| # | Title | Rating | Length |
|---|
| 1 | In the Beginning God- recording engineer:
- Ed Begley
- producer:
- Brad McCuen
- bass:
- John Lamb (on 1965-12-26)
- drums (drum set):
- Louie Bellson (on 1965-12-26)
- piano:
- Duke Ellington (on 1965-12-26)
- saxophone:
- Harry Carney (on 1965-12-26), Paul Gonsalves (on 1965-12-26), Jimmy Hamilton (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
- trombone:
- Lawrence Brown (on 1965-12-26), Charles Connors (on 1965-12-26), Buster Cooper (on 1965-12-26) and Quentin Jackson (on 1965-12-26)
- trumpet:
- William “Cat” Anderson (on 1965-12-26), Mercer Ellington (on 1965-12-26), Herbie Jones (on 1965-12-26) and Cootie Williams (on 1965-12-26)
- choir vocals:
- The Herman McCoy Choir (on 1965-12-26)
- solo vocals:
- Brock Peters (on 1965-12-26)
- orchestra:
- Duke Ellington and His Orchestra (on 1965-12-26)
- recorded at:
- Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, United States (on 1965-12-26)
| | 15:54 |
| 2 | Tell Me It’s the Truth- recording engineer:
- Ed Begley
- producer:
- Brad McCuen
- bass:
- John Lamb (on 1965-12-26)
- drums (drum set):
- Louie Bellson (on 1965-12-26)
- piano:
- Duke Ellington (on 1965-12-26)
- saxophone:
- Harry Carney (on 1965-12-26), Paul Gonsalves (on 1965-12-26), Jimmy Hamilton (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
- trombone:
- Lawrence Brown (on 1965-12-26), Charles Connors (on 1965-12-26), Buster Cooper (on 1965-12-26) and Quentin Jackson (on 1965-12-26)
- trumpet:
- William “Cat” Anderson (on 1965-12-26), Mercer Ellington (on 1965-12-26), Herbie Jones (on 1965-12-26) and Cootie Williams (on 1965-12-26)
- vocals:
- Esther Marrow (on 1965-12-26)
- orchestra:
- Duke Ellington and His Orchestra (on 1965-12-26)
- recorded at:
- Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, United States (on 1965-12-26)
| | 2:50 |
| 3 | Come Sunday- recording engineer:
- Ed Begley
- producer:
- Brad McCuen
- alto saxophone:
- Jimmy Hamilton (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
- baritone saxophone:
- Harry Carney (on 1965-12-26)
- clarinet and reeds:
- Harry Carney (on 1965-12-26), Jimmy Hamilton (on 1965-12-26) and Russell Procope (on 1965-12-26)
- double bass:
- John Lamb (on 1965-12-26)
- drums (drum set):
- Louie Bellson (on 1965-12-26)
- piano:
- Duke Ellington (on 1965-12-26)
- saxophone:
- Harry Carney (on 1965-12-26), Paul Gonsalves (on 1965-12-26), Jimmy Hamilton (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
- tenor saxophone:
- Paul Gonsalves (on 1965-12-26)
- trombone:
- Lawrence Brown (on 1965-12-26), Charles Connors (on 1965-12-26), Buster Cooper (on 1965-12-26) and Quentin Jackson (on 1965-12-26)
- trumpet:
- William “Cat” Anderson (on 1965-12-26), Mercer Ellington (on 1965-12-26), Herbie Jones (on 1965-12-26) and Cootie Williams (on 1965-12-26)
- vocals:
- Esther Marrow (on 1965-12-26)
- orchestra:
- Duke Ellington and His Orchestra (on 1965-12-26)
- recorded at:
- Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, United States (on 1965-12-26)
- recording of:
- Come Sunday (on 1965-12-26)
- lyricist and composer:
- Duke Ellington
- version of:
- Black, Brown, and Beige: I. Black: Come Sunday
- part of:
- Black, Brown, and Beige
| | 3:53 |
| 4 | The Lord’s Prayer- recording engineer:
- Ed Begley
- producer:
- Brad McCuen
- bass:
- John Lamb (on 1965-12-26)
- drums (drum set):
- Louie Bellson (on 1965-12-26)
- piano:
- Duke Ellington (on 1965-12-26)
- saxophone:
- Harry Carney (on 1965-12-26), Paul Gonsalves (on 1965-12-26), Jimmy Hamilton (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
