100 Greatest Arias

~ Release by Enrico Caruso (see all versions of this release, 1 available)

Tracklist

| |
▼ CD 1
#TitleRatingLength
1Qui Sotto Il Ciel
2:10
2Questa o Quella
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1904-02-01)
tenor vocals:
Enrico Caruso (tenor) (on 1904-02-01)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (on 1904-02-01)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
2:10
3La Donna È Mobile
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1904-02-01)
tenor vocals:
Enrico Caruso (tenor) (on 1904-02-01)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1904-02-01)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:13
4Recondita Armonia
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1904-02-01)
tenor vocals:
Enrico Caruso (tenor) (on 1904-02-01)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (on 1904-02-01)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
2:37
5E Lucevan Le Stelle
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1904-02-01)
tenor vocals:
Enrico Caruso (tenor) (on 1904-02-01)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1904-02-01)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
2:39
6Chiudo Gli Occhi
recording of:
Manon: Atto II. “Chiudo gli occhi e nel pansier” (Il sogno) (in 1904)
composer:
Jules Massenet (French Romantic composer)
translated version of:
Manon : Acte II. « Instant charmant » … « En fermant les yeux » (des Grieux) (le rêve de Des Grieux)
2:41
7Mi Par D'Udir Ancor
3:25
8Com'è Gentil
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1905-02-27)
tenor vocals:
Enrico Caruso (tenor) (on 1905-02-27)
recording of:
Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro) (on 1905-02-27)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
3:44
9Il Fior Che Avevi a Me
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1905-02-27)
tenor vocals:
Enrico Caruso (tenor) (on 1905-02-27)
recording of:
Carmen: Atto II. “Il fior che avevi a me tu dato” (Don José, Carmen) (on 1905-02-27)
composer:
Georges Bizet (composer)
translated version of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
part of:
Carmen: Atto II (italian lyrics)
3:38
10Bianca Al Par di Neve Alpina
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1905-02-27)
tenor vocals:
Enrico Caruso (tenor) (on 1905-02-27)
recording of:
Gli Ugonotti: Atto I. "Bianca al par di neve alpina" (on 1905-02-27)
composer:
Giacomo Meyerbeer (composer)
translated version of:
Les Huguenots : Acte I. Romance « Plus blanche que la blanche hermine »
3:58
11Cavalleria Rusticana: Brindisi: Viva Il Vino Spumeggiante
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1905-02-27)
tenor vocals:
Enrico Caruso (tenor) (on 1905-02-27)
recording of:
Cavalleria rusticana: Brindisi “Intanto amici, qua … Viva il vino spumeggiante” (Turridu, Lola, coro) (on 1905-02-27)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
2:32
12M'Appari Tutt' Amor
3:31
13Che Gelida Manina
tenor vocals:
Enrico Caruso (tenor) (on 1906-02-11)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1906-02-11)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (on 1906-02-11)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
4:08
14Salut, Demeure Chaste Et Pure
4:17
15Di Quella Pira
tenor vocals:
Enrico Caruso (tenor) (on 1906-02-11)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1906-02-11)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (on 1906-02-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
1:43
16Spirito Gentil, Ne' Sogni Miei
3:50
17Solenne in Quest'Ora
4:19
18O Paradiso
3:39
19Del Tempio Al Limitar
baritone vocals:
Mario Ancona (baritone) (on 1907-03-24)
tenor vocals:
Enrico Caruso (tenor) (on 1907-03-24)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1907-03-24)
recording of:
I pescatori di perle: Atto I. “Del tempio al limita” (on 1907-03-24)
composer:
Georges Bizet (composer)
translated version of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
part of:
I pescatori di perle
3:23
20Un Dì All'Azzurro Spazio
