No.1 80s Billboard Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Beat It
recording engineer:
Donn Landee and Bruce Swedien
miscellaneous support:
Greg Smith (Producer/Keyboards)
synthesizer programming:
Steve Porcaro
co-producer:
Michael Jackson (“King of Pop”)
producer:
Quincy Jones
mixer:
Bruce Swedien
drums (drum set):
Jeff Porcaro
electric bass guitar and guitar:
Steve Lukather
guitar:
Paul Jackson, Jr.
keyboard:
Bill Wolfer
Rhodes piano and synthesizer:
Greg Phillinganes
solo electric guitar:
Eddie Van Halen
synclavier:
Tom Bahler
synthesizer:
Steve Porcaro
lead vocals:
Michael Jackson (“King of Pop”)
percussion arranger:
Michael Jackson (“King of Pop”) and Quincy Jones
arranger:
Rod Temperton
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States (in 1982)
samples:
Untitled (side A) by Denny Jaeger
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 185) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 337)
recording of:
Beat It
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music and ソニー・ミュージックパブリッシング A事業部
Michael Jackson4.44:20
2The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:57
3Wake Me Up Before You Go‐Go
assistant engineer:
Paul Gomersau
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
keyboard:
Tommy Eyre
saxophone:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recording of:
Wake Me Up Before You Go‐Go
lyricist and composer:
George Michael
publisher:
Chappell Music (UK) and Morrison Leahy Music Ltd.
Wham!3.853:54
4Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth-pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth-pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth-pop band)
part of:
The Downloader’s Music Source Book (number: 284)
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy
publisher:
ATV Music Ltd.
a‐ha4.43:50
5Karma Chameleon
engineer:
Simon Frith
producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and percussion:
Jon Moss
guest harmonica:
Judd Lander
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player)
guitar and keyboard:
Roy Hay (Member of Culture Club and composer for film and television)
guest choir vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
recording of:
Karma Chameleon
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club4:14
6Heaven Is a Place on Earth
recording of:
Heaven Is a Place on Earth
writer:
Rick Nowels and Ellen Shipley
publisher:
BMG Bumblebee, Fujipacific Music, Inc. and Future Furniture
Belinda Carlisle54:07
7Right Here Waiting
engineer and mixer:
David Cole (American recording engineer and producer)
producer:
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) and Richard Marx
guitar:
Bruce Gaitsch (american guitarist, producer, engineer and arranger)
keyboard:
Jeffery (C. J.) Vanston
lead vocals:
Richard Marx
arranger:
Jeffery CJ Vanston and Richard Marx
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
music videos:
Right Here Waiting by Richard Marx
recording of:
Right Here Waiting
lyricist:
Richard Marx
composer:
Bruce Gaitsch (american guitarist, producer, engineer and arranger) and Richard Marx
publisher:
BMG Monarch, Chi‐Boy Music, EMI Music Ltd. and EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部
Richard Marx3.754:27
8Private Eyes
recording engineer and mixer:
Neil Kernon
assistant engineer:
Bruce Buckhhalter (Engineer)
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
drums (drum set) [drums]:
Mickey Curry
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Private Eyes
writer:
Janna Allen (songwriter), Sara Allen, Daryl Hall and Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Daryl Hall & John Oates4.253:39
9Together Forever
keyboard [Fairlight] programming:
Ian Curnow
engineer:
Mark McGuire (UK producer/engineer)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Pete Hammond (UK producer aka "Mixmaster")
guitar:
Matt Aitken
keyboard:
Matt Aitken and Mike Stock (of Stock Aitken Waterman)
recording of:
Together Forever (in 1987)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Terrace Music (from 1987 to present)
Rick Astley4.653:27
10Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.13:41
11Lost in Your Eyes
recording engineer:
Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
keyboard and membranophone programming:
Fred Zarr
engineer:
Bill Esses, Jim Goatley and Matt Malles
producer:
Debbie Gibson
mixer:
Debbie Gibson, Bob Rosa and Tom Vercillo
electric guitar:
Tommy Williams (former Debbie Gibson musical director)
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
piano and background vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1989)
recording of:
Lost in Your Eyes
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:36
12Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:34
