Tracklist

CD 1
# Title Artist Rating Length
1 Symphony No. 5 in F major, Op. 76: I. Allegro ma non troppo
Antonín Dvořák 10:08
2 Symphony No. 5 in F major, Op. 76: II. Andante con moto
Antonín Dvořák 7:56
3 Symphony No. 5 in F major, Op. 76: III. Scherzo. Allegro scherzando
Antonín Dvořák 7:54
4 Symphony No. 5 in F major, Op. 76: IV. Finale. Allegro molto
Antonín Dvořák 13:33
5 Symphonic Poem No. 2 in E Minor From "My Fatherland" "The Moldau"
Bedřich Smetana 12:56
6 Hary Janos Suite: I. Prelude: The Fairy Tale Begins. Conmoto
Zoltán Kodály 3:39
7 Hary Janos Suite: II. Viennese Musical Clock. Allegretto
Zoltán Kodály 2:15
8 Hary Janos Suite: III. Song. Andante Poco Rubato
Zoltán Kodály 5:24
9 Hary Janos Suite: IV. The Battle and Defeat of Napoleon. Alla Marcia
Zoltán Kodály 4:03
10 Hary Janos Suite: V. Intermezzo. Andante Maestoso Ma Con Fuoco
Zoltán Kodály 4:46
11 Hary Janos Suite: VI. Entrance of the Emperor and His Court. Alla Marcia
Zoltán Kodály 3:03
CD 2
# Title Artist Rating Length
1 Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro molto
Antonín Dvořák 11:04
2 Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo
Antonín Dvořák 14:42
3 Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace
Antonín Dvořák 6:31
4 Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco
Antonín Dvořák 11:04
5 Dance Suite Sz. 77 1. I. Moderate
Béla Bartók 4:01
6 Dance Suite Sz. 77 2. II. Allegro Molto
Béla Bartók 2:11
7 Dance Suite Sz. 77 3. III. Allegro Vivace
Béla Bartók 3:06
8 Dance Suite Sz. 77 4. IV. Molto Tranquilo
Béla Bartók 3:19
9 Dance Suite Sz. 77 5. V. Commode
Béla Bartók 1:00
10 Dance Suite Sz. 77 6. Finale: Allegro
Béla Bartók 4:15
11 Suite, Sz. 62 Op. 14: 1. I. Allegretto
Béla Bartók 1:55
12 Suite, Sz. 62 Op. 14: 2. II. Scherzo
Béla Bartók 1:52
13 Suite, Sz. 62 Op. 14: 3. III. Allegro Molto
Béla Bartók 1:59
14 Suite, Sz. 62 Op. 14: 4. IV. Sostenuto
Béla Bartók 2:50
15 Allegro Barbaro, Sz. 49 - Tempo Giusto
Béla Bartók 2:35
16 Slavische Fantasie
Antonín Dvořák 4:42
CD 3
# Title Artist Rating Length
1 Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo
Пётр Ильич Чайковский 18:50
2 Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia
Пётр Ильич Чайковский 7:09
3 Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace
Пётр Ильич Чайковский 8:53
4 Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante
Пётр Ильич Чайковский 11:46
5 Pictures at an Exhibition 1. Promenade
Maurice Ravel 1:37
6 Pictures at an Exhibition 2. I. Gnomus
Maurice Ravel 2:15
7 Pictures at an Exhibition 3. Promenade
Maurice Ravel 1:01
8 Pictures at an Exhibition 4. II. Il Vecchio Castello
Maurice Ravel 4:35
9 Pictures at an Exhibition 5. Promenade
Maurice Ravel 0:29
10 Pictures at an Exhibition 6. III. Tuileries
Maurice Ravel 1:02
11 Pictures at an Exhibition 7. IV. Bydlo
Maurice Ravel 2:55
12 Pictures at an Exhibition 8. Promenade
