Milestones of a Legend

~ Release by Charlie Parker (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: No. 1 / No. 2 / No. 3
#TitleRatingLength
1A Night in Tunisia
recording of:
Night in Tunisia (instrumental) (on 1946-03-28)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
3:01
2Yardbird Suite
recording of:
Yardbird Suite (instrumental version) (on 1946-03-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1946)
2:35
3Moose the Mooche
recording of:
Moose the Mooche (on 1946-03-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
2:54
4Ornithology
recording of:
Ornithology (on 1946-03-28)
composer:
Benny Harris and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
2:56
5Lover Man
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1946-07-29)
double bass:
Bob Kesterson (on 1946-07-29)
drums (drum set):
Roy Porter (on 1946-07-29)
piano:
Jimmy Bunn (40s jazz pianist) (on 1946-07-29)
trumpet:
Howard McGhee (on 1946-07-29)
instrumental recording of:
Lover Man (on 1946-07-29)
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:16
6Bebop
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1946-07-29)
double bass:
Bob Kesterson (on 1946-07-29)
drums (drum set):
Roy Porter (on 1946-07-29)
piano:
Jimmy Bunn (40s jazz pianist) (on 1946-07-29)
trumpet:
Howard McGhee (on 1946-07-29)
recording of:
Be-Bop (on 1946-07-29)
composer:
Dizzy Gillespie
publisher:
MCA Inc./ASCAP (this was the US media company that became Universal Studios, Inc. in Dec 1996)
2:50
7The Gypsy
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1946-07-29)
double bass:
Bob Kesterson (on 1946-07-29)
drums (drum set):
Roy Porter (on 1946-07-29)
piano:
Jimmy Bunn (40s jazz pianist) (on 1946-07-29)
trumpet:
Howard McGhee (on 1946-07-29)
instrumental recording of:
The Gypsy (on 1946-07-29)
lyricist and composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. and MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
2:22
8Max Making Wax
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1946-07-29)
double bass:
Bob Kesterson (on 1946-07-29)
drums (drum set):
Roy Porter (on 1946-07-29)
piano:
Jimmy Bunn (40s jazz pianist) (on 1946-07-29)
trumpet:
Howard McGhee (on 1946-07-29)
recording of:
Max Making Wax (on 1946-07-29)
composer:
Oscar Pettiford
2:28
9Relaxin' at Camarillo
recording of:
Relaxin’ at Camarillo (on 1947-02-26)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:51
10Cheers
recording of:
Cheers (on 1947-02-26)
composer:
Howard McGhee
3:06
11Carving the Bird
recording of:
Carvin' the Bird (on 1947-02-26)
composer:
Howard McGhee
2:39
12Stupendous
recording of:
Stupendous (on 1947-02-26)
composer:
Howard McGhee
2:50
13Cool Blues
recording of:
Cool Blues (on 1947-02-19)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:02
14Dark Shadows
recording of:
Dark Shadows (on 1947-02-19)
composer:
John ‘Shifty’ Henry
4:05
15Hot Blues
recording of:
Cool Blues (on 1947-02-19)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
1:57
16This Is Always
instrumental recording of:
This Is Always (on 1947-02-19)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
3:09
17Bird's Nest
recording of:
Bird's Nest (on 1947-02-19)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:44
18Don't Blame Me
instrumental recording of:
Don’t Blame Me (on 1947-11-04)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
2:50
19Dexterity
recording of:
Dexterity (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:02
20Bird of Paradise
recording of:
Bird of Paradise (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:14
21Bongo Bop
recording of:
Bongo Bop (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:46
22Embraceable You
instrumental recording of:
Embraceable You (on 1947-10-28)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:26
23Dewey Square
recording of:
Dewey Square (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:11
24Quasimado
recording of:
Quasimado (on 1947-12-17)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:56
25Scrapple From the Apple
recording of:
Scrapple From the Apple (on 1947-11-04)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:40
