100 Meisterwerke der klassischen Musik

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

contains 5 single jewel cases (with no barcode on back cover).

Annotation last modified on 2018-05-25 14:12 UTC.

Tracklist

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▼ CD 1
#	Title	Artist	Rating	Length
1	Der Frühling (aus “Die Jahreszeiten”) violin: Béla Bánfalvi (violinist, concert master of Budapest strings) orchestra: Budapest Strings (Budapest String Orchestra; Budapest Strings) conductor: Károly Botvay (cellist and conductor) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”	Vivaldi		3:38
2	Air (aus Ouvertüre Nr. 3) timpani: Ralph Peinkofer (percussionist) trumpet: Wolfgang Basch Trumpet Ensemble violin: Wolfgang Hock orchestra: Deutsche Bachsolisten conductor: Helmut Winschermann (oboist/conductor) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) composer: Johann Sebastian Bach (German Baroque period composer & musician) reconstructed by: Siegbert Rampe (harpsichordist and conductor) arrangement of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)	Bach	3	4:29
3	Türkischer Marsch piano: Evelyne Dubourg (pianist) and Leonard Hokanson (pianist) recording of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto composed in: Paris, Île-de-France, France (in 1778) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”	Mozart	4	3:41
4	Préghiera (“Ave verum” \| aus “Mozartiana-Suite”) orchestra: Radio Symphonie Orchester Stuttgart (in 1987) conductor: Sir Neville Marriner (conductor) (in 1987) recording of: Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera: Andante non tanto (in 1987) composer: Franz Liszt (Hungarian composer, pianist and conductor) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887) orchestration of: À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) part of: Suite no. 4 in G major, op. 61 "Mozartiana"	Tschaikovsky		3:47
5	Alla Hornpipe (aus “Wassermusik”) instruments: Bläserensemble (Special Purpose Artist – Do not add releases here, if possible.) strings: Budapest Strings (Budapest String Orchestra; Budapest Strings) orchestra: Budapesti Vonósok (Budapest String Orchestra; Budapest Strings) conductor: Béla Bánfalvi (violinist, concert master of Budapest strings) recording of: Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 2 in D major, HWV 349	Händel		4:05
6	Allegretto (Symphonie Nr. 3) orchestra: Budapest Philharmonic Orchestra conductor: Janos Kovacs (conductor)	Schubert		4:34
7	Soldatentanz (aus “Wilhelm Tell”) orchestra: Budapest Philharmonic Orchestra conductor: Janos Sandor and András Kórodi (conductor) recording of: Guillaume Tell : Acte III. No. 16 Divertissement: Pas de soldats: Allegro brillante - Allegro vivace (The Soldier's Dance) composer: Gioachino Rossini (composer) librettist: Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy part of: Guillaume Tell : Acte III	Rossini		5:16
8	Barcarole (aus “Les saisons”) piano: Jenö Jando (pianist) recording of: The Seasons, op. 37a: VI. June “Barcarolle” (ended) composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Seasons, op. 37a (for piano)	Tschaikovsky		5:10
9	Hochzeitsmarsch (aus “Ein Sommernachtstraum”) orchestra: Budapesti Filharmóniai Társaság Zenekara conductor: Adam Fischer (Hungarian conductor) and János Kovács (conductor) recording of: Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61	Mendelssohn		5:00
10	Intermezzo (aus “Carmen”) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) composer: Georges Bizet (composer) is based on: Carmen : Acte II. Entr’acte (intermission between Acts II & III) part of: Carmen Suite no. 1	Bizet		2:43
11	Hornkonzert Nr. 3 (3. Satz, Allegro) French horn: Bernd Heiser (horn player, an Alfred Scholz pseudonym) orchestra: Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym) recording of: Concerto for Horn no. 3 in E-flat major, K. 447: III. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787) part of: Concerto for Horn no. 3 in E-flat major, K. 447	Mozart	4	3:53
