassidy Rayne Creative Ltd
booklet editor:Elizabeth Long (liner notes)
copyrighted (©) by:Chandos Records Ltd. (not for release label use) (in 2009)
Discogs:https://www.discogs.com/release/9658011 [info]
ASIN:UK: B001KS96N8 [info]
purchase for mail-order:https://www.chandos.net/products/catalogue/CHAN 0757 [info]