Electric Fusion: The Atlantic Years

~ Release by Jean‐Luc Ponty (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: 1975 - 1976
#TitleRatingLength
1Question With No Answer
assistant engineer:
Chase Williams (in 1975-01)
engineer:
Larry Hirsch (Producer & Engineer) (in 1975-01)
producer:
Jean‐Luc Ponty
mixer:
Larry Hirsch (Producer & Engineer) and Kerry McNabb (recording engineer in the 1970s)
bass, bass guitar and electric bass guitar:
Ralphe Armstrong (bassist from Detroit) (in 1975-01)
clavinet, electric piano, piano and synthesizer:
Patrice Rushen (in 1975-01)
drums (drum set), percussion and rototom:
Ndugu (Leon Chancler) (in 1975-01)
electric guitar:
Dan Sawyer (American musician and score composer) (in 1975-01)
electric violin, strings and violin:
Jean‐Luc Ponty (in 1975-01)
arranger:
Jean‐Luc Ponty (in 1975-01)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recorded at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1975-01)
recording of:
Question With No Answer (in 1975-01)
composer:
Jean‐Luc Ponty
53:30
2Polyfolk Dance
assistant engineer:
Chase Williams (in 1975-01)
engineer:
Larry Hirsch (Producer & Engineer) (in 1975-01)
producer:
Jean‐Luc Ponty
mixer:
Larry Hirsch (Producer & Engineer) and Kerry McNabb (recording engineer in the 1970s)
bass, bass guitar and electric bass guitar:
Ralphe Armstrong (bassist from Detroit) (in 1975-01)
clavinet, electric piano, piano and synthesizer:
Patrice Rushen (in 1975-01)
drums (drum set), percussion and rototom:
Ndugu (Leon Chancler) (in 1975-01)
electric guitar:
Dan Sawyer (American musician and score composer) (in 1975-01)
electric violin, strings and violin:
Jean‐Luc Ponty (in 1975-01)
solo electric guitar:
Junior Parker (in 1975-01)
arranger:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recorded at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1975-01)
recording of:
Polyfolk Dance (in 1975-01)
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
4.55:13
3Waving Memories
assistant engineer:
Chase Williams (in 1975-01)
engineer:
Larry Hirsch (Producer & Engineer) (in 1975-01)
producer:
Jean‐Luc Ponty
mixer:
Larry Hirsch (Producer & Engineer) and Kerry McNabb (recording engineer in the 1970s)
bass, bass guitar and electric bass guitar:
Ralphe Armstrong (bassist from Detroit) (in 1975-01)
clavinet, electric piano, piano and synthesizer:
Patrice Rushen (in 1975-01)
drums (drum set), percussion and rototom:
Ndugu (Leon Chancler) (in 1975-01)
electric guitar:
Dan Sawyer (American musician and score composer) (in 1975-01)
electric violin, strings and violin:
Jean‐Luc Ponty (in 1975-01)
solo electric guitar:
Junior Parker (in 1975-01)
arranger:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recorded at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1975-01)
recording of:
Waving Memories (in 1975-01)
composer:
Jean‐Luc Ponty
45:45
4Echoes of the Future
3:10
5Bowing-Bowing
assistant engineer:
Chase Williams (in 1975-01)
engineer:
Larry Hirsch (Producer & Engineer) (in 1975-01)
producer:
Jean‐Luc Ponty
mixer:
Larry Hirsch (Producer & Engineer) and Kerry McNabb (recording engineer in the 1970s)
bass, bass guitar and electric bass guitar:
Ralphe Armstrong (bassist from Detroit) (in 1975-01)
clavinet, electric piano, piano and synthesizer:
Patrice Rushen (in 1975-01)
drums (drum set), percussion and rototom:
Ndugu (Leon Chancler) (in 1975-01)
electric guitar:
Dan Sawyer (American musician and score composer) (in 1975-01)
electric violin, strings and violin:
Jean‐Luc Ponty (in 1975-01)
arranger:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recorded at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1975-01)
recording of:
Bowing-Bowing (in 1975-01)
composer:
Jean‐Luc Ponty
4.54:54
6Renaissance
recording engineer and mixer:
Larry Hirsch (Producer & Engineer)
autoharp, electric violin and violin:
Jean‐Luc Ponty
bass guitar:
Tom Fowler (bass)
drums (drum set) and percussion:
Norman Fearrington
electric guitar and guitar:
Daryl Stuermer
electric piano, piano and synthesizer:
Patrice Rushen
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (in 1975-12)
mixed at:
Paramount Studio in Los Angeles, California, United States
recording of:
Renaissance (in 1975-12)
composer:
Jean‐Luc Ponty
55:49
7Aurora, Part 1
recording engineer and mixer:
Larry Hirsch (Producer & Engineer)
autoharp, electric violin and violin:
Jean‐Luc Ponty
bass guitar:
Tom Fowler (bass)
drums (drum set) and percussion:
Norman Fearrington
electric guitar and guitar:
Daryl Stuermer
electric piano, piano and synthesizer:
Patrice Rushen
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (in 1975-12)
mixed at:
Paramount Studio in Los Angeles, California, United States
recording of:
Aurora, Part 1 (in 1975-12)
composer:
Jean‐Luc Ponty
part of:
Aurora
52:46
8Aurora, Part 2
recording engineer and mixer:
Larry Hirsch (Producer & Engineer)
autoharp, electric violin and violin:
Jean‐Luc Ponty
bass guitar:
Tom Fowler (bass)
drums (drum set) and percussion:
Norman Fearrington
electric guitar and guitar:
Daryl Stuermer
electric piano, piano and synthesizer:
Patrice Rushen
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (in 1975-12)
mixed at:
Paramount Studio in Los Angeles, California, United States
recording of:
Aurora, Part 2 (in 1975-12)
composer:
Jean‐Luc Ponty
part of:
Aurora
56:15
9Lost Forest
recording engineer and mixer:
Larry Hirsch (Producer & Engineer)
autoharp, electric violin and violin:
Jean‐Luc Ponty
bass guitar:
Tom Fowler (bass)
drums (drum set) and percussion:
Norman Fearrington
electric guitar and guitar:
Daryl Stuermer
electric piano, piano and synthesizer:
Patrice Rushen
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (in 1975-12)
mixed at:
Paramount Studio in Los Angeles, California, United States
recording of:
Lost Forest (in 1975-12)
composer:
Jean‐Luc Ponty
55:28
10Waking Dream
recording engineer and mixer:
Larry Hirsch (Producer & Engineer)
autoharp, electric violin and violin:
Jean‐Luc Ponty
bass guitar:
Tom Fowler (bass)
drums (drum set) and percussion:
Norman Fearrington
electric guitar and guitar:
Daryl Stuermer
electric piano, piano and synthesizer:
Patrice Rushen
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (in 1975-12)
mixed at:
Paramount Studio in Los Angeles, California, United States
recording of:
Waking Dream (in 1975-12)
composer:
Jean‐Luc Ponty
52:27
11New Country
assistant engineer:
Burt Szerlip
engineer:
Larry Hirsch (Producer & Engineer)
producer:
Jean‐Luc Ponty
acoustic guitar and electric guitar:
Daryl Stuermer (from 1976-07 until 1976-08)
electric bass guitar:
Tom Fowler (bass) (from 1976-07 until 1976-08)
electric violin, organ, synthesizer [background synthesizer] and violin:
Jean‐Luc Ponty (from 1976-07 until 1976-08)
keyboard and piano:
Allan Zavod (from 1976-07 until 1976-08)
percussion:
Mark Craney (from 1976-07 until 1976-08)
instruments arranger:
Jean‐Luc Ponty
recorded at:
Kendun Recorders in Burbank, California, United States (from 1976-07 until 1976-08)
mixed at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1976-08)
recording of:
New Country (from 1976-07 until 1976-08)
composer:
Jean‐Luc Ponty
43:11
12Once Upon a Dream
assistant engineer:
Burt Szerlip
engineer:
Larry Hirsch (Producer & Engineer)
producer:
Jean‐Luc Ponty
acoustic guitar and electric guitar:
Daryl Stuermer (from 1976-07 until 1976-08)
electric bass guitar:
Tom Fowler (bass) (from 1976-07 until 1976-08)
electric violin, organ, synthesizer [background synthesizer] and violin:
Jean‐Luc Ponty (from 1976-07 until 1976-08)
keyboard and piano:
Allan Zavod (from 1976-07 until 1976-08)
percussion:
Mark Craney (from 1976-07 until 1976-08)
instruments arranger:
Jean‐Luc Ponty
recorded at:
Kendun Recorders in Burbank, California, United States (from 1976-07 until 1976-08)
mixed at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1976-08)
recording of:
Once Upon a Dream (from 1976-07 until 1976-08)
composer:
Jean‐Luc Ponty
44:07
13Tarantula
assistant engineer:
Burt Szerlip
engineer:
Larry Hirsch (Producer & Engineer)
producer:
Jean‐Luc Ponty
acoustic guitar and electric guitar:
Daryl Stuermer (from 1976-07 until 1976-08)
electric bass guitar:
Tom Fowler (bass) (from 1976-07 until 1976-08)
electric violin, organ, synthesizer [background synthesizer] and violin:
Jean‐Luc Ponty (from 1976-07 until 1976-08)
keyboard and piano:
Allan Zavod (from 1976-07 until 1976-08)
percussion:
Mark Craney (from 1976-07 until 1976-08)
instruments arranger:
Jean‐Luc Ponty
recorded at:
Kendun Recorders in Burbank, California, United States (from 1976-07 until 1976-08)
mixed at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1976-08)
recording of:
Tarantula (from 1976-07 until 1976-08)
composer:
Jean‐Luc Ponty
44:10
14Imaginary Voyage, Part 1
assistant engineer:
Burt Szerlip
engineer:
Larry Hirsch (Producer & Engineer)
producer:
Jean‐Luc Ponty
acoustic guitar and electric guitar:
Daryl Stuermer (from 1976-07 until 1976-08)
electric bass guitar:
Tom Fowler (bass) (from 1976-07 until 1976-08)
electric violin, organ, synthesizer [background synthesizer] and violin:
Jean‐Luc Ponty (from 1976-07 until 1976-08)
keyboard and piano:
Allan Zavod (from 1976-07 until 1976-08)
percussion:
Mark Craney (from 1976-07 until 1976-08)
instruments arranger:
Jean‐Luc Ponty
recorded at:
Kendun Recorders in Burbank, California, United States (from 1976-07 until 1976-08)
mixed at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1976-08)
recording of:
Imaginary Voyage, Part I (from 1976-07 until 1976-08)
composer:
Jean‐Luc Ponty
part of:
Imaginary Voyage
42:22
15Imaginary Voyage, Part 2
assistant engineer:
Burt Szerlip
engineer:
Larry Hirsch (Producer & Engineer)
producer:
Jean‐Luc Ponty
acoustic guitar and electric guitar:
Daryl Stuermer (from 1976-07 until 1976-08)
electric bass guitar:
Tom Fowler (bass) (from 1976-07 until 1976-08)
electric violin, organ, synthesizer [background synthesizer] and violin:
Jean‐Luc Ponty (from 1976-07 until 1976-08)