12	Caro mio ben cello: Károly Botvay (cellist and conductor) orchestra: Budapest Strings (Budapest String Orchestra; Budapest Strings) recording of: Caro mio ben lyricist: [anonymous] (special purpose artist) previously attributed to: Giuseppe Giordani publisher: G. Schirmer Inc.	Giordani		3:11
13	Lied ohne Worte in E-Dur, op.19,1 piano: Jenö Jando (pianist) recording of: Lied ohne Worte E-Dur, op. 19b Nr. 1 composer: Felix Mendelssohn (composer) (from 1829 until 1830) part of: Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 86) part of: Lieder ohne Worte, op. 19b	Mendelssohn		3:18
14	Tanz der Schwäne (aus “Schwanensee”) orchestra: Prague Festival Orchestra and Symphonieorchester des Bayerischen Rundfunks conductor: Pavel Urbanek (an Alfred Scholz pseudonym) and Hans Vonk (conductor) recording of: Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato (Popularly known as "Dance of the Little Swans") composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) part of: Swan Lake, op. 20: Act II, no. 13: Danses des cygnes recording of: The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes composer: Пётр Ильич Чайковский (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Tschaikovsky		1:32
15	Frühlings-Symphonie (3. Satz, Scherzo) orchestra: Radio‐Sinfonieorchester Stuttgart conductor: Sir Neville Marriner (conductor)	Schumann		5:45
16	Wiegenlied strings: Budapest Strings (Budapest String Orchestra; Budapest Strings) orchestra: Budapest Strings (Budapest String Orchestra; Budapest Strings) recording of: 5 Lieder, op. 49: Nr. 4. Wiegenlied (catch-all for arrangements) composer: Johannes Brahms (German composer) arrangement of: 5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" (for voice and piano) recording of: 5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" (for voice and piano) lyricist: "Des Knaben Wunderhorn" (special purpose artist) and Georg Scherer composer: Johannes Brahms (German composer) (in 1868) dedicated to: Bertha Faber premiered at: [concert] (1869-12-22) part of: 5 Lieder, op. 49	Brahms		1:49
17	Anitras Tanz (aus “Peer Gynt”) orchestra: Budapest Philharmonic Orchestra and Hungarian National Philharmonic Orchestra (Hungarian National Philharmonic Orchestra) conductor: János Sándor recording of: Peer Gynt Suite no. 1, op. 46: III. Anitras dans composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt: Anitras dans part of: Peer Gynt Suite no. 1, op. 46	Grieg		3:39
18	Farandole (aus “L’Arlesienne”) orchestra: Budapest Philharmonic Orchestra conductor: János Sándor recording of: L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) composer: Georges Bizet (composer) (in 1872) arranger: Ernest Guiraud part of: L’Arlésienne Suite no. 2 (for orchestra)	Bizet		3:37
19	Klavierkonzert Nr. 23 (2. Satz, Andante) piano: Daniel Gerard (classical pianist, Alfred Scholz related) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) orchestra: Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) composer: Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02) part of: Concerto for Piano and Orchestra no. 23 in A major, K. 488	Mozart		5:56
20	Tritsch-Tratsch-Polka orchestra: Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Joseph Francek (conductor, pseudonym for Alfred Scholz) recording of: Tritsch–Tratsch Polka, op. 214 composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 214)	J. Strauss (Sohn)		2:38

▼ CD 2
#	Title	Artist	Rating	Length
1	Les Toréadors (aus “Carmen”) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») composer: Georges Bizet (composer) is based on: Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) is based on: Carmen : Prélude part of: Carmen Suite no. 1	Bizet		2:17
2	Barcarole (“Hoffmanns Erzählungen”) orchestra: Budapest Philharmonic Orchestra and Royal Philharmonic Orchestra conductor: János Sándor and Norman Shetler (Austrian pianist, puppeteer, puppett constructor, piano professor with American origin) recording of: Les Contes d’Hoffmann: Barcarolle (catch-all for arrangements) composer: Jacques Offenbach (German-French composer, cellist and impresario) arrangement of: Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)	Offenbach		3:30