▼ CD 2: Charlie Parker With Strings / Charlie Parker Sextet / Red Norvo's Fabulous Jam Session
#TitleRatingLength
1April in Paris
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
April in Paris (on 1949-11-30)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:24
2Summertime
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1949-11-30)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:03
3If I Should Lose You
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
recorded at:
Mercury Sound Studios in New York, New York, United States (on 1949-11-30)
instrumental recording of:
If I Should Lose You (on 1949-11-30)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:01
4I Didn't Know What Time It Was
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1949-11-30)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:32
5Everything Happens to Me
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental cover recording of:
Everything Happens to Me (on 1949-11-30)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
3:33
6Just Friends
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
Just Friends (on 1949-11-30)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
3:52
7My Old Flame
instrumental recording of:
My Old Flame
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:17
8Air Conditioning
3:04
9Crazeology
recording of:
Crazeology (on 1947-12-17)
composer:
Benny Harris
3:09
10Bird Feathers
recording of:
Bird Feathers
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:09
11Out of Nowhere
instrumental recording of:
Out of Nowhere
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:11
12Bongobeep
recording of:
Bongo Beep
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:58
13Bird Feathers
recording of:
Bird Feathers
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:54
14Klactoveedsedstene
recording of:
Klactoveedsedstene
writer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Songs of Universal, Inc.
3:09
15Hallelujah
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1945-06-06)
double bass:
Slam Stewart (on 1945-06-06)
drums (drum set):
J.C. Heard (on 1945-06-06)
piano:
Teddy Wilson (on 1945-06-06)
tenor saxophone:
Flip Phillips (on 1945-06-06)
trumpet:
Dizzy Gillespie (on 1945-06-06)
vibraphone and xylophone:
Red Norvo (on 1945-06-06)
recording of:
Hallelujah!
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
3:58
16Get Happy
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1945-06-06)
double bass:
Slam Stewart (on 1945-06-06)
drums (drum set):
J.C. Heard (on 1945-06-06) and Specs Powell (on 1945-06-06)
piano:
Teddy Wilson (on 1945-06-06)
tenor saxophone:
Flip Phillips (on 1945-06-06)
trumpet:
Dizzy Gillespie (on 1945-06-06)
vibraphone and xylophone:
Red Norvo (on 1945-06-06)
orchestra:
Red Norvo & His Selected Sextet (on 1945-06-06)
instrumental recording of:
Get Happy (on 1945-06-06)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
3:45
17Slam Slam Blues
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1945-06-06)
double bass:
Slam Stewart (on 1945-06-06)
drums (drum set):
J.C. Heard (on 1945-06-06)
piano:
Teddy Wilson (on 1945-06-06)
tenor saxophone:
Flip Phillips (on 1945-06-06)
trumpet:
Dizzy Gillespie (on 1945-06-06)
vibraphone:
Red Norvo (on 1945-06-06)
recording of:
Slam Slam Blues (on 1945-06-06)
composer:
Red Norvo
4:28
18Congo Blues
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1945-06-06)
double bass:
Slam Stewart (on 1945-06-06)
drums (drum set):
J.C. Heard (on 1945-06-06)
piano:
Teddy Wilson (on 1945-06-06)
tenor saxophone:
Flip Phillips (on 1945-06-06)
trumpet:
Dizzy Gillespie (on 1945-06-06)
vibraphone and xylophone:
Red Norvo (on 1945-06-06)
orchestra:
Red Norvo & His Selected Sextet (on 1945-06-06)
recording of:
Congo Blues (on 1945-06-06)
composer:
Red Norvo
3:54
19Hallelujah
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1945-06-06)
double bass:
Slam Stewart (on 1945-06-06)
piano:
Teddy Wilson (on 1945-06-06)
tenor saxophone:
Flip Phillips (on 1945-06-06)
trumpet:
Dizzy Gillespie (on 1945-06-06)
vibraphone:
Red Norvo (on 1945-06-06)
recording of:
Hallelujah!