keyboard and piano:
Allan Zavod (from 1976-07 until 1976-08)
percussion:
Mark Craney (from 1976-07 until 1976-08)
instruments arranger:
Jean‐Luc Ponty
recorded at:
Kendun Recorders in Burbank, California, United States (from 1976-07 until 1976-08)
mixed at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1976-08)
recording of:
Imaginary Voyage, Part II (from 1976-07 until 1976-08)
composer:
Jean‐Luc Ponty
part of:
Imaginary Voyage
44:06
16Imaginary Voyage, Part 3
assistant engineer:
Burt Szerlip
engineer:
Larry Hirsch (Producer & Engineer)
producer:
Jean‐Luc Ponty
acoustic guitar and electric guitar:
Daryl Stuermer (from 1976-07 until 1976-08)
electric bass guitar:
Tom Fowler (bass) (from 1976-07 until 1976-08)
electric violin, organ, synthesizer [background synthesizer] and violin:
Jean‐Luc Ponty (from 1976-07 until 1976-08)
keyboard and piano:
Allan Zavod (from 1976-07 until 1976-08)
percussion:
Mark Craney (from 1976-07 until 1976-08)
instruments arranger:
Jean‐Luc Ponty
recorded at:
Kendun Recorders in Burbank, California, United States (from 1976-07 until 1976-08)
mixed at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1976-08)
recording of:
Imaginary Voyage, Part III (from 1976-07 until 1976-08)
composer:
Jean‐Luc Ponty
part of:
Imaginary Voyage
45:26
17Imaginary Voyage, Part 4
assistant engineer:
Burt Szerlip
engineer:
Larry Hirsch (Producer & Engineer)
producer:
Jean‐Luc Ponty
acoustic guitar and electric guitar:
Daryl Stuermer (from 1976-07 until 1976-08)
electric bass guitar:
Tom Fowler (bass) (from 1976-07 until 1976-08)
electric violin, organ, synthesizer [background synthesizer] and violin:
Jean‐Luc Ponty (from 1976-07 until 1976-08)
keyboard and piano:
Allan Zavod (from 1976-07 until 1976-08)
percussion:
Mark Craney (from 1976-07 until 1976-08)
instruments arranger:
Jean‐Luc Ponty
recorded at:
Kendun Recorders in Burbank, California, United States (from 1976-07 until 1976-08)
mixed at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1976-08)
recording of:
Imaginary Voyage, Part IV (from 1976-07 until 1976-08)
composer:
Jean‐Luc Ponty
part of:
Imaginary Voyage
58:03
▼ CD 2: 1977 - 1979
#TitleRatingLength
1Mirage
solo synthesizer:
Allan Zavod
solo violin:
Jean‐Luc Ponty
recording of:
Mirage (from 1977-06 until 1977-07)
composer:
Jean‐Luc Ponty
54:55
2Enigmatic Ocean, Part 1
recording of:
Enigmatic Ocean, Part I (from 1977-06 until 1977-07)
composer:
Jean‐Luc Ponty
part of:
Enigmatic Ocean
42:22
3Enigmatic Ocean, Part 2
solo guitar:
Allan Holdsworth and Daryl Stuermer
solo synthesizer:
Allan Zavod
solo violin:
Jean‐Luc Ponty
recording of:
Enigmatic Ocean, Part II (from 1977-06 until 1977-07)
composer:
Jean‐Luc Ponty
part of:
Enigmatic Ocean
53:35
4Enigmatic Ocean, Part 3
solo guitar:
Allan Holdsworth
solo violin:
Jean‐Luc Ponty
recording of:
Enigmatic Ocean, Part III (from 1977-06 until 1977-07)
composer:
Jean‐Luc Ponty
part of:
Enigmatic Ocean
53:43
5Enigmatic Ocean, Part 4
recording of:
Enigmatic Ocean, Part IV (from 1977-06 until 1977-07)
composer:
Jean‐Luc Ponty
part of:
Enigmatic Ocean
52:28
6Enigmatic Lady
fretless bass:
Ralphe Armstrong (bassist from Detroit)
grand piano and solo violin:
Jean‐Luc Ponty
solo guitar:
Allan Holdsworth
recording of:
Nostalgic Lady (from 1977-06 until 1977-07)
composer:
Jean‐Luc Ponty
55:25
7Struggle of the Turtle to the Sea, Part 1
solo synthesizer:
Allan Zavod
recording of:
The Struggle of the Turtle to the Sea, Part I (from 1977-06 until 1977-07)
composer:
Jean‐Luc Ponty
part of:
The Struggle of the Turtle to the Sea
53:35
8Struggle of the Turtle to the Sea, Part 2
solo electric violin [violectra]:
Jean‐Luc Ponty
recording of:
The Struggle of the Turtle to the Sea, Part II (from 1977-06 until 1977-07)
composer:
Jean‐Luc Ponty
part of:
The Struggle of the Turtle to the Sea
53:34
9Struggle of the Turtle to the Sea, Part 3
solo bass:
Ralphe Armstrong (bassist from Detroit)
solo drums (drum set):
Steve Smith (American drummer most associated with Journey)
solo guitar:
Allan Holdsworth and Daryl Stuermer
recording of:
The Struggle of the Turtle to the Sea, Part III (from 1977-06 until 1977-07)
composer:
Jean‐Luc Ponty
part of:
The Struggle of the Turtle to the Sea
46:06
10Cosmic Messenger
assistant engineer:
Russell Bracher, Rick Collins (mastering engineer), Chris Gregg and Brian Leshon
engineer and mixer:
Ed. E. Thacker
producer:
Jean‐Luc Ponty
drums (drum set) and percussion:
Casey Scheuerell (in 1978-04)
electric bass guitar:
Ralphe Armstrong (bassist from Detroit) (in 1978-04)
electric guitar:
Joaquin Lievano (in 1978-04) and Peter Maunu (in 1978-04)
electric piano:
Allan Zavod (in 1978-04)
organ, solo electric violin and synthesizer:
Jean‐Luc Ponty (in 1978-04)
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic (Warner Music imprint) (in 1978) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States and Cherokee Studios in Hollywood, Los Angeles, California, United States
mixed at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States