3	Danse espagnole (“Schwanensee”) orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Hans Vonk (conductor) recording of: Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero) composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Swan Lake, op. 20: Act III	Tschaikowsky		2:40
4	Mondscheinsonate (1. Satz, Adagio sostenuto) piano: Evelyne Dubourg (pianist) recording of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (German composer) (in 1801) part of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”	Beethoven	2	5:26
5	Mandolinenkonzert (1. Satz, Allegro) mandolin [Mandoline]: Lajos Mayer (Mandolin player)	Vivaldi		3:13
6	Kanon in D-dur orchestra: Neues Bachisches Collegium Musicum (from 1982 until 1984) conductor: Max Pommer (conductor) (from 1982 until 1984) phonographic copyright (℗) by: Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984) recording of: Canon and Gigue in D major, T. 377: I. Canon composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, T. 377	Pachelbel	2	4:24
7	Praeludium in c-moll lute: Franz Just recording of: Prelude in C minor, BWV 999 (original for lute) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 999)	Bach		2:09
8	Deutscher Tanz Nr. 1 strings: Budapest Strings (Budapest String Orchestra; Budapest Strings) orchestra: Budapest Strings (Budapest String Orchestra; Budapest Strings) concertmaster: Béla Bánfalvi (violinist, concert master of Budapest strings) recording of: 5 Deutsche Tänze, D. 90: Nr. 1 composer: Franz Schubert (composer) (on 1813-11-19) part of: 5 Deutsche Tänze, D. 90	Schubert		3:52
9	Liebestraum Nr. 3 in As-dur piano: Donatella Failoni recording of: Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst” composer: Franz Liszt (Hungarian composer, pianist and conductor) (in 1850) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) arrangement of: O lieb, so lang du lieben kannst, S. 298/2 (second version) part of: Liebesträume, S. 541	Liszt		4:15
10	Panorama (aus “Dornröschen”) orchestra: Festivalový orchestr Praha and Symphonieorchester des Bayerischen Rundfunks conductor: Hans Vonk (conductor) recording of: The Sleeping Beauty Suite, op. 66a: IV. Panorama composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite)	Tschaikowsky		3:01
11	Slawischer Tanz Nr. 1 in C-dur orchestra: Hungarian State Orchestra (Hungarian National Philharmonic Orchestra) conductor: Ádám Fischer (Hungarian conductor) recording of: Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) composer: Antonín Dvořák (composer) (from 1878-04 until 1878-08-22) part of: Slavonic Dances, op. 46, B. 83 (for orchestra)	Dvorak		4:13
12	Träumerei piano: Evelyne Dubourg (pianist) recording of: Kinderszenen, op. 15: No. 7. Träumerei (for piano) composer: Robert Schumann (German classical composer) (in 1838) part of: Kinderszenen, op. 15	Schumann		3:05
13	Rüpeltanz (aus “Ein Sommernachtstraum”) orchestra: Budapest Philharmonic Orchestra conductor: János Kovács (conductor) recording of: Ein Sommernachtstraum, op. 61: 11. Ein Tanz von Rüpeln (Bergamasca). Allegro di molto composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61	Mendelssohn		1:50
14	Oboenkonzert in d-moll (2. Satz, Adagio) oboe: Burkhard Glaetzner (oboist) orchestra: Neues Bachisches Collegium Musicum conductor: Max Pommer (conductor) recording of: Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R	Bach	2	3:07
15	Tambourin (Dardanus-Suite, 4. Satz) orchestra: Collegium Aureum conductor: Reinhard Peters (conductor)	Rameau		2:27
16	Chanson triste orchestra: Budapest Strings (Budapest String Orchestra; Budapest Strings) concertmaster: Béla Bánfalvi (violinist, concert master of Budapest strings) recording of: Chanson triste, op. 40 no. 2 (catch-all for arrangements) composer: Пётр Ильич Чайковский (Russian romantic composer) arrangement of: 12 pieces, op. 40 no. 2: Chanson triste (for piano)	Tschaikowsky	1.5	3:15
