The Emoji Movie (Original Motion Picture Soundtrack)

~ Release by Patrick Doyle (see all versions of this release, 3 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Emoji
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Emoji
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle4:18
2Bathroom Life Lesson
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Bathroom Life Lesson
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:20
3Smiler Orientation
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Smiler Orientation
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:49
4Gene
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Gene
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle3:07
5Rooftop
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Rooftop
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:36
6Boardroom Terrors
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Boardroom Terrors
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:27
7Blitzkrieg Bots
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Blitzkrieg Bots
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle0:52
8Let's Roll!
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Let's Roll!
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:05
9The Wallpaper
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Wallpaper
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle3:13
10Mehs and Bots
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Mehs and Bots
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:42
11Candy Rescue
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Candy Rescue
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:15
12Forest Road Planning
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Forest Road Planning
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:24
13Tunnel to Dance App
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Tunnel to Dance App
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:20
14Gene Chooses Hi-5
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Gene Chooses Hi-5
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:21
15Smiler's Illegal Upgrade
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Smiler's Illegal Upgrade
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:05
16Trash and Trolls
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Trash and Trolls
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle0:48
17Instagram Paris
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Instagram Paris
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:26
18Seas and Whale Songs
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Seas and Whale Songs
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:28
19The Trash Escape
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Trash Escape
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:11
20Tentacle Chase
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Tentacle Chase
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle3:10
21The Firewall
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Firewall
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:07
22Cloud and Confessions
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Cloud and Confessions
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle3:13
23A Princess Takes Flight
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
A Princess Takes Flight
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:01
24Delete and Rescue
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Delete and Rescue
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle3:24
25Desperate Deletion
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Desperate Deletion
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:39
26Gene Saves Textopolis
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Gene Saves Textopolis
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:43
27Emoji Ringtone
recording engineer:
Laurence Anslow (UK Engineer Air Studios) and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Taylor (engineer, film scores)
editor:
Vicki Hyatt, Robin Morrison, Sheri Ozeki and Joe E. Rand (editor)
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Sony Pictures Animation Inc
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Emoji Ringtone
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle0:04
28Good Vibrations
producer:
Ricky Reed
Ricky Reed3:22