Maurice Ravel 0:41
13 Pictures at an Exhibition 9. V. Ballet Des Petits Poussins Dans Leurs Coques
Maurice Ravel 1:15
14 Pictures at an Exhibition 10. VI. Samuel Goldenberg Et Schmuyle
Maurice Ravel 2:22
15 Pictures at an Exhibition 11. VII. Limoges - Le Marche
Maurice Ravel 1:19
16 Pictures at an Exhibition 12. VIII. Catacombae: Sepulcrum Romanum
Maurice Ravel 1:42
17 Pictures at an Exhibition 13. Cum Mortuis in Lingua Mortua
Maurice Ravel 2:08
18 Pictures at an Exhibition 14. IX. La Cabane Sur Des Pattes De Poule
Maurice Ravel 3:23
19 Pictures at an Exhibition 15. X. La Grande Porte De Kiev
Maurice Ravel 5:08
CD 4
# Title Artist Rating Length
1 Concerto for Violin and Orchestra in D major, Op. 35: I. Allegro Moderato
Пётр Ильич Чайковский 16:32
2 Concerto for Violin and Orchestra in D major, Op. 35: II. Canzonetta. Andante
Пётр Ильич Чайковский 6:49
3 Concerto for Violin and Orchestra in D major, Op. 35: III. Finale. Allegro Vivacissimo
Пётр Ильич Чайковский 9:34
4 Concerto for Piano and Orchestra No. 3 in D minor, Op. 30: I Allegro Ma Non Tanto
Сергей Васильевич Рахманинов 17:21
5 Concerto for Piano and Orchestra No. 3 in D minor, Op. 30: II. Intermezzo. Adagio
Сергей Васильевич Рахманинов 11:10
6 Concerto for Piano and Orchestra No. 3 in D minor, Op. 30: III. Finale. Alla Breve
Сергей Васильевич Рахманинов 14:34
CD 5
# Title Artist Rating Length
1 Carmen Suite No.1 1. Prelude Acte I. Les Toreadors. Allegro Giocoso
Georges Bizet 2:33
2 Carmen Suite No.1 2. Prelude Acte I. Andante Moderato
Georges Bizet 1:12
3 Carmen Suite No.1 3. Entr'Acte IV. Aragonaise. Allegro Vivo
Georges Bizet 2:26
4 Carmen Suite No.1 4. Entr'Acte III. Andantino Quasi Allegretto
Georges Bizet 2:46
5 Carmen Suite No.1 5. Seguedille. Allegretto (Act I)
Georges Bizet 1:58
6 Carmen Suite No.1 6. Entr'Acte II. Les Dragons D'Alcala. Allegro Moderato
Georges Bizet 1:51
7 Concerto for Cello and Orchestra No.1 in a Minor, Op. 33
Camille Saint‐Saëns 18:42
8 Bolero
Maurice Ravel 15:43
9 Pavane Pour Une Infante Defunte
Maurice Ravel 6:20
10 Prelude a L'Apres Midi D'Un Faune
Claude Debussy 9:49
11 Peer Gynt Suite No. 1, Op. 46: I. Morning Mood. Allegretto Pastrale
Edvard Grieg 4:18
CD 6
# Title Artist Rating Length
1 Symphony No. 2 in D major, Op. 43: I. Allegretto
Jean Sibelius 9:28
2 Symphony No. 2 in D major, Op. 43: II. Tempo andante, ma rubato
Jean Sibelius 14:48
3 Symphony No. 2 in D major, Op. 43: III. Vivacissimo - Lento e suave
Jean Sibelius 5:41
4 Symphony No. 2 in D major, Op. 43: IV. Finale. Allegro moderato
Jean Sibelius 14:41
5 Finlandia, Op. 26 (Tone Poem)
Jean Sibelius 7:47
6 Sonata for Violin and Piano in E minor, Op. 82: I. Allegro
Sir Edward Elgar 7:47
7 Sonata for Violin and Piano in E minor, Op. 82: II. Romance. Andante
Sir Edward Elgar 8:04
8 Sonata for Violin and Piano in E minor, Op. 82: III. Allegro non troppo
Sir Edward Elgar 9:31