17	Alborada (aus “Capriccio Espagnol”) orchestra: Oskar Danon (conductor) and Royal Philharmonic Orchestra recording of: Каприччио на испанские темы, op. 34 (Capriccio espagnol) composer: Николай Андреевич Римский‐Корсаков (Russian composer) (in 1887) dedicated to: Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) part of: Works of Nikolai Rimsky-Korsakov by opus number (number: op. 34)	Rimsky-Korsakoff		1:27
18	Klavierkonzert Nr. 2 (2. Satz, Larghetto) piano: Adam Harasiewicz (pianist) orchestra: Warsaw National Philharmonic Orchestra conductor: Kazimierz Kord (conductor) partial recording of: Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto composer: Fryderyk Chopin (composer) (from 1829 until 1830) part of: Concerto for Piano and Orchestra no. 2 in F minor, op. 21	Chopin		8:27
19	Gavotte (“Aus Holbergs Zeit”) strings: Budapest Strings (Budapest String Orchestra; Budapest Strings)	Grieg		3:11
20	An der schönen blauen Donau, Walzer, op. 314 orchestra: Strauss-Orchestra Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Joseph Francek (conductor, pseudonym for Alfred Scholz) recording of: An der schönen blauen Donau, op. 314 premiered in: Wien, Austria (on 1867-02-15) composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866) part of: Works of Johann Strauss Jr. by opus number (number: op. 314)	J. Strauss (Sohn)		10:54

▼ CD 3
#	Title	Artist	Rating	Length
1	Morgenstimmung (aus “Peer Gynt”) piano: Daniel Gerrard orchestra: Budapest Philharmonic Orchestra conductor: János Sándor recording of: Peer Gynt Suite no. 1, op. 46: I. Morgenstemning composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning part of: Peer Gynt Suite no. 1, op. 46 recording of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning composer: Edvard Grieg (composer) (in 1875) librettist: Henrik Ibsen (in 1867) part of: Peer Gynt, op. 23	Grieg		3:33
2	Venezianisches Gondellied piano: Jenö Jando (pianist) recording of: Lied ohne Worte a-Moll, op. 62 Nr. 5 (Venetianisches Gondellied) composer: Felix Mendelssohn (composer) (from 1842 until 1844) part of: Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 151) part of: Lieder ohne Worte, op. 62 (for piano) recording of: Lied ohne Worte fis-Moll, op. 30 Nr. 6 (Venetianisches Gondellied) (ended) composer: Felix Mendelssohn (composer) (from 1833 until 1834) part of: Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 110) part of: Lieder ohne Worte, op. 30	Mendelssohn		2:45
3	Pastorale (aus “L’ Arlesienne”) orchestra: Budapest Philharmonic Orchestra conductor: Janos Sandor	Bizet		5:29
4	Walkürenritt (aus “Die Walküre”) orchestra: Budapest Symphony Orchestra (a.k.a. Budapest Symphony) conductor: György Lehel (conductor) recording of: Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt composer: Richard Wagner (composer) (from 1854 until 1856) publisher: Schott Music International (publisher; do not use as label) part of: Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"	Wagner	5	5:23
5	Elfenmarsch (aus “Ein Sommernachtstraum”) orchestra: Budapest Philharmonic Orchestra performer: Janos Kovacs (conductor) recording of: Ein Sommernachtstraum, op. 61: 2. Elfenreigen. Allegro vivace composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61	Mendelssohn		1:45
6	Symphonie Nr. 5 (1. Satz, Allegro con brio) orchestra: Dresdner Philharmonie conductor: Herbert Kegel (conductor) recording of: Symphony no. 5 in C minor, op. 67: I. Allegro con brio composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Beethoven		7:16
7	Abschied (aus “Waldszenen”) piano: Evelyne Dubourg (pianist) recording of: Waldszenen, op. 82: IX. Abschied. Nicht zu schnell composer: Robert Schumann (German classical composer) (from 1848 until 1849) part of: Waldszenen, op. 82	Schumann		3:25
8	Persischer Marsch orchestra: Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Joseph Francek (conductor, pseudonym for Alfred Scholz) recording of: Persischer Marsch, op. 289 composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 289)	J. Strauss		2:23
9	Frühlingslied orchestra: Budapest Strings (Budapest String Orchestra; Budapest Strings) recording of: Lied ohne Worte A‐Dur, op. 62 Nr. 6 (catch‐all for arrangements) composer: Felix Mendelssohn (composer) (from 1842 until 1844) arrangement of: Lied ohne Worte A-Dur, op. 62 Nr. 6 (Frühlingslied / Spring Song; original for piano)	Mendelssohn		2:45