recording of:
Cosmic Messenger
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI Publishing, SACEM (Société des auteurs, compositeurs et éditeurs de musique, French rights society representing original songwriters, composers, and music publishers) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
54:43
11The Art of Happiness
assistant engineer:
Russell Bracher, Rick Collins (mastering engineer), Chris Gregg and Brian Leshon
engineer and mixer:
Ed. E. Thacker
producer:
Jean‐Luc Ponty
drums (drum set):
Casey Scheuerell (in 1978-04)
electric bass guitar:
Ralphe Armstrong (bassist from Detroit) (in 1978-04)
electric guitar:
Joaquin Lievano (in 1978-04) and Peter Maunu (in 1978-04)
electric piano:
Allan Zavod (in 1978-04)
organ and solo electric violin:
Jean‐Luc Ponty (in 1978-04)
solo electric guitar:
Peter Maunu (in 1978-04)
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) and Atlantic (Warner Music imprint) (in 1978)
recorded at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States and Cherokee Studios in Hollywood, Los Angeles, California, United States
mixed at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States
recording of:
The Art of Happiness
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI Publishing, SACEM (Société des auteurs, compositeurs et éditeurs de musique, French rights society representing original songwriters, composers, and music publishers) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
44:35
12Don't Let the World Pass You By
assistant engineer:
Russell Bracher, Rick Collins (mastering engineer), Chris Gregg and Brian Leshon
engineer and mixer:
Ed. E. Thacker
producer:
Jean‐Luc Ponty
drums (drum set):
Casey Scheuerell (in 1978-04)
electric bass guitar:
Ralphe Armstrong (bassist from Detroit) (in 1978-04)
electric guitar:
Joaquin Lievano (in 1978-04) and Peter Maunu (in 1978-04)
solo electric violin:
Jean‐Luc Ponty (in 1978-04)
solo synthesizer:
Allan Zavod (in 1978-04)
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) and Atlantic (Warner Music imprint) (in 1978)
recorded at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States and Cherokee Studios in Hollywood, Los Angeles, California, United States
mixed at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States
recording of:
Don’t Let the World Pass You By
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI Publishing, SACEM (Société des auteurs, compositeurs et éditeurs de musique, French rights society representing original songwriters, composers, and music publishers) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
4.56:23
13Only Feel Good With You
assistant engineer:
Russell Bracher, Rick Collins (mastering engineer), Chris Gregg and Brian Leshon
engineer and mixer:
Ed. E. Thacker
producer:
Jean‐Luc Ponty
drums (drum set):
Casey Scheuerell (in 1978-04)
electric bass guitar:
Ralphe Armstrong (bassist from Detroit) (in 1978-04)
electric piano and grand piano:
Allan Zavod (in 1978-04)
organ, solo electric violin and synthesizer:
Jean‐Luc Ponty (in 1978-04)
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) and Atlantic (Warner Music imprint) (in 1978)
recorded at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States and Cherokee Studios in Hollywood, Los Angeles, California, United States
mixed at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States
recording of:
I Only Feel Good With You
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI Publishing, SACEM (Société des auteurs, compositeurs et éditeurs de musique, French rights society representing original songwriters, composers, and music publishers) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
4.53:10
14Puppet's Dance
assistant engineer:
Russell Bracher, Rick Collins (mastering engineer), Chris Gregg and Brian Leshon
engineer and mixer:
Ed. E. Thacker
producer:
Jean‐Luc Ponty
drums (drum set) and percussion:
Casey Scheuerell (in 1978-04)
electric bass guitar:
Ralphe Armstrong (bassist from Detroit) (in 1978-04)
electric guitar:
Joaquin Lievano (in 1978-04) and Peter Maunu (in 1978-04)
electric piano:
Allan Zavod (in 1978-04)
electric violin and organ:
Jean‐Luc Ponty (in 1978-04)
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) and Atlantic (Warner Music imprint) (in 1978)
recorded at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States and Cherokee Studios in Hollywood, Los Angeles, California, United States
mixed at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States
recording of:
Puppet’s Dance
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI Publishing, SACEM (Société des auteurs, compositeurs et éditeurs de musique, French rights society representing original songwriters, composers, and music publishers) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
4.53:43
15Fake Paradise
assistant engineer:
Russell Bracher, Rick Collins (mastering engineer), Chris Gregg and Brian Leshon
engineer and mixer:
Ed. E. Thacker
producer:
Jean‐Luc Ponty
