Woman Talk: Live at the Village Gate

~ Release by Carmen McRae (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Sometimes I'm Happy
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Sometimes I’m Happy (from 1965-11-03 until 1965-11-21)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
3:29
2Don't Explain
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Don’t Explain (from 1965-11-03 until 1965-11-21)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
4:17
3Woman Talk
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Woman Talk (from 1965-11-03 until 1965-11-21)
lyricist:
Caryl Brahms
composer:
John Scott (film composer)
3:52
4Kick Off Your Shoes
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Kick Off Your Shoes (from 1965-11-03 until 1965-11-21)
writer:
Cy Coleman and Murray Grand
2:18
5The Shadow of Your Smile
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
The Shadow of Your Smile (from 1965-11-03 until 1965-11-21)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部, ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 38)
3:56
6The Sweetest Sounds
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
The Sweetest Sounds (No Strings) (from 1965-11-03 until 1965-11-21)
lyricist and composer:
Richard Rodgers (composer) (in 1962)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
2:06
7Where Would You Be Without Me
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Where Would You Be Without Me? (from 1965-11-03 until 1965-11-21)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
part of:
The Roar of the Greasepaint – The Smell of the Crowd
2:37
8Feelin' Good
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Feeling Good (from 1965-11-03 until 1965-11-21)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
4:36
9Run Run Run
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
2:33
10No More
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
No More (in 1965-11)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Tutti Camarata
3:23
11Look at That Face
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Look at That Face (from 1965-11-03 until 1965-11-21)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
5:07
12I Wish I Were in Love Again
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
I Wish I Were in Love Again (from 1965-11-03 until 1965-11-21)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
1:34