10	Seguidilla (“Carmen”) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) part of: Carmen Suite no. 1	Bizet		1:54
11	Romanze, op. 5 strings: Budapest Strings (Budapest String Orchestra; Budapest Strings)	Tschaikowsky		5:37
12	Wassermusik (Suite Nr. 1, Allegro) instruments: Bläserensemble (Special Purpose Artist – Do not add releases here, if possible.) strings: Budapest Strings (Budapest String Orchestra; Budapest Strings)	Händel		3:05
13	Sicilliano performer: Collegium Musicum recording of: Siciliano composer: Johann Sebastian Bach (German Baroque period composer & musician)	Bach		2:22
14	Mazurka in h-moll, op. 30,2 piano: Kemal Gekic (pianist) recording of: Mazurka no. 19 in B minor, op. 30 no. 2 composer: Fryderyk Chopin (composer) part of: Mazurkas, op. 30	Chopin		1:20
15	Adagietto (Symphonie Nr. 5) orchestra: Budapest Festival Orchestra conductor: Iván Fischer (conductor) recording of: Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam composer: Gustav Mahler (composer) (from 1901 until 1902) part of: Symphony no. 5	Mahler		9:47
16	An den Frühling piano: Jenő Jandó (pianist) recording of: Lyriske stykker, hefte III, op. 43: No. 6: Til våren composer: Edvard Grieg (composer) part of: Lyriske stykker, hefte III, op. 43	Grieg		2:25
17	Pas de quatre. Adagio (aus “Dornröschen”) orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Hans Vonk (conductor)	Tschaikowsky		2:13
18	Flötenkonzert (Andante) flute: Eckart Haupt (flutist) performer: Dresdner Barocksolisten recording of: Concerto in E minor for flute, strings and continuo: II. Andante composer: Pierre-Gabriel Buffardin (flutist and composer) part of: Concerto in E minor for flute, strings and continuo	Buffardin		3:37
19	Faust (Ballettmusik, Allegro vivo) orchestra: Budapest Philharmonic Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: János Sándor and Alfred Scholz recording of: Faust : Acte V. Ballet VII. Danse de Phryné: Allegro vivo composer: Charles Gounod (French composer) part of: Faust : Acte V. Ballet (La Nuit de Walpurgis)	Gounod		2:40
20	Der Barbier von Sevilla (Ouvertüre) orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra, Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Anton Nanut (conductor), Rouslan Raychev (conductor) and Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989) recording of: Il barbiere di Siviglia: Sinfonia composer: Gioachino Rossini (composer) librettist: Cesare Sterbini part of: Der Barbier von Sevilla (german lyrics) part of: Il barbiere di Siviglia part of: Le Barbier de Séville (french lyrics) part of: The Barber of Seville (english lyrics)	Rossini	4	7:42

▼ CD 4
#	Title	Artist	Rating	Length
1	Eine kleine Nachtmusik (1. Satz, Allegro) orchestra: Franz Liszt Chamber Orchestra (Franz Liszt Chamber Orchestra) conductor: Janos Rolla (violinist and conductor) and Sandor Frigyes (conductor) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Mozart		5:43
2	Largo orchestra: Budapest Strings (Budapest String Orchestra; Budapest Strings) conductor: Béla Bánfalvi (violinist, concert master of Budapest strings) recording of: Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) composer: George Frideric Handel (German‐British baroque composer) arrangement of: Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)	Händel	3	3:06
3	Von fremden Ländern und Menschen piano: Evelyne Dubourg (pianist) recording of: Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen composer: Robert Schumann (German classical composer) (in 1838) part of: Kinderszenen, op. 15	Schumann		1:34
4	Brandenburgerisches Konzert Nr. 2 (3. Satz, Allegro assai) engineer: Teije van Geest (engineer/producer) producer: Wolf Erichson (engineer/producer) and Christian Lange (producer / organist) editor: Johannes Kernmayer cello: Christoph Henkel (cellist) oboe: Günther Zorn (oboist) recorder: Walter van Hauwe trumpet: Wolfgang Basch violin: Ernst Mayer-Schierning (Violinist) orchestra: Deutsche Bachsolisten conductor: Helmut Winschermann (oboist/conductor) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) (catch-all for arrangements) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047	Bach		2:42