13The Way It Is
engineer:
Elliot Scheiner
producer:
Bruce Hornsby and Elliot Scheiner
drums (drum set) and percussion:
John Molo
piano and synthesizer:
Bruce Hornsby
vocals:
Bruce Hornsby
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
lyricist and composer:
B.R. Hornsby
publisher:
ソニー・ミュージックパブリッシング A事業部 and Zappo Music (from 1986 to present)
Bruce Hornsby & the Range3.754:59
14Rock Me Amadeus
producer:
Ferdi Bolland and Rob Bolland
music videos:
Rock Me Amadeus by Falco (Austrian pop & rock musician)
part of:
TV Cream: Real 100 Best Singles Ever (number: 15)
recording of:
Rock Me Amadeus
lyricist:
Ferdi Bolland, Rob Bolland and Falco (Austrian pop & rock musician)
composer:
Ferdi Bolland and Rob Bolland
publisher:
Manuskript (not for release label use! this is only for copyrights and publishing relationships) and Nada Music (Dutch publisher)
Falco3.73:22
15Can’t Fight This Feeling
producer:
Kevin Cronin, Alan Gratzer and Gary Richards
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Can’t Fight This Feeling
lyricist and composer:
Kevin Cronin
publisher:
Fate Music and 大洋音楽
REO Speedwagon3.94:55
16Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
acoustic guitar:
Timothy B. Schmit
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) and gong:
Jeff Porcaro
electric guitar and guitar:
Steve Lukather
keyboard and piano:
David Paich
marimba:
Joe Porcaro
percussion:
Lenny Castro and Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
synthesizer:
Steve Porcaro
background vocals:
Bobby Kimball, Steve Lukather, David Paich and Timothy B. Schmit
lead vocals:
Bobby Kimball and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 452)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Rising Storm Music, Spirit Two Music and ソニー・ミュージックパブリッシング A事業部
Toto4.154:58
17Broken Wings
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Indolent Sloth Music, Panola Park Music, Warner/Chappell Music Japan, Synch division, WB Music Corp. (1929–2019) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4:45
18(I’ve Had) The Time of My Life
assistant engineer:
Jeff DeMorris and Dan Nebenzal
engineer:
Carmine Rubino
producer:
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley and Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal and Carmine Rubino
additional arranger:
John D’Andrea and Michael Lloyd (US guitarist/singer producer)
arranger:
Gene Page
phonographic copyright (℗) by:
BMG Music (in 1987)
produced for:
Mike Curb Productions
recording of:
(I’ve Had) The Time of My Life
lyricist:
Franke Previte
composer:
John DeNicola and Donald Markowitz
publisher:
Calspen Music, Donald Jay Music Ltd. (publisher), EMI April Music Inc., Jemava Music Corp., Knockout Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部, フジパシフィックミュージック and ヤマハミュージックEH(CM)
part of:
The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 60)
Bill Medley & Jennifer Warnes3.34:51
19How Am I Supposed to Live Without You
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
How Am I Supposed to Live Without You
writer:
Michael Bolton and Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Is Hot Music Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Michael Bolton44:14
▼ CD 2
#TitleArtistRatingLength
1We Didn’t Start the Fire
producer:
Billy Joel (American singer-songwriter and pianist) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989)
recording of:
We Didn’t Start the Fire
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
EMI Songs Ltd., Impulsive Music and Joelsongs (in 1989)
arrangement of:
We Didn’t Start the Slop Stream
Billy Joel34:30
2We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
Concord Copyrights London Limited, Little Mole Music, Universal Music Careers, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Starship44:56
3The Reflex
recording of:
The Reflex
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran5:30
4La Bamba
producer:
Mitchell Froom
arranger:
Ritchie Valens
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
composer:
[traditional] (special purpose artist)
publisher:
EMI Longitude Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
La bamba
Los Lobos4.32:56
5How Will I Know
engineer and mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson)
producer:
Narada Michael Walden
bass:
Randy Jackson (brother of Michael and Janet)
guitar synthesizer:
Corrado Rustici
keyboard:
Mary Canty and Yvonne Lewis (keyboard)
saxophone:
Premik Russell Tubbs
synthesizer:
Preston Glass
background vocals:
Cissy Houston
lead vocals:
Whitney Houston
arranger:
Narada Michael Walden
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
recording of:
How Will I Know
writer:
Narada Michael Walden
composer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc.