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
4:10
20Get Happy
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1945-06-06)
double bass:
Slam Stewart (on 1945-06-06)
drums (drum set):
J.C. Heard (on 1945-06-06) and Specs Powell (on 1945-06-06)
piano:
Teddy Wilson (on 1945-06-06)
tenor saxophone:
Flip Phillips (on 1945-06-06)
trumpet:
Dizzy Gillespie (on 1945-06-06)
vibraphone and xylophone:
Red Norvo (on 1945-06-06)
orchestra:
Red Norvo & His Selected Sextet (on 1945-06-06)
instrumental recording of:
Get Happy (on 1945-06-06)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
4:03
21Slam Slam Blues
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1945-06-06)
double bass:
Slam Stewart (on 1945-06-06)
piano:
Teddy Wilson (on 1945-06-06)
tenor saxophone:
Flip Phillips (on 1945-06-06)
trumpet:
Dizzy Gillespie (on 1945-06-06)
vibraphone:
Red Norvo (on 1945-06-06)
recording of:
Slam Slam Blues (on 1945-06-06)
composer:
Red Norvo
5:04
22Congo Blues
4:00
▼ CD 3: South of the Border / Bird and Diz / Charlie Parker
#TitleArtistRatingLength
1Tico Tico
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1951-03-12)
bongos:
José Mangual (on 1951-03-12)
double bass:
Teddy Kotick (on 1951-03-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1951-03-12)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-03-12)
instrumental recording of:
Tico‐Tico (catch‐all for arrangements) (on 1951-03-12)
composer:
Zequinha de Abreu (in 1917)
arrangement of:
Tico-tico no fubá (original Portuguese version)
Charlie Parker2:46
2Un poquito de tu amor
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1951-03-12)
bongos:
José Mangual (on 1951-03-12)
double bass:
Teddy Kotick (on 1951-03-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1951-03-12)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-03-12)
recording of:
Un poquito de tu amor (on 1951-03-12)
writer:
Julio Gutiérrez (Cuban pianist, composer, orchestra conductor)
Charlie Parker2:43
3My Little Suede Shoes
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1951-03-12)
bongos:
José Mangual (on 1951-03-12)
congas:
Luis Miranda (jazz conga player) (on 1951-03-12)
double bass:
Teddy Kotick (on 1951-03-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1951-03-12)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-03-12)
recording of:
My Little Suede Shoes (on 1951-03-12)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker3:07
4Estrellita
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
double bass:
Teddy Kotick (on 1952-01-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-01-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1952-01-23)
trumpet:
Benny Harris (on 1952-01-23)
instrumental recording of:
Estrellita (on 1952-01-23)
lyricist and composer:
Manuel María Ponce (Mexican composer) (in 1912)
Charlie Parker2:45
5Begin the Beguine
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1952-01-23)
bongos [bongo]:
José Mangual (on 1952-01-23)
congas [conga]:
Luis Miranda (jazz conga player) (on 1952-01-23)
double bass:
Teddy Kotick (on 1952-01-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-01-23)
piano:
Walter Bishop (American jazz pianist) (on 1952-01-23)
instrumental recording of:
Begin the Beguine (on 1952-01-23)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Charlie Parker33:14
6La Paloma
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1952-01-23)
bongos:
José Mangual (on 1952-01-23)
double bass:
Teddy Kotick (on 1952-01-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-01-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1952-01-23)
trumpet:
Benny Harris (on 1952-01-23)
instrumental recording of:
La paloma (Spanish original) (on 1952-01-23)
lyricist and composer:
Sebastián Iradier
arrangement of:
La Paloma
Charlie Parker2:42
7La cucaracha
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
double bass:
Teddy Kotick (on 1952-01-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-01-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1952-01-23)
trumpet:
Benny Harris (on 1952-01-23)
instrumental recording of:
La cucaracha (on 1952-01-23)
lyricist and composer:
[traditional] (special purpose artist)
arrangement of:
La Cucaracha (arr. James Last)
Charlie Parker2:45
8Mama Inez
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
double bass:
Teddy Kotick (on 1952-01-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-01-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1952-01-23)
trumpet:
Benny Harris (on 1952-01-23)
instrumental recording of:
Mama Inez (on 1952-01-23)
lyricist:
L. Wolfe Gilbert
composer:
Eliseo Grenet
Charlie Parker2:52
9Bloomdido
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