- trombone:
- Lawrence Brown (on 1965-12-26), Charles Connors (on 1965-12-26), Buster Cooper (on 1965-12-26) and Quentin Jackson (on 1965-12-26)
- trumpet:
- William “Cat” Anderson (on 1965-12-26), Mercer Ellington (on 1965-12-26), Herbie Jones (on 1965-12-26) and Cootie Williams (on 1965-12-26)
- vocals:
- Esther Marrow (on 1965-12-26)
- orchestra:
- Duke Ellington and His Orchestra (on 1965-12-26)
- recorded at:
- Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, United States (on 1965-12-26)
- recording of:
- The Lord's Prayer (on 1965-12-26)
- composer:
- Duke Ellington
| | 2:42 |
| 5 | Come Sunday- recording engineer:
- Ed Begley
- producer:
- Brad McCuen
- double bass:
- John Lamb (on 1965-12-26)
- drums (drum set):
- Louie Bellson (on 1965-12-26)
- piano:
- Duke Ellington (on 1965-12-26)
- saxophone:
- Harry Carney (on 1965-12-26), Paul Gonsalves (on 1965-12-26), Jimmy Hamilton (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
- trombone:
- Lawrence Brown (on 1965-12-26), Charles Connors (on 1965-12-26), Buster Cooper (on 1965-12-26) and Quentin Jackson (on 1965-12-26)
- trumpet:
- William “Cat” Anderson (on 1965-12-26), Mercer Ellington (on 1965-12-26), Herbie Jones (on 1965-12-26) and Cootie Williams (on 1965-12-26)
- orchestra:
- Duke Ellington and His Orchestra (on 1965-12-26)
- recorded at:
- Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, United States (on 1965-12-26)
- recording of:
- Come Sunday (on 1965-12-26)
- lyricist and composer:
- Duke Ellington
- version of:
- Black, Brown, and Beige: I. Black: Come Sunday
- part of:
- Black, Brown, and Beige
| | 6:05 |
| 6 | Will You Be There? / Ain’t but the One- recording engineer:
- Ed Begley
- producer:
- Brad McCuen
- bass:
- John Lamb (on 1965-12-26)
- drums (drum set):
- Louie Bellson (on 1965-12-26)
- piano:
- Duke Ellington (on 1965-12-26)
- saxophone:
- Harry Carney (on 1965-12-26), Paul Gonsalves (on 1965-12-26), Jimmy Hamilton (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
- trombone:
- Lawrence Brown (on 1965-12-26), Charles Connors (on 1965-12-26), Buster Cooper (on 1965-12-26) and Quentin Jackson (on 1965-12-26)
- trumpet:
- William “Cat” Anderson (on 1965-12-26), Mercer Ellington (on 1965-12-26), Herbie Jones (on 1965-12-26) and Cootie Williams (on 1965-12-26)
- choir vocals:
- The Herman McCoy Choir (on 1965-12-26)
- solo vocals:
- Jimmy McPhail (on 1965-12-26)
- orchestra:
- Duke Ellington and His Orchestra (on 1965-12-26)
- recorded at:
- Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, United States (on 1965-12-26)
| | 4:43 |
| 7 | New World A-Coming | | 8:27 |
| 8 | David Danced Before the Lord With All His Might- recording engineer:
- Ed Begley
- producer:
- Brad McCuen
- bass:
- John Lamb (on 1965-12-26)
- drums (drum set):
- Louie Bellson (on 1965-12-26)
- piano:
- Duke Ellington (on 1965-12-26)
- saxophone:
- Harry Carney (on 1965-12-26), Paul Gonsalves (on 1965-12-26), Jimmy Hamilton (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
- tap dance:
- Bunny Briggs (on 1965-12-26)
- trombone:
- Lawrence Brown (on 1965-12-26), Charles Connors (on 1965-12-26), Buster Cooper (on 1965-12-26) and Quentin Jackson (on 1965-12-26)
- trumpet:
- William “Cat” Anderson (on 1965-12-26), Mercer Ellington (on 1965-12-26), Herbie Jones (on 1965-12-26) and Cootie Williams (on 1965-12-26)
- orchestra:
- Duke Ellington and His Orchestra (on 1965-12-26)
- recorded at:
- Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, United States (on 1965-12-26)
| | 6:32 |
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