5	Siciliano violin: János Rolla (violinist and conductor) orchestra: Franz Liszt Kammerorchester (Franz Liszt Chamber Orchestra) conductor: János Rolla (violinist and conductor) recording of: Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: II. Largo e spiccato composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1711) part of: Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565	Vivaldi		3:00
6	Sonata facile (1. Satz, Allegro) piano: Jenö Jando (pianist)	Mozart		3:06
7	Szene Nr. 10 (aus “Schwanensee”) orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Hans Vonk (conductor)	Tschaikowsky		2:49
8	Habanera (aus “Carmen”) orchestra: Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 2: II. Habanera composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) part of: Carmen Suite no. 2	Bizet	4	2:10
9	Polonaise (aus “Ein Leben für den Zaren”) orchestra: Philharmonische Orchester Plovdiv conductor: Rouslan Raychev (conductor)	Glinka		4:18
10	Walzer (Streicherserenade) orchestra: Berlin Chamber Orchestra and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Peter Wohlert recording of: Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse composer: Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14) revised by: Antonín Dvořák (composer) (in 1878) part of: Smyčcová serenáda E dur, op. 22, B. 52	Dvorak	5	5:58
11	Klaviersonate Nr. 8 “Pathétique” (2. Satz, Adagio cantabile) piano: István Székely (pianist) recording of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile composer: Ludwig van Beethoven (German composer) (in 1798) part of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”	Beethoven		5:04
12	Marsch (aus “Figaros Hochzeit”) engineer: Wieland Haas producer: Uwe Walter-Rott orchestra: Salzburg Mozarteum Orchestra (in 1988-05) conductor: Hans Graf (conductor) (in 1988-05) recorded at: Messezentrum Salzburg in Salzburg, Salzburg, Austria (in 1988-05) recording of: Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro) (in 1988-05) composer: Wolfgang Amadeus Mozart (classical composer) part of: Le nozze di Figaro, K. 492: Atto III partial recording of: Le nozze di Figaro, K. 492: Atto IV (in 1988-05) composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) librettist: Lorenzo Da Ponte (in 1786) part of: Le nozze di Figaro, K. 492	Mozart		2:07
13	Intermezzo (aus “L’ Arlesienne”) orchestra: Budapest Philharmonic Orchestra performer: Janos Sandor	Bizet		4:05
14	Kaiserquartett (Poco Adagio, Cantabile) strings: Kodály Quartet partial recording of: String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile composer: Joseph Haydn (composer) version of: Gott erhalte Franz, den Kaiser part of: String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”	Haydn		1:28
15	Symphonie Nr. 3 “Schottische” (Vivace non troppo) conductor: Janos Sandor performer: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) recording of: Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo composer: Felix Mendelssohn (composer) (from 1841 until 1842) part of: Symphony no. 3 in A minor, op. 56 “Scottish”	Mendelssohn		4:32
16	Deutscher Tanz Nr. 3 “Schlittenfahrt” orchestra: Mozarteum Orchester Salzburg conductor: Hans Graf (conductor) recording of: 3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda composer: Wolfgang Amadeus Mozart (classical composer) (in 1789) part of: 3 German Dances for Orchestra, K. 605	Mozart		3:08
17	Intermezzo in a-moll, op. 76,7 piano: Jenő Jandó (pianist) recording of: 8 Klavierstücke, op. 76: Nr. 7. Intermezzo in A minor: Moderato semplice (ended) composer: Johannes Brahms (German composer) (in 1878) part of: 8 Klavierstücke, op. 76	Brahms		3:01
18	Mazurka (aus “Schwanensee”) orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Hans Vonk (conductor) recording of: The Swan Lake (suite from the ballet), op. 20a: VIII. Mazurka composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Tschaikowsky		4:11