drums (drum set) and percussion:
Casey Scheuerell (in 1978-04)
electric bass guitar:
Ralphe Armstrong (bassist from Detroit) (in 1978-04)
electric guitar:
Joaquin Lievano (in 1978-04) and Peter Maunu (in 1978-04)
electric piano, organ and solo synthesizer:
Allan Zavod (in 1978-04)
solo electric guitar:
Peter Maunu (in 1978-04)
solo electric violin:
Jean‐Luc Ponty (in 1978-04)
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) and Atlantic (Warner Music imprint) (in 1978)
recorded at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States and Cherokee Studios in Hollywood, Los Angeles, California, United States
mixed at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States
recording of:
Fake Paradise
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI Publishing, SACEM (Société des auteurs, compositeurs et éditeurs de musique, French rights society representing original songwriters, composers, and music publishers) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
45:44
16No String Attached
5:58
17Egocentric Molecules
7:13
▼ CD 3: 1980 - 1982
#TitleRatingLength
1Stay With Me
synthesizer programming:
Allan Gelbard and Allan Zavod
engineer:
Ed Thacker
drums (drum set) and percussion:
Casey Scheuerell
electric guitar:
Jamie Glaser
fretless bass:
Ralphe Armstrong (bassist from Detroit)
guitar and guitar synthesizer:
Joaquin Liévano
keyboard:
Allan Zavod
organ and violin:
Jean‐Luc Ponty
recorded at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (from 1979-06 until 1979-07)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1979-06 until 1979-07)
recording of:
Stay With Me (from 1979-06 until 1979-07)
composer:
Jean‐Luc Ponty
5:38
2Sunset Drive
synthesizer programming:
Allan Gelbard and Allan Zavod
engineer:
Ed Thacker
drums (drum set) and percussion:
Casey Scheuerell
electric guitar and solo electric guitar:
Jamie Glaser
fretless bass and solo fretless bass:
Ralphe Armstrong (bassist from Detroit)
guitar and guitar synthesizer:
Joaquin Liévano
keyboard:
Allan Zavod
organ and violin:
Jean‐Luc Ponty
recorded at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (from 1979-06 until 1979-07)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1979-06 until 1979-07)
recording of:
Sunset Drive (from 1979-06 until 1979-07)
composer:
Jean‐Luc Ponty
5:45
3Dreamy Eyes
synthesizer programming:
Allan Gelbard and Allan Zavod
engineer:
Ed Thacker
drums (drum set) and percussion:
Casey Scheuerell
electric guitar:
Jamie Glaser
electric piano, organ and violin:
Jean‐Luc Ponty
fretless bass:
Ralphe Armstrong (bassist from Detroit)
guitar, guitar synthesizer, solo guitar and solo guitar synthesizer:
Joaquin Liévano
keyboard:
Allan Zavod
recorded at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (from 1979-06 until 1979-07)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1979-06 until 1979-07)
recording of:
Dreamy Eyes (from 1979-06 until 1979-07)
composer:
Jean‐Luc Ponty
4:21
4A Taste for Passion
synthesizer programming:
Allan Gelbard and Allan Zavod
engineer:
Ed Thacker
drums (drum set) and percussion:
Casey Scheuerell
electric guitar:
Jamie Glaser
electric piano, organ and violin:
Jean‐Luc Ponty
fretless bass:
Ralphe Armstrong (bassist from Detroit)
guitar, guitar synthesizer, solo guitar and solo guitar synthesizer:
Joaquin Liévano
keyboard:
Allan Zavod
recorded at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (from 1979-06 until 1979-07)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1979-06 until 1979-07)
recording of:
A Taste for Passion (from 1979-06 until 1979-07)
composer:
Jean‐Luc Ponty
5:26
5Reminiscence
1:29
6Demagomania
assistant engineer:
Karen Siegel (engineer)
engineer:
Gary Starr
producer:
Jean‐Luc Ponty
bass:
Randy Jackson (former bassist with Journey and American Idol judge) (from 1980-06 until 1980-07)
drums (drum set):
Mark Craney (from 1980-06 until 1980-07)
guitar:
Joaquin Liévano (from 1980-06 until 1980-07)
keyboard:
Chris Rhyne (from 1980-06 until 1980-07)
violin:
Jean‐Luc Ponty (from 1980-06 until 1980-07)
recorded at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (from 1980-06 until 1980-07)
recording of:
Demagomania (from 1980-06 until 1980-07)
composer:
Jean‐Luc Ponty
56:28
7In Case We Survive
assistant engineer:
Karen Siegel (engineer)
engineer:
Gary Starr
producer:
Jean‐Luc Ponty
bass:
Randy Jackson (former bassist with Journey and American Idol judge) (from 1980-06 until 1980-07)
drums (drum set):
Mark Craney (from 1980-06 until 1980-07)
guitar:
Joaquin Liévano (from 1980-06 until 1980-07)
keyboard:
Chris Rhyne (from 1980-06 until 1980-07)
violin:
Jean‐Luc Ponty (from 1980-06 until 1980-07)
recorded at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (from 1980-06 until 1980-07)
recording of:
In Case We Survive (from 1980-06 until 1980-07)
composer:
Jean‐Luc Ponty
44:08
8Forms of Life
assistant engineer:
Karen Siegel (engineer)
engineer:
Gary Starr
producer:
Jean‐Luc Ponty
bass:
Randy Jackson (former bassist with Journey and American Idol judge) (from 1980-06 until 1980-07)