orchestra:
Charlie Parker Quintet (on 1950-06-06)
recording of:
Bloomdido (on 1950-06-06)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker & Dizzy Gillespie3:28
10My Melancholy Baby
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
later releases:
My Melancholy Baby by Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) & Dizzy Gillespie
instrumental recording of:
My Melancholy Baby (on 1950-06-06)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Charlie Parker & Dizzy Gillespie3:27
11Relaxin' With Lee
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass [bass]:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
recording of:
Relaxin' with Lee (on 1950-06-06)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker & Dizzy Gillespie2:49
12Passport
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-05-05)
double bass:
Tommy Potter (on 1949-05-05)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-05-05)
piano:
Al Haig (on 1949-05-05)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1949-05-05)
recording of:
Passport (on 1949-05-05)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker & Dizzy Gillespie2:58
13Leap Frog
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-05-05, on 1950-06-06)
double bass:
Curley Russell (on 1950-06-06)
double bass [bass]:
Curley Russell (on 1949-05-05)
drums (drum set):
Buddy Rich (on 1949-05-05, on 1950-06-06)
piano:
Thelonious Monk (on 1949-05-05, on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1949-05-05, on 1950-06-06)
recording of:
Leap Frog (on 1949-05-05)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
recording of:
Leap Frog (on 1950-06-06)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker & Dizzy Gillespie2:32
14An Oscar for Treadwell
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass and double bass [bass]:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
recording of:
An Oscar for Treadwell (on 1950-06-06)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker & Dizzy Gillespie3:26
15Mohawk
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass and double bass [bass]:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
recording of:
Mohawk (on 1950-06-06)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker & Dizzy Gillespie23:38
16Visa
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1949)
bongos:
Carlos Vidal (Cuban percussionist) (in 1949)
double bass:
Tommy Potter (in 1949)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1949)
piano:
Al Haig (in 1949)
trombone:
Tommy Turk (in 1949)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1949)
recording of:
Visa (in 1949)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker & Dizzy Gillespie3:02
17Now's the Time
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1953-07-28)
double bass:
Percy Heath (on 1953-07-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1953-07-28)
piano:
Al Haig (on 1953-07-28)
recorded at:
Fulton Recording in New York, New York, United States (on 1953-07-28)
recording of:
Now’s the Time (on 1953-07-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
Charlie Parker3:03
18I Remember You
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1953-07-28)
double bass:
Percy Heath (on 1953-07-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1953-07-28)
piano:
Al Haig (on 1953-07-28)
recorded at:
Fulton Recording in New York, New York, United States (on 1953-07-28)
instrumental recording of:
I Remember You (on 1953-07-28)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Paramount Music Corporation
Charlie Parker3:05
19Confirmation
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1953-07-28)
double bass:
Percy Heath (on 1953-07-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1953-07-28)
piano:
Al Haig (on 1953-07-28)
recorded at:
Fulton Recording in New York, New York, United States (on 1953-07-28)
recording of:
Confirmation (on 1953-07-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker2:59
20Chi Chi
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1953-07-28)
double bass:
Percy Heath (on 1953-07-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1953-07-28)
piano:
Al Haig (on 1953-07-28)
recorded at:
Fulton Recording in New York, New York, United States (on 1953-07-28)
recording of:
Chi Chi (on 1953-07-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker3:05
21I Hear Music (The Song Is You)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1952-12-30)
double bass:
Teddy Kotick (on 1952-12-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-12-30)
piano:
Hank Jones (piano) (on 1952-12-30)
recorded at:
Fulton Recording in New York, New York, United States (on 1952-12-30)