19	Nocturne (aus “Carmen”) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: III. Nocturne composer: Georges Bizet (composer) is based on: Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) part of: Carmen Suite no. 2	Bizet		4:12
20	Klavierkonzert No. 4 (3. Satz, Rondo. Vivace piano: Anton Dikov (pianist) orchestra: Sofia Philharmonic Orchestra conductor: Emil Tabakov (conductor) recording of: Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace composer: Ludwig van Beethoven (German composer) (from 1804 until 1807) part of: Concerto for Piano and Orchestra no. 4 in G major, op. 58	Beethoven		10:16

▼ CD 5
#	Title	Artist	Rating	Length
1	Klavierkonzert Nr. 1 (1. Satz, Allegro ma non troppo \| Auszug) piano: Jenő Jando (pianist) orchestra: Budapest Philharmonic Orchestra conductor: Andras Ligeti (violinist and conductor) partial recording of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version) composer: Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02) part of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)	Tschaikowsky		4:06
2	Ave Maria solo cello: Károly Botvay (cellist and conductor) orchestra: Budapest Strings (Budapest String Orchestra; Budapest Strings) conductor and concertmaster: Béla Bánfalvi (violinist, concert master of Budapest strings) recording of: Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’) lyricist: [anonymous] (special purpose artist) composer: Franz Schubert (composer) version of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) instrumental recording of: Ave Maria, D. 839 (Schubert; catch-all for arrangements) composer: Franz Schubert (composer) arrangement of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) recording of: Ave Maria, D. 839 (Schubert; catch-all for arrangements) composer: Franz Schubert (composer) arrangement of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) recording of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) lyricist: Sir Walter Scott (19th-century Scottish author) composer: Franz Schubert (composer) (in 1825) translator: Adam Storck part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)	Schubert	4.5	4:50
3	Für Elise piano: Evelyne Dubourg (pianist), Misha Goldstein (pianist) and Leonard Hokanson (pianist) recording of: Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto composer: Ludwig van Beethoven (German composer) (from 1808 until 1810) part of: Kinsky catalogue (Beethoven WoO works) (number: WoO 59)	Beethoven	3	2:50
4	Danse Bohème (aus “Carmen”) orchestra: Budapest Philharmonic Orchestra and Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra) conductor: Janos Sandor recording of: Carmen Suite no. 2: VI. Danse bohème composer: Georges Bizet (composer) is based on: Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) part of: Carmen Suite no. 2	Bizet		4:32
5	Symphonie Nr. 9 “Aus der neuen Welt” (2. Satz, Largo \| Auszug) orchestra: Prague Festival Orchestra conductor: Pavel Urbanek (an Alfred Scholz pseudonym) partial recording of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo composer: Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24) part of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“	Dvorak		3:27
6	Tanz der Mohrensklaven (aus “Aida”) orchestra: Radio-Symphonie-Orchester-Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) conductor: Hanns‐Martin Schneidt (harpsichordist, organist, conductor) recording of: Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Ghislanzoni part of: Aida: Atto II	Verdi		1:39
7	Intermezzo (aus “Schwester Angelica”) orchestra: Budapest Philharmonic Orchestra conductor: András Kórodi (conductor) recording of: Suor Angelica: Intermezzo composer: Giacomo Puccini (Italian composer) part of: Suor Angelica	Puccini		3:55
8	Leichtes Blut orchestra: The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Frank Meyer (conductor, pseudonym for Alfred Scholz) and Alfred Scholz recording of: Leichtes Blut Galop, op. 319 composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 319)	J. Strauss (Sohn)		2:47
