Sacred and Secular Music (from Six Centuries)

~ Release by The Hilliard Ensemble (see all versions of this release, 3 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Salve Regina
recording engineer:
Antony Howell (engineer)
producer:
Recording Producer Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
DJ (countertenor) (on 1989-02-22)
recorded at:
St Judeʼs-on-the-Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1989-02-22)
recording of:
Salve Regina (on 1989-02-22)
composer:
Hermann von Reichenau
Hermannus Contractus3:21
2Planctus ante nescia
recording engineer:
Robert von Bahr, Bis Records
editor:
Digital Editing Siegbert Ernst, Bis Records (engineer)
baritone vocals:
PH (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
tenor vocals:
JP (tenor) (from 1987-03-30 until 1987-03-31)
recorded at:
St John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Planctus ante nescia (from 1987-03-30 until 1987-03-31)
writer:
Godefroy de Breteuil (carmina burana. c.1130-c.1194, sub-prior to Abbey of Saint-Victor, Paris)
part of:
Carmina Burana (number: 14)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
Godefroy de St Victoire8:22
3Quant je sui mis
recording engineer:
Robert von Bahr, Bis Records
editor:
Digital Editing Siegbert Ernst, Bis Records (engineer)
tenor vocals:
RCC (tenor) (from 1987-03-30 until 1987-03-31)
recorded at:
St John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Quant je sui mis au retour (from 1987-03-30 until 1987-03-31)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:42
4Vergene bella
recording engineer:
Antony Howell (engineer)
producer:
Recording Producer Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
DJ (countertenor) (on 1989-02-22)
tenor vocals:
JP (tenor) (on 1989-02-22) and RCC (tenor) (on 1989-02-22)
recorded at:
St Judeʼs-on-the-Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1989-02-22)
recording of:
Vergene bella (on 1989-02-22)
lyricist:
Francesco Petrarca
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay4:16
5Gloria ad modem tubae
recording engineer:
Robert von Bahr, Bis Records
editor:
Digital Editing Siegbert Ernst, Bis Records (engineer)
baritone vocals:
PH (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
bass vocals:
MG (operatic bass) (from 1987-03-30 until 1987-03-31)
tenor vocals:
JP (tenor) (from 1987-03-30 until 1987-03-31) and RCC (tenor) (from 1987-03-30 until 1987-03-31)
recorded at:
St John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Gloria ad modum tubae (from 1987-03-30 until 1987-03-31)
composer:
Guillaume Dufay (French 15th century composer) (until 1474)
Guillaume Dufay2:05
6Most clear of colour
recording engineer:
Robert von Bahr, Bis Records
editor:
Digital Editing Siegbert Ernst, Bis Records (engineer)
countertenor vocals:
DJ (countertenor) (from 1987-03-30 until 1987-03-31)
tenor vocals:
JP (tenor) (from 1987-03-30 until 1987-03-31) and RCC (tenor) (from 1987-03-30 until 1987-03-31)
recorded at:
St John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Most clear of colour (from 1987-03-30 until 1987-03-31)
writer:
Robert Fayrfax (composer)
part of:
Fayrfax Manuscript
Robert Fayrfax2:23
7O nata lux
recording engineer:
Robert von Bahr, Bis Records
editor:
Digital Editing Siegbert Ernst, Bis Records (engineer)
baritone vocals:
PH (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
bass vocals:
MG (operatic bass) (from 1987-03-30 until 1987-03-31)
countertenor vocals:
DJ (countertenor) (from 1987-03-30 until 1987-03-31)
tenor vocals:
JP (tenor) (from 1987-03-30 until 1987-03-31) and RCC (tenor) (from 1987-03-30 until 1987-03-31)
recorded at:
St John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
O nata lux (from 1987-03-30 until 1987-03-31)
composer:
Thomas Tallis (composer)
Thomas Tallis2:00
8Ne irascaris Domine / Civitas sancti tui
recording engineer:
Robert von Bahr, Bis Records
editor:
Digital Editing Siegbert Ernst, Bis Records (engineer)
baritone vocals:
PH (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
bass vocals:
MG (operatic bass) (from 1987-03-30 until 1987-03-31)
countertenor vocals:
DJ (countertenor) (from 1987-03-30 until 1987-03-31)
tenor vocals:
JP (tenor) (from 1987-03-30 until 1987-03-31) and RCC (tenor) (from 1987-03-30 until 1987-03-31)
recorded at:
St John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Ne irascaris, Domine - Civitas sancti tui (from 1987-03-30 until 1987-03-31)
lyricist:
[anonymous] (special purpose artist)
composer:
William Byrd (English composer)
William Byrd9:25
9Dezí, flor rresplandeçiente
recording engineer:
Antony Howell (engineer)
producer:
Recording Producer Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
