Weihnachts-Oratorium, BWV 248

~ Release by Johann Sebastian Bach; Akademie für Alte Musik Berlin, René Jacobs (see all versions of this release, 4 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1BWV248: (III) XXXIV. Und die Hirten kehrten wieder um (Evangelist)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:26
2BWV248: (III) XXXV. Seid Froh (Choral)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:03
3BWV248: (III) Herrscher des Himmels, erhöre das Lallen (Choir)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ (in 1997-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:57
4BWV248: (IV) XXXVI. Fallt mit Danken, fallt mit Loben (Choir)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:02
5BWV248: (IV) XXXVII. Und da acht Tage um waren (Evangelist)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:29
6BWV248: (IV) XXXVIII. Immanuel, o süßes Wort! (Bass)/Jesu, du mein liebstes Leben (Sop)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:35
7BWV248: (IV) XXXIX. Flößt, mein Heiland, flößt dein Namen (Sop, echo)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:35
8BWV248: (IV) XL. Wohlan, dein Name soll allein (Bass)/Jesu, meine Freud und Wonne (Sop)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:45
9BWV248: XLI. Ich will nur dir zu Ehren leben (Tenor)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:28
10BWV248: (IV) XLII. Jesus richte mein Beginnen (Choral)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:46
11BWV248: (V) XLIII. Ehre sei dir, Gott, gesungen (Choir)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach6:04
12BWV248: (V) XLIV. Da Jesus geboren war zu Bethlehem (Evangelist)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:22
13BWV248: (V) XLV. Wo ist der neugebor'ne König der Juden (Choir)/Sucht ibn in meiner Brust (Alto)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:42
14BWV248: (V) XLVI. Dein Glanz all Finsternis verzehrt (Choral)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:06
15BWV248: (V) XLVII. Erleucht auch meine finstre Sinnen (Bass)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:30
16BWV248: (V) XLVIII. Da das der König Herodes hörte (Evangelist)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:10
17BWV248: (V) XLIX. Warum wollt ihr erschrecken (Alto)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:34
18BWV248: (V) L. Und ließ versammeln alle Hohenpriester (Evangelist)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:12
19BWV248: (V) LI. Ach, wenn wird die Zeit erscheinen (Sop, Alto, Tenor)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach6:00
20BWV248: (V) LII. Mein Liebster herrschet schon (Alto)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:30
21BWV248: (V) LIII. Zwar ist solche Herzensstube (Choral)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:25
22BWV248: (VI) LIV. Herr, wenn die stolzen Feinde schnauben
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:13
23BWV248: (VI) LV. Da berief Herodes die Weisen heimlich (Evangelist)/Ziebet hin und forschet fleißig nach dem Kindlein (Herod)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:43
24BWV248: (VI) LVI. Du Falscher, suche nur den Herrn zu fällen (Sop)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:51
25BWV248: (VI) LVII. Nur ein Wink von seinen Händen (Sop)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:15
26BWV248: (VI) LVIII. Als sie nun den König gehöret hatten (Evangelist)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:14
27BWV248: (VI) LVIX. Ich steh an deiner Krippen hier (Choral)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:46
28BWV248: (VI) LX. Und Gott befahl ihnen im Traum (Evangelist)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:23
29BWV248: (VI) LXI. So geht! Genug, mein Schatz geht nicht von hier (Tenor)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:54
30BWV248: (VI) LXII. Nun mögt ihr stolzen Feinde schrecken (Tenor)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:17
31BWV248: (VI) LXIII. Was will der Höllen Schrecken nun (Sop, Alto, Tenor, Bass)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:51
32BWV248: (VI) LXIV. Nun seid ihr wohl gerochen (Choral)
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:37