instrumental recording of:
I Hear Music (Dancing on a Dime) (on 1952-12-30)
lyricist:
Frank Loesser
composer:
Burton Lane
Charlie Parker2:59
22Laird Bird
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1952-12-30)
double bass:
Teddy Kotick (on 1952-12-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-12-30)
piano:
Hank Jones (piano) (on 1952-12-30)
recorded at:
Fulton Recording in New York, New York, United States (on 1952-12-30)
recording of:
Laird Baird (on 1952-12-30)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker2:47
23Kim
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1952-12-30)
double bass:
Teddy Kotick (on 1952-12-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-12-30)
piano:
Hank Jones (piano) (on 1952-12-30)
recorded at:
Fulton Recording in New York, New York, United States (on 1952-12-30)
recording of:
Kim (on 1952-12-30)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker3:01
24Cosmic Rays
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1952-12-30)
double bass:
Teddy Kotick (on 1952-12-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-12-30)
piano:
Hank Jones (piano) (on 1952-12-30)
recorded at:
Fulton Recording in New York, New York, United States (on 1952-12-30)
recording of:
Cosmic Rays (on 1952-12-30)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker3:06
▼ CD 4: Charlie Parker Plays Cole Porter / The Genius of Charlie Parker: Jazz Perennial
#TitleRatingLength
1I Get a Kick Out of You
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
I Get a Kick Out of You (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
3:36
2I Get a Kick Out of You (alternate take)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass [bass]:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
I Get a Kick Out of You (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
4:55
3Just One of Those Things
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
Just One of Those Things (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:48
4My Heart Belongs to Daddy
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
My Heart Belongs to Daddy (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
3:21
5I've Got You Under My Skin
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass [bass]:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
I’ve Got You Under My Skin (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
3:40
6Love for Sale
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
Love for Sale (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
5:35
7Love for Sale (alternate take)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
Love for Sale (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
5:35
8I Love Paris
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:09
9I Love Paris (alternate take)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:09
10Star Eyes
recording of:
Star Eyes (in 1950-03)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
3:31
11Blues (fast)
recording of:
Blues (in 1950-03)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:49
12I'm in the Mood for Love
instrumental recording of:
I’m in the Mood for Love (in 1950-03)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
2:54
13In the Still of the Night
instrumental recording of:
In the Still of the Night (Cole Porter song) (on 1953-05-25)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
3:27
14Old Folks
instrumental recording of:
Old Folks (on 1953-05-25)
lyricist:
Dedette Lee Hill (in 1938)
composer:
Willard Robison (in 1938)
3:38
15If I Love Again
instrumental recording of:
If I Love Again (on 1953-05-25)
lyricist:
Jack Murray (US songwriter)
composer:
Ben Oakland
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
2:29
16Cardboard
recording of:
Cardboard (from 1949-02 until 1949-03)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:11
17Visa
recording of:
Visa (from 1949-02 until 1949-03)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:00
18Segment
recording of:
Segment (on 1949-05-05)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
3:23
19Passport
recording of:
Passport (on 1949-05-05)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:02
20Diverse
recording of:
Segment (on 1949-05-05)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
3:18
▶ CD 5: "Bird" Is Free / The Happy "Bird"
▶ CD 6: Charlie Parker Memorial / Bird on 52nd Street
▶ CD 7: Le Jazz Cool: Historical Recordings, Vol. 1 / An Historical Meeting at the Summit
▶ CD 8: Charlie Parker in Sweden
▶ CD 9: "Bird" at St. Nick's / Jazz at Massey Hall
▶ CD 10: An Evening at Home With the "Bird" / The "Bird" Returns

Credits

Release group

part of:10 CD Collection (order: 11)