baritone vocals:
PH (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
countertenor vocals:
DJ (countertenor) (on 1989-02-22)
tenor vocals:
JP (tenor) (on 1989-02-22)
recorded at:
St Judeʼs-on-the-Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1989-02-22)
recording of:
Dezí, flor resplandeçiente (Spanish Manuscript c1500) (on 1989-02-22)
writer:
[anonymous] (special purpose artist)
anonymous2:05
10Nuevas, nuevas ¡Por tu fe!
recording engineer:
Antony Howell (engineer)
producer:
Recording Producer Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
baritone vocals:
PH (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
tenor vocals:
JP (tenor) (on 1989-02-22) and RCC (tenor) (on 1989-02-22)
recorded at:
St Judeʼs-on-the-Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1989-02-22)
recording of:
Nuevas, nuevas ¡Por tu fe! (Spanish Manuscript c1500) (on 1989-02-22)
writer:
[anonymous] (special purpose artist)
anonymous0:39
11Sancta Mater
recording engineer:
Antony Howell (engineer)
producer:
Recording Producer Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
baritone vocals:
PH (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
countertenor vocals:
DJ (countertenor) (on 1989-02-22)
tenor vocals:
JP (tenor) (on 1989-02-22) and RCC (tenor) (on 1989-02-22)
recorded at:
St Judeʼs-on-the-Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1989-02-22)
recording of:
Sancta Mater, istud agas (on 1989-02-22)
composer:
Francisco de Peñalosa (Spanish Renaissance composer, c. 1470-1528)
Francisco de Peñalosa4:01
12El Jubilate
recording engineer:
Antony Howell (engineer)
producer:
Recording Producer Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
baritone vocals:
PH (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
countertenor vocals:
DJ (countertenor) (on 1989-02-22)
tenor vocals:
JP (tenor) (on 1989-02-22) and RCC (tenor) (on 1989-02-22)
recorded at:
St Judeʼs-on-the-Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1989-02-22)
recording of:
El Jubilate (on 1989-02-22)
writer:
Mateu Fletxa ("El Vell" or "El Viejo", Catalan renaissance composer)
Mateu Flecha6:06
13Tota pulcra es
recording engineer:
Robert von Bahr, Bis Records
editor:
Digital Editing Siegbert Ernst, Bis Records (engineer)
baritone vocals:
PH (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
countertenor vocals:
DJ (countertenor) (from 1987-03-30 until 1987-03-31)
tenor vocals:
JP (tenor) (from 1987-03-30 until 1987-03-31) and RCC (tenor) (from 1987-03-30 until 1987-03-31)
recorded at:
St John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Tota pulchra es (from 1987-03-30 until 1987-03-31)
composer:
Heinrich Isaac (Flemish Renaissance composer)
Heinrich Isaac7:54
14Bonjour mon coeur
recording engineer:
Robert von Bahr, Bis Records
editor:
Digital Editing Siegbert Ernst, Bis Records (engineer)
baritone vocals:
PH (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
countertenor vocals:
DJ (countertenor) (from 1987-03-30 until 1987-03-31)
tenor vocals:
JP (tenor) (from 1987-03-30 until 1987-03-31) and RCC (tenor) (from 1987-03-30 until 1987-03-31)
recorded at:
St John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Bonjour mon coeur (from 1987-03-30 until 1987-03-31)
composer:
Claude Goudimel (French composer & music publisher, c. 1514/20-1572)
Claude Goudimel1:28
15Le Chant des Oiseaulx
recording engineer:
Robert von Bahr, Bis Records
editor:
Digital Editing Siegbert Ernst, Bis Records (engineer)
baritone vocals:
PH (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
countertenor vocals:
DJ (countertenor) (from 1987-03-30 until 1987-03-31)
tenor vocals:
JP (tenor) (from 1987-03-30 until 1987-03-31) and RCC (tenor) (from 1987-03-30 until 1987-03-31)
recorded at:
St John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Le Chant des oiseaux (from 1987-03-30 until 1987-03-31)
publisher:
Pierre Attaingnant (French Renaissance music publisher, fl. 1514-1551) (in 1529)
composer:
Clément Janequin (French Renaissance composer, c. 1485-1558) (in 1529)
Clément Janequin6:13

Credits

Release

manufactured in:England, United Kingdom
executive producer:Robert von Bahr
Cecile Kelly (producer)
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
design:Terry Shannon (designer)
manufactured by:PDO (Philips DuPont Optical, Blackburn, UK)
copyrighted (©) by and phonographic copyright (℗) by:Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1990)
Discogs:https://www.discogs.com/release/6657293 [info]
ASIN:UK: B000002ZMI [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA66370 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002125876 [info]