9	Klavierkonzert Nr. 21 (2. Satz, Andante) piano: Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) orchestra: Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto for Piano no. 21 in C major, K. 467: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Mozart	3	5:37
10	Danse napolitaine (aus “Schwanensee”) orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Hans Vonk (conductor) recording of: Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Swan Lake, op. 20: Act III recording of: The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Tschaikowsky		2:05
11	Feuerwerksmusik (La paix - Largo alla Siciliana) instruments: Bläserensemble (Special Purpose Artist – Do not add releases here, if possible.) orchestra: Budapesti Vonósok (Budapest String Orchestra; Budapest Strings) conductor: Béla Bánfalvi (violinist, concert master of Budapest strings) recording of: Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	Händel		3:52
12	Brandenburgisches Konzert Nr. 3 (3. Satz, Allegro) orchestra: Deutsche Bachsolisten (in 1978) conductor: Helmut Winschermann (oboist/conductor) (in 1978) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048	Bach		3:02
13	Klarinettenkonzert (2. Satz, Adagio) clarinet: Béla Kovács (clarinetist) orchestra: Franz Liszt Kammerorchester (Franz Liszt Chamber Orchestra) conductor: Janos Rolla (violinist and conductor) recording of: Concerto for Clarinet in A major, K. 622: II. Adagio composer: Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07) part of: Concerto for Clarinet in A major, K. 622	Mozart		7:01
14	Fröhlicher Landmann piano: Evelyne Dubourg (pianist) recording of: Album für die Jugend, op. 68: X. Fröhlicher Landmann composer: Robert Schumann (German classical composer) part of: Album für die Jugend, op. 68	Schumann		0:52
15	Walzer (aus “Schwanensee”) orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Hans Vonk (conductor) recording of: Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) part of: Swan Lake, op. 20: Act I recording of: The Swan Lake (suite from the ballet), op. 20a: II. Valse composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)	Tschaikowsky		6:55
16	Poème, op. 41 Nr. 6 orchestra: Budapest Strings (Budapest String Orchestra; Budapest Strings) recording of: Poème (orchestral excerpt of the Lento from symphonic poem “At Twilight”) composer: Zdeněk Fibich (Czech composer) part of: V podvečer, op. 39	Fibich		2:27
17	Eljen a Magyar orchestra: Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Alfred Scholz recording of: Éljen a Magyar, op. 332 composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 332)	J. Strauss (Sohn)		2:50
18	Arietta piano: Jenő Jandó (pianist) recording of: Lyriske stykker, hefte I, op. 12: 1. Arietta (ended) composer: Edvard Grieg (composer) part of: Lyriske stykker, hefte I, op. 12	Grieg		1:10
19	Summ-Chor (aus “Madame Butterfly”) choir vocals: Sofia National Opera Chorus (in 1987) orchestra: Sofia National Opera Orchestra (in 1987) conductor: Rouslan Raichev (conductor) (in 1987) recording of: Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1987) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (also: Atto II, parte 1)	Puccini		3:09
20	Rosen aus dem Süden, Walzer, op.388 conductor: Joseph Francek (conductor, pseudonym for Alfred Scholz) recording of: Rosen aus dem Süden, op. 388 composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 388)	J. Strauss (Sohn)		9:22

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glass mastered by:	Sonopress (Sonopress GmbH, German vinyl, cassette, CD and DVD manufacturer. see annotations)

Discogs:	https://www.discogs.com/release/4416853 [info] https://www.discogs.com/release/4418860 [info] https://www.discogs.com/release/4424213 [info] https://www.discogs.com/release/4425517 [info] https://www.discogs.com/release/4425886 [info]
ASIN:	DE: B002DMAECM [info]
other databases:	http://www.musik-sammler.de/media/476045 [info]

100 Meisterwerke der klassischen Musik

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