drums (drum set):
Mark Craney (from 1980-06 until 1980-07)
guitar:
Joaquin Liévano (from 1980-06 until 1980-07)
keyboard:
Chris Rhyne (from 1980-06 until 1980-07)
keyboard and synthesizer and violin:
Jean‐Luc Ponty (from 1980-06 until 1980-07)
recorded at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (from 1980-06 until 1980-07)
recording of:
Forms of Life (from 1980-06 until 1980-07)
composer:
Jean‐Luc Ponty
54:50
9Happy Robots
assistant engineer:
Karen Siegel (engineer)
engineer:
Gary Starr
producer:
Jean‐Luc Ponty
bass:
Randy Jackson (former bassist with Journey and American Idol judge) (from 1980-06 until 1980-07)
drums (drum set):
Mark Craney (from 1980-06 until 1980-07)
guitar:
Joaquin Liévano (from 1980-06 until 1980-07) and Daryl Stuermer (from 1980-06 until 1980-07)
keyboard:
Chris Rhyne (from 1980-06 until 1980-07)
violin:
Jean‐Luc Ponty (from 1980-06 until 1980-07)
recorded at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (from 1980-06 until 1980-07)
recording of:
Happy Robots (from 1980-06 until 1980-07)
composer:
Jean‐Luc Ponty
44:19
10Once a Blue Planet
assistant engineer:
Karen Siegel (engineer)
engineer:
Gary Starr
producer:
Jean‐Luc Ponty
bass:
Randy Jackson (former bassist with Journey and American Idol judge) (from 1980-06 until 1980-07)
drums (drum set):
Mark Craney (from 1980-06 until 1980-07)
guitar:
Joaquin Liévano (from 1980-06 until 1980-07)
keyboard:
Chris Rhyne (from 1980-06 until 1980-07)
violin:
Jean‐Luc Ponty (from 1980-06 until 1980-07)
recorded at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (from 1980-06 until 1980-07)
recording of:
Once a Blue Planet (from 1980-06 until 1980-07)
composer:
Jean‐Luc Ponty
54:05
11Mystical Adventures, Part 1
3:30
12Mystical Adventures, Part 2
3:39
13Mystical Adventures, Part 3
recording engineer:
Dee Robb (from 1981-08 until 1981-09)
producer:
Arif Mardin and Jean‐Luc Ponty
mixer:
Peter Kelsey
bass:
Randy Jackson (former bassist with Journey and American Idol judge) (from 1981-08 until 1981-09)
drums (drum set):
Rayford Griffin (from 1981-08 until 1981-09)
electric piano:
Chris Rhyne (from 1981-08 until 1981-09)
guitar:
Jamie Glaser (from 1981-08 until 1981-09)
organ and violin:
Jean‐Luc Ponty (from 1981-08 until 1981-09)
synthesizer:
Jean‐Luc Ponty (from 1981-08 until 1981-09) and Chris Rhyne (from 1981-08 until 1981-09)
vocals:
Rayford Griffin (from 1981-08 until 1981-09)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1981-08 until 1981-09)
recording of:
Mystical Adventures, Part III (from 1981-08 until 1981-09)
composer:
Jean‐Luc Ponty
part of:
Mystical Adventures
57:32
14Mystical Adventures, Part 4
recording engineer:
Dee Robb (from 1981-08 until 1981-09)
producer:
Arif Mardin and Jean‐Luc Ponty
mixer:
Peter Kelsey
drums (drum set):
Rayford Griffin (from 1981-08 until 1981-09)
electric piano and organ:
Jean‐Luc Ponty (from 1981-08 until 1981-09)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1981-08 until 1981-09)
recording of:
Mystical Adventures, Part IV (from 1981-08 until 1981-09)
composer:
Jean‐Luc Ponty
part of:
Mystical Adventures
0:50
15Mystical Adventures, Part 5
5:06
16Final Truth, Part 1
recording engineer:
Dee Robb (from 1981-08 until 1981-09)
producer:
Arif Mardin and Jean‐Luc Ponty
mixer:
Peter Kelsey
bass:
Randy Jackson (former bassist with Journey and American Idol judge) (from 1981-08 until 1981-09)
drums (drum set):
Rayford Griffin (from 1981-08 until 1981-09)
guitar:
Jamie Glaser (from 1981-08 until 1981-09)
piano and synthesizer:
Chris Rhyne (from 1981-08 until 1981-09)
violin:
Jean‐Luc Ponty (from 1981-08 until 1981-09)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1981-08 until 1981-09)
recording of:
Final Truth, Part I (from 1981-08 until 1981-09)
composer:
Jean‐Luc Ponty
part of:
Final Truth
44:57
17Final Truth, Part 2
recording engineer:
Dee Robb (from 1981-08 until 1981-09)
producer:
Arif Mardin and Jean‐Luc Ponty
mixer:
Peter Kelsey
bass:
Randy Jackson (former bassist with Journey and American Idol judge) (from 1981-08 until 1981-09)
drums (drum set) and percussion:
Rayford Griffin (from 1981-08 until 1981-09)
guitar:
Jamie Glaser (from 1981-08 until 1981-09)
organ and violin:
Jean‐Luc Ponty (from 1981-08 until 1981-09)
synthesizer:
Jean‐Luc Ponty (from 1981-08 until 1981-09) and Chris Rhyne (from 1981-08 until 1981-09)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1981-08 until 1981-09)
recording of:
Final Truth, Part II (from 1981-08 until 1981-09)
composer:
Jean‐Luc Ponty
part of:
Final Truth
42:09
18Jig
recording engineer:
Dee Robb (from 1981-08 until 1981-09)
producer:
Arif Mardin and Jean‐Luc Ponty
mixer:
Peter Kelsey
bass:
Randy Jackson (former bassist with Journey and American Idol judge) (from 1981-08 until 1981-09)
drums (drum set):
Rayford Griffin (from 1981-08 until 1981-09)
electric piano and synthesizer:
Chris Rhyne (from 1981-08 until 1981-09)
guitar:
Jamie Glaser (from 1981-08 until 1981-09)
organ and violin:
Jean‐Luc Ponty (from 1981-08 until 1981-09)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1981-08 until 1981-09)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1981-08 until 1981-09)
recording of:
Jig (from 1981-08 until 1981-09)
composer:
Jean‐Luc Ponty
43:58
▼ CD 4: 1983 - 1996
#TitleRatingLength
1Computer Incantations for World Peace
recording engineer and mixer:
Peter R. Kelsey
assistant engineer:
Stuart Graham (engineer)
producer:
Jean‐Luc Ponty
synthesizer and violin:
Jean‐Luc Ponty
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983), FNAC Music (1990-1994) (in 1983) and J.L.P. Productions Inc. (in 1983)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05) and Music Grinder Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05)
recording of:
Computer Incantations for World Peace (from 1983-03 until 1983-05)
sub-publisher:
Jean‐Luc Ponty
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI (USA rights society; do not use this as a label or work publisher!), SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
45:42
2Eulogy for Oscar Romero
recording engineer and mixer:
Peter R. Kelsey
assistant engineer:
Stuart Graham (engineer)
producer:
Jean‐Luc Ponty
synthesizer and violin:
Jean‐Luc Ponty
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983), FNAC Music (1990-1994) (in 1983) and J.L.P. Productions Inc. (in 1983)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05) and Music Grinder Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05)
recording of:
Eulogy to Oscar Romero (from 1983-03 until 1983-05)
sub-publisher:
Jean‐Luc Ponty
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI (USA rights society; do not use this as a label or work publisher!), SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
42:35
3Nostalgia
recording engineer and mixer:
Peter R. Kelsey
assistant engineer:
Stuart Graham (engineer)
producer:
Jean‐Luc Ponty
guitar:
Allan Holdsworth
keyboard bass, organ, synthesizer and violin:
Jean‐Luc Ponty
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983), FNAC Music (1990-1994) (in 1983) and J.L.P. Productions Inc. (in 1983)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05) and Music Grinder Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05)
recording of:
Nostalgia (from 1983-03 until 1983-05)
sub-publisher:
Jean‐Luc Ponty
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI (USA rights society; do not use this as a label or work publisher!), SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
45:05
4Individual Choice
recording engineer and mixer:
Peter R. Kelsey
assistant engineer:
Stuart Graham (engineer)
producer:
Jean‐Luc Ponty
keyboard bass, synthesizer and violin:
Jean‐Luc Ponty
percussion:
Rayford Griffin
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983), FNAC Music (1990-1994) (in 1983) and J.L.P. Productions Inc. (in 1983)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05) and Music Grinder Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05)
recording of:
Individual Choice (from 1983-03 until 1983-05)
sub-publisher:
Jean‐Luc Ponty
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI (USA rights society; do not use this as a label or work publisher!), SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
44:58
5In Spite of All
recording engineer:
Peter R. Kelsey and Gary Skardina (drums (drum set))
assistant engineer:
Stuart Graham (engineer)
producer:
Jean‐Luc Ponty
mixer:
Peter R. Kelsey
bass:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set):
Rayford Griffin
guitar:
Allan Holdsworth
violin:
Jean‐Luc Ponty
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983), FNAC Music (1990-1994) (in 1983) and J.L.P. Productions Inc. (in 1983)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05) and Music Grinder Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1983-03 until 1983-05)
recording of:
In Spite of All (from 1983-03 until 1983-05)
sub-publisher:
Jean‐Luc Ponty
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI (USA rights society; do not use this as a label or work publisher!), SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
45:59
6Watching Birds
additional recording engineer:
Bobby Wagner (engineer/taper)
recording engineer and mixer:
Peter R. Kelsey
assistant engineer:
Steve Hirsch, David Marquette, John Molino, Dan Nash, Gary Wagner (recording engineer), Dan Warme (engineer) and Jay Willis
producer:
J.L. Ponty
drum machine [rhythm computer], electric violin [Zeta] and synthesizer:
Jean‐Luc Ponty
drums (drum set) and tabla:
Casey Scheuerell
solo synthesizer:
Chick Corea (jazz pianist)
orchestrator:
J.L. Ponty
phonographic copyright (℗) by:
FNAC Music (1990-1994) (in 1984) and J.L.P. Productions Inc. (in 1984)
recording of:
Watching Birds (from 1984-05 until 1984-07)
sub-publisher:
Jean‐Luc Ponty
composer:
J.L. Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
44:58
7Infinite Pursuit
recording engineer and mixer:
Peter Kelsey (from 1985-07 until 1985-08)