Credits

CD 1

composer:
Zoltán Kodály (tracks 6–11)
Bedřich Smetana (1874-11-20 – 1874-12-08) (track 5)
Antonín Dvořák (1875-06 – 1875-07) (tracks 1–4)
conductor:
George Szell (1963-01-04 – 1963-01-05) (track 5)
George Szell (1969-01-10 – 1969-01-11) (tracks 6–11)
Andrew Davis (conductor, keyboardist, composer, arranger) (1980-09-03 – 1980-09-04) (tracks 1–4)
orchestra:
Cleveland Orchestra (1963-01-04 – 1963-01-05) (track 5)
Cleveland Orchestra (1969-01-10 – 1969-01-11) (tracks 6–11)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (1980-09-03 – 1980-09-04) (tracks 1–4)
producer:
Thomas Frost (track 5)
David Mottley (producer) (tracks 1–4)
recorded at:
Severance Hall in Cleveland, Ohio, United States (1963-01-04 – 1963-01-05) (track 5)
EMI Publishing Studios in London, England, United Kingdom (1980-09-03 – 1980-09-04) (tracks 1–4)
part of:
B. number catalogue by František Bartoš (number: B. 111) (track 5)
arrangements:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (catch-all for arrangements) (track 5)
Vltava (for baritone and orchestra) (track 5)
Vltava, op. 43 (track 5)
is based on:
La Mantovana (track 5)
is the basis for:
Ma rivière (track 5)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland) (part of collection) (track 5)
Háry János Suite (Suite from the opera) (tracks 6–11)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (1963-01-04 – 1963-01-05) (track 5)
Háry János Suite: II. Viennese Musical Clock: Allegretto (1969-01-10 – 1969-01-11) (track 7)
Háry János Suite: III. Song: Andante, poco rubato (1969-01-10 – 1969-01-11) (track 8)
Symphony no. 5 in F major, op. 76: I. Allegro ma non troppo (1980-09-03 – 1980-09-04) (track 1)
Symphony no. 5 in F major, op. 76: II. Andante con moto (1980-09-03 – 1980-09-04) (track 2)
Symphony no. 5 in F major, op. 76: IV. Finale: Allegro molto (1980-09-03 – 1980-09-04) (track 4)

CD 2

piano:
György Sándor (tracks 11–15)
arranger:
Fritz Kreisler (violinist / composer) (track 16)
composer:
Antonín Dvořák (track 16)
Antonín Dvořák (1893-01-10 – 1893-05-24) (tracks 1–4)
Béla Bartók (composer) (1911) (track 15)
Béla Bartók (composer) (1916-02) (tracks 11–14)
Béla Bartók (composer) (1923) (tracks 5–10)
conductor:
Pierre Boulez (tracks 5–10)
Leonard Bernstein (American composer and conductor) (1962-04-16) (tracks 1–4)
orchestra:
New York Philharmonic (tracks 5–10)
New York Philharmonic (1962-04-16) (tracks 1–4)
recorded at:
Manhattan Center in New York, New York, United States (1962-04-16) (tracks 1–4)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 49) (track 15)
Béla Bartók's Works (BB) (number: BB 63) (track 15)
arrangements:
The New World Symphony: Finale (for band, Leidzén) (track 4)
is the basis for:
A New World (track 2)
Goin’ Home (track 2)
Más allá (track 2)
夕陽下 (track 2)
later versions:
Going Home (Largo "From the New World") (James Last pop arrangement) (track 2)
Negro Spiritual Melody (for violin and piano, Kreisler) (track 2)
The Barbarian (track 15)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra) (tracks 5–10)
recording of:
Dance Suite, Sz. 77, BB 86a: I. Moderato (for orchestra) (track 5)
Dance Suite, Sz. 77, BB 86a: V. Comodo (for orchestra) (track 9)
Slavonic Fantasy (track 16)
referred to in medleys:
Hooked on America (tracks 1, 4)