Whitney Houston44:35
6The Look
programming:
Anders Herrlin and Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1988-08)
classical guitar:
Erik Borelius (in 1988-08)
drums (drum set) and hi-hat:
Pelle Alsing (in 1988-08)
electric guitar:
Jonas Isacsson (in 1988-08)
keyboard:
Clarence Öfwerman (in 1988-08)
saxophone:
Erik Häusler (in 1988-08)
slide guitar:
Janne Oldaeus (in 1988-08)
background vocals:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) and Clarence Öfwerman (in 1988-08)
lead vocals:
Marie Fredriksson (in 1988-08) and Per Gessle (Swedish singer and guitarist) (in 1988-08)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!)
recorded at:
EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (in 1988-08)
mixed at:
EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden
recording of:
The Look (in 1988-08)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.63:57
7Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1983)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Gray Matter Music, Human Boy Music, Rellla Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Japan, Synch division, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label), WB Music Corp. (1929–2019) (until 2019-05-28), Dub Notes Music (publisher) (in 1984), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
Cyndi Lauper4.44:03
8Jessie’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo, Keith Olsen (US producer and engineer) and Rick Springfield
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
Rick Springfield4.353:15
9The Flame
recording of:
The Flame
writer:
Nick Graham (British singer, songwriter, bassist, keyboardist, Atomic Rooster member) and Bob Mitchell (UK production music composer & songwriter)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Sony Music Publishing (UK) Limited, Sony/ATV Songs LLC and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cheap Trick4:41
10Every Time You Go Away
producer:
Laurie Latham
vocals:
Paul Young (English pop singer and musician)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
cover recording of:
Everytime You Go Away
lyricist and composer:
Daryl Hall
publisher:
Hot Cha Music Co., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Paul Young4.54:28
11I Think We’re Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.853:48
12Sweet Dreams (Are Made of This)
recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Eurythmics3:38
13Eternal Flame
recording engineer:
John Beverly Jones
additional engineer:
Ken Felton
producer:
Davitt Sigerson
mixer:
Frank Filipetti
drums (drum set):
Debbi Peterson
electric bass guitar [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
guitar [lead guitar]:
Vicki Peterson
guitar [rhythm guitar]:
Susanna Hoffs
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1988)
mixed at:
Studio 55 in Los Angeles, California, United States
music videos:
Eternal Flame by Bangles
recording of:
Eternal Flame
writer:
Susanna Hoffs, Tom Kelly (songwriter) and Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Denise Barry Music, EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Songs of Universal, Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:58
14Say You, Say Me
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) and Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
Say You, Say Me
lyricist and composer:
Lionel Richie
publisher:
Brockman Music
part of:
The 58th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 58)
recording of:
Say You, Say Me
lyricist and composer:
Lionel Richie
publisher:
Brockman Music
part of:
The 58th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 58)
Lionel Richie4.154:04
15Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Men at Work4.053:45
16The One That You Love
recording of:
The One That You Love
lyricist and composer:
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers, シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, Careers Music, Inc. (from 1981 to ????) and Bestall Reynolds Music (from 1981 to present)
Air Supply4:15
17Total Eclipse of the Heart
vocals:
Bonnie Tyler
performer:
Rory Dodd
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.054:29
18I’ll Be Loving You (Forever)
producer:
Maurice Starr
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1988)
recording of:
I'll Be Loving You (Forever)
lyricist and composer:
Maurice Starr
New Kids on the Block34:27
19Hold On
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
additional guitar:
Joe Walsh (Eagles/James Gang)
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa (Brazilian percussionist)
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Hold On
writer:
Glen Ballard, Chynna Phillips and Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (1989-07-24–present) (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips4.654:26