producer:
Jean‐Luc Ponty
bass:
Baron Browne (from 1985-07 until 1985-08)
drum machine [electronic percussion], synclavier, synthesizer and violin [Zeta]:
Jean‐Luc Ponty (from 1985-07 until 1985-08)
drums (drum set):
Rayford Griffin (from 1985-07 until 1985-08)
guitar:
Scott Henderson (American fusion & blues guitarist) (from 1985-07 until 1985-08)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1985-07 until 1985-08)
recording of:
Infinite Pursuit (from 1985-07 until 1985-08)
composer:
Jean‐Luc Ponty
56:00
8In the Kingdom of Peace
recording engineer and mixer:
Peter Kelsey (from 1985-07 until 1985-08)
producer:
Jean‐Luc Ponty
synclavier and violin [Zeta]:
Jean‐Luc Ponty (from 1985-07 until 1985-08)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1985-07 until 1985-08)
recording of:
In the Kingdom of Peace (from 1985-07 until 1985-08)
composer:
Jean‐Luc Ponty
54:05
9Cats Tales
recording engineer and mixer:
Peter Kelsey (from 1985-07 until 1985-08)
producer:
Jean‐Luc Ponty
bass:
Baron Browne (from 1985-07 until 1985-08)
drums (drum set):
Rayford Griffin (from 1985-07 until 1985-08)
guitar:
Scott Henderson (American fusion & blues guitarist) (from 1985-07 until 1985-08)
solo violin [Zeta] and synclavier and violin [Barcus-Berry]:
Jean‐Luc Ponty (from 1985-07 until 1985-08)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1985-07 until 1985-08)
recording of:
Cats Tales (from 1985-07 until 1985-08)
composer:
Jean‐Luc Ponty
44:55
10No Absolute Time
recorded in:
Santa Monica, California, United States (from 1992-12 until 1993-03)
recording engineer and mixer:
Peter Kelsey
producer:
Jean‐Luc Ponty
bass:
Guy N'Sangue (from 1992-12 until 1993-03)
cowbell, tambourine and wood block:
Abdou M’Boup (from 1992-12 until 1993-03)
drums (drum set):
Moktar Samba (from 1992-12 until 1993-03)
goblet drum [bougarabous]:
Abdou M’Boup (from 1992-12 until 1993-03) and Moktar Samba (from 1992-12 until 1993-03)
keyboard:
Wally Minko (from 1992-12 until 1993-03)
synthesizer and violin:
Jean‐Luc Ponty (from 1992-12 until 1993-03)
arranger:
Jean‐Luc Ponty
recorded at:
Studios Davout in Paris, Île-de-France, France (from 1992-12 until 1993-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1992-12 until 1993-03)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
recording of:
No Absolute Time (from 1992-12 until 1993-03)
composer:
Jean‐Luc Ponty
45:41
11Lost Illusions
recorded in:
Santa Monica, California, United States (from 1992-12 until 1993-03)
recording engineer and mixer:
Peter Kelsey
producer:
Jean‐Luc Ponty
bass:
Guy N'Sangue (from 1992-12 until 1993-03)
bell [sleigh bells] and shakers:
Abdou M’Boup (from 1992-12 until 1993-03)
drums (drum set):
Moktar Samba (from 1992-12 until 1993-03)
solo piano:
Wally Minko (from 1992-12 until 1993-03)
synthesizer and violin:
Jean‐Luc Ponty (from 1992-12 until 1993-03)
arranger:
Jean‐Luc Ponty
recorded at:
Studios Davout in Paris, Île-de-France, France (from 1992-12 until 1993-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1992-12 until 1993-03)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
recording of:
Lost Illusions (from 1992-12 until 1993-03)
composer:
Jean‐Luc Ponty
55:03
12Forever Together
recorded in:
Santa Monica, California, United States (from 1992-12 until 1993-03)
recording engineer and mixer:
Peter Kelsey
producer:
Jean‐Luc Ponty
bass:
Guy N'Sangue (from 1992-12 until 1993-03)
cowbell, goblet drum [bougarabous] and shakers:
Abdou M’Boup (from 1992-12 until 1993-03)
drums (drum set) and percussion [doumdoumba]:
Moktar Samba (from 1992-12 until 1993-03)
guitar:
Martin Atangana (from 1992-12 until 1993-03)
piano:
Wally Minko (from 1992-12 until 1993-03)
synthesizer and violin:
Jean‐Luc Ponty (from 1992-12 until 1993-03)
arranger:
Jean‐Luc Ponty
recorded at:
Studios Davout in Paris, Île-de-France, France (from 1992-12 until 1993-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1992-12 until 1993-03)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
recording of:
Forever Together (from 1992-12 until 1993-03)
composer:
Jean‐Luc Ponty
45:45
13Caracas
recorded in:
Santa Monica, California, United States (from 1992-12 until 1993-03)
recording engineer and mixer:
Peter Kelsey
producer:
Jean‐Luc Ponty
bass:
Guy N'Sangue (from 1992-12 until 1993-03)
cowbell, drums (drum set) and timbales:
Moktar Samba (from 1992-12 until 1993-03)
goblet drum [bougarabous] and shakers:
Abdou M’Boup (from 1992-12 until 1993-03)
guitar:
Martin Atangana (from 1992-12 until 1993-03)
keyboard:
Wally Minko (from 1992-12 until 1993-03)
synthesizer and violin:
Jean‐Luc Ponty (from 1992-12 until 1993-03)
arranger:
Jean‐Luc Ponty
recorded at:
Studios Davout in Paris, Île-de-France, France (from 1992-12 until 1993-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1992-12 until 1993-03)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
recording of:
Caracas (from 1992-12 until 1993-03)
composer:
Jean‐Luc Ponty
43:52
14After the Storm
7:29
15Elephants in Love
5:46