CD 3

composer:
Модест Петрович Мусоргский (composer) (1874-06-02 – 1874-06-22) (tracks 5–19)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1893-02 – 1893-08) (tracks 1–4)
conductor:
Zubin Mehta (conductor) (tracks 5–19)
Leonard Bernstein (American composer and conductor) (1964-02-11) (tracks 1–4)
orchestra:
New York Philharmonic (tracks 5–19)
New York Philharmonic (1964-02-11) (tracks 1–4)
orchestrator:
Maurice Ravel (classical composer) (1922) (tracks 5–19)
recorded at:
Manhattan Center in New York, New York, United States (1964-02-11) (tracks 1–4)
arrangements:
Картинки с выставки: I. Promenade I (arranged by Hindsley) (track 5)
Картинки с выставки: II. №1, Gnomus (arr. Hindsley for symphonic band) (track 6)
Картинки с выставки: III. Promenade II (arr. Hindsley for symphonic band) (track 7)
Картинки с выставки: IV. № 2, Il vecchio castello (arr. Hindsley for symphonic band) (track 8)
Картинки с выставки: V. Promenade III (arr. Hindsley for symphonic band) (track 9)
Картинки с выставки: VII. № 4. Bydło (arr. Hindsley for symphonic band) (track 11)
Картинки с выставки: VIII. Promenade IV (arr. Hindsley for symphonic band) (track 12)
Картинки с выставки: XI. № 7. Limoges, le marché (arr. Hindsley for symphonic band) (track 15)
is the basis for:
orchestration of:
Pictures at an Exhibition: No. 1 "Gnomus" (original piano version) (track 6)
Pictures at an Exhibition: No. 2 "Il vecchio castello" (original piano version) (track 8)
Pictures at an Exhibition: No. 4 "Bydło" (original piano version) (track 11)
Pictures at an Exhibition: Promenade (1st) (original piano version) (track 5)
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2) (track 7)
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3) (track 9)
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4) (track 12)
part of:
Tableaux d'une exposition (orchestrated by Ravel) (tracks 5–19)
recording of:
Tableaux d'une exposition: Cum Mortuis in lingua mortua (orchestrated by Ravel) (track 17)
Tableaux d'une exposition: I. Gnomus (orchestrated by Ravel) (track 6)
Tableaux d'une exposition: II. Il vecchio castello (orchestrated by Ravel) (track 8)
Tableaux d'une exposition: III. Tuileries (orchestrated by Ravel) (track 10)
Tableaux d'une exposition: IV. Bydlo (orchestrated by Ravel) (track 11)
Tableaux d'une exposition: Promenade (orchestrated by Ravel, 3rd promenade) (track 9)
Tableaux d'une exposition: Promenade (orchestrated by Ravel, 1st promenade) (track 5)
Tableaux d'une exposition: Promenade (orchestrated by Ravel, 2nd promenade) (track 7)
Tableaux d'une exposition: Promenade (orchestrated by Ravel, 4th promenade) (track 12)
Tableaux d'une exposition: VII. Limoges - le marché (orchestrated by Ravel) (track 15)
Tableaux d'une exposition: X. La grande porte de Kiev (orchestrated by Ravel) (track 19)

CD 4

piano:
Yefim Bronfman (1990-10-05 – 1990-10-08) (tracks 4–6)
composer:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1878) (tracks 1–3)
Сергей Васильевич Рахманинов (1909 – 1909-09-23) (tracks 4–6)
conductor:
Esa‐Pekka Salonen (1990-10-05 – 1990-10-08) (tracks 4–6)
engineer:
Kevin P. Boutote (engineer) (tracks 4–6)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 1–3)
The Philharmonia (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (1990-10-05 – 1990-10-08) (tracks 4–6)
producer:
Gary Schultz (tracks 4–6)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (1990-10-05 – 1990-10-08) (tracks 4–6)
is the basis for:
Lynguistics (track 1)
part of:
Piano Concerto no. 3 in D minor, op. 30 (movement) (tracks 4–6)
recording of:

CD 5

cello:
Leonard Rose (cellist) (track 7)
flute:
Julius Baker (flautist) (1967-05-15 – 1967-05-20) (track 4)
composer:
Georges Bizet (French romantic composer) (tracks 1–6)
Camille Saint‐Saëns (1872) (track 7)
Edvard Grieg (1875) (tracks 11, 11)
Claude Debussy (1891 – 1894-09) (track 10)
Maurice Ravel (classical composer) (1899) (track 9)
Maurice Ravel (classical composer) (1928) (track 8)
conductor:
Leonard Bernstein (American composer and conductor) (track 8)
Eugene Ormandy (track 7)
Esa‐Pekka Salonen (track 11)
Leonard Bernstein (American composer and conductor) (1967-05-15 – 1967-05-20) (tracks 1–6)
dedicated to:
Raymond Bonheur (track 10)
Auguste Tolbecque (track 7)
librettist:
Henrik Ibsen (1867) (track 11)
orchestra:
New York Philharmonic (tracks 8–10)
Oslo‐Filharmonien (track 11)
New York Philharmonic (1967-05-15 – 1967-05-20) (tracks 1–6)
orchestrator:
Maurice Ravel (classical composer) (1910) (track 9)
producer:
Richard Killough (tracks 1–6)
John McClure (recording engineer and record producer) (tracks 1–6)
revised by:
Edvard Grieg (1888) (track 11)
premiered at:
[concert] (1894-12-22) (track 10)
phonographic copyright by:
CBS, Inc. (US broadcasting company; file no releases here!) (1973) (tracks 1–6)
publisher:
Ed. Durand & Cie (1909–1947) (track 8)
Ed. Max Eschig (track 9)
Soc. Arima (rights society?) (track 8)
Eugène Fromont (1895-10) (track 10)
premiered at:
Palais Garnier in Paris, Île-de-France, France (1928-11-22) (track 8)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (1967-05-15 – 1967-05-20) (tracks 1–6)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 "L.") (number: L. 86) (track 10)
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 "CD") (number: CD 87) (track 10)
arrangements:
Boléro (arr. Ravel for piano 4-hands) (track 8)
Boléro (catch-all for arrangements) (track 8)
Carmen (arrangement for strings by Louise-Andrée Baril) (track 1)
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements) (track 1)
Extract from "The Afternoon of a Faun" (for violin and piano, Heifetz) (track 10)
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (catch-all for arrangements) (track 11)
Peer Gynt, op. 23: Morgenstemning (for cello and piano, arr. Goltermann) (track 11)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Debussy) (track 10)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (catch-all for arrangements) (track 10)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Ravel) (track 10)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for chamber ensemble, Sachs) (track 10)
Prélude à l’après-midi d’un faune (for flute and piano, arr. Samazeuilh) (track 10)
Viola Concerto (from Cello Concerto no. 1, by René Pollain) (track 7)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (track 3)
Carmen: Acte I. Entr’acte (intermission between Acts I & II) (track 6)
Carmen: Acte II. Entr’acte (intermission between Acts II & III) (track 4)
Carmen: Prélude (track 1)
is the basis for:
Never Say Goodbye (track 9)
No More Boleros (track 8)
Peer Gynt "Morning Mood" (excerpt) (Stan LePard adaptation) (track 11)
Prélude à L'après-midi d'un faune (arr. Tomita) (track 10)
later parody versions:
Bolero (track 8)
Bolero (track 8)
Le Parti d'en rire (track 8)
later versions:
Bolero (arr. Hans Hasso Stamer) (track 8)
Bolero (Starink version) (track 8)
Boléro (arr. Django Rheinhardt) (track 8)
Boléro (arr. Ravel for 2 pianos) (track 8)
Troublant Bolero (track 8)
orchestration of:
Pavane pour une infante défunte (for solo piano) (track 9)
part of:
Carmen Suite no. 1 (tracks 1–6)
Peer Gynt, op. 23 (track 11)
parts:
recording of:
Boléro (track 8)
Pavane pour une infante défunte (orchestrated version) (track 9)
Carmen Suite no. 1: I. Prélude (1967-05-15 – 1967-05-20) (track 2)
Carmen Suite no. 1: II. Aragonaise (based on Carmen: Entr’acte between Acts III and IV) (1967-05-15 – 1967-05-20) (track 3)
Carmen Suite no. 1: III. Intermezzo (based on Carmen: Entr’acte between Acts II and III) (1967-05-15 – 1967-05-20) (track 4)
Carmen Suite no. 1: IV. Séguedille (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») (1967-05-15 – 1967-05-20) (track 5)
Carmen Suite no. 1: V. Les Dragons d’Alcala (based on Carmen: Entr’acte between Acts I and II) (1967-05-15 – 1967-05-20) (track 6)
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (1967-05-15 – 1967-05-20) (track 1)
referred to in medleys:
This Is the Story (Clare Muldaur) (track 8)
Relax and Unwind With the Classics (preview) (track 11)
version of:

CD 6

premiered in:
Helsinki, Uusimaa, Finland (1900-07-02) (track 5)
composer:
Jean Sibelius (1899) (track 5)
Jean Sibelius (1900 – 1902) (tracks 1–4)
Edward Elgar (1918) (tracks 6–8)
conductor:
Leonard Bernstein (American composer and conductor) (1965-02-16) (track 5)
Leonard Bernstein (American composer and conductor) (1966-05-16) (tracks 1–4)
engineer:
Raymond Moore (engineer) (tracks 1–4)
Fred Plaut (tracks 1–4)
orchestra:
New York Philharmonic (tracks 6–8)
New York Philharmonic (1965-02-16) (track 5)
New York Philharmonic (1966-05-16) (tracks 1–4)
producer:
Richard Killough (tracks 1–4)
revised by:
Jean Sibelius (1900) (track 5)
premiered at:
Konsertti (1900-07-02) (track 5)
publisher:
Breitkopf & Härtel (tracks 1–4)
Breitkopf & Härtel (1905) (track 5)
recorded at:
Manhattan Center in New York, New York, United States (1965-02-16) (track 5)
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (1966-05-16) (tracks 1–4)
part of:
Works of Jean Sibelius by opus number (number: op. 26) (track 5)
arrangements:
Finlandia (Nightwish’s version) (track 5)
Finlandia, op. 26 (catch-all for arrangements) (track 5)
Finlandia, op. 26 (for organ, Fricker) (track 5)
Finlandia, op. 26 (for piano) (track 5)
Finlandia-hymni, op. 26 (for mixed choir in F major, arr. Jean Sibelius) (track 5)
Finlandia-hymni, op. 26 (for mixed choir, arr. Jorma Panula) (track 5)
Finlandia-hymni, op. 26 (for mixed choir in A-flat major, arr. Jean Sibelius) (track 5)
Finlandia-hymni, op. 26 (for male choir) (track 5)
Hymne de Finlandia, op. 26 no. 1 (for guitar, transcr. Unger) (track 5)
is the basis for:
Be Still My Soul (track 5)
Gweddi Dros Gymru ("Dros Gymru'n gwlad, o Dad dyrchafwn gri" (Finlandia)) (track 5)
Vegli al mattino (track 5)
We Rest on Thee (track 5)
part of:
recording of:
Finlandia, op. 26 (for orchestra) (1965-02-16) (track 5)
referred to in medleys:
version of:

Release

ASIN: JP: B000OQF6JA [info]