3:44
▼ CD 2
#TitleRatingLength
1Vesti La Giubba
3:08
2O Mimi, Tu Più Non Torni
3:00
3Bella Figlia Dell' Amore
baritone vocals:
Antonio Scotti (Italian baritone) (on 1908-02-03)
mezzo-soprano vocals:
Gina Severina (mezzo-soprano) (on 1908-02-03)
soprano vocals:
Marcella Sembrich (Polish coloratura soprano, Prakseda Marcelina Kochańska) (on 1908-02-03)
tenor vocals:
Enrico Caruso (tenor) (on 1908-02-03)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1908-02-03)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (on 1908-02-03)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
3:58
4Deserto in Terra
tenor vocals:
Enrico Caruso (tenor) (on 1908-01-10)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1908-01-10)
recording of:
Don Sebastiano: "Deserto in terra" (on 1908-01-10)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Eugène Scribe
4:19
5Chi Mi Frena in Tal Momento?
baritone vocals:
Francesco Daddi (on 1908-02-03) and Antonio Scotti (Italian baritone) (on 1908-02-03)
bass vocals:
Marcel Journet (French operatic bass) (on 1908-02-03)
mezzo-soprano vocals:
Gina Severina (mezzo-soprano) (on 1908-02-03)
soprano vocals:
Marcella Sembrich (Polish coloratura soprano, Prakseda Marcelina Kochańska) (on 1908-02-03)
tenor vocals:
Enrico Caruso (tenor) (on 1908-02-03)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1908-02-03)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (on 1908-02-03)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
4:01
6O Quanti Occhi Fisi
soprano vocals:
Geraldine Farrar (American soprano) (on 1908-03-10)
tenor vocals:
Enrico Caruso (tenor) (on 1908-03-10)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1908-03-10)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (on 1908-03-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I
3:39
7Addio, Dolce Svegliare Alla Mattina
baritone vocals:
Antonio Scotti (Italian baritone) (on 1908-03-10)
mezzo-soprano vocals:
Gina Viafora (mezzo-soprano) (on 1908-03-10)
soprano vocals:
Geraldine Farrar (American soprano) (on 1908-03-10)
tenor vocals:
Enrico Caruso (tenor) (on 1908-03-10)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1908-03-10)
recording of:
La bohème: Atto III. “Addio dolce svegliare alla mattina!” (Mimì, Rodolfo, Musetta, Marcello) (on 1908-03-10)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
3:28
8O Merveille!
bass vocals:
Marcel Journet (French operatic bass) (on 1910-01-16)
tenor vocals:
Enrico Caruso (tenor) (on 1910-01-16)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-01-16)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-01-16)
recording of:
Faust : Acte I. « À moi les plaisirs » … « Ô merveille » (Faust, Méphistophélès) (on 1910-01-16)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte I
3:37
9Seigneur Dieu, Que Vois-Je?
bass vocals:
Marcel Journet (French operatic bass) (on 1910-01-12)
mezzo-soprano vocals:
Gabrielle Lejeune-Gilibert (mezzo-soprano) (on 1910-01-12)
soprano vocals:
Geraldine Farrar (American soprano) (on 1910-01-12)
tenor vocals:
Enrico Caruso (tenor) (on 1910-01-12)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-01-12)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-01-12)
recording of:
Faust : Acte III. No. 15 Scène « Seigneur Dieu, que vois-je ! » (Marthe, Marguerite) (on 1910-01-12)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte III
4:30
10Eh! Quo! Toujours Seule?
bass vocals:
Marcel Journet (French operatic bass) (on 1910-01-12)
mezzo-soprano vocals:
Gabrielle Lejeune-Gilibert (mezzo-soprano) (on 1910-01-12)
soprano vocals:
Geraldine Farrar (American soprano) (on 1910-01-12)
tenor vocals:
Enrico Caruso (tenor) (on 1910-01-12)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-01-12)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-01-12)
recording of:
Faust : Acte III. No. 16 Quatuor « Prenez mon bras un moment ! » … « Eh quoi ! Toujours seule ? » (Faust, Marguerite, Méphistophélès, Marthe) (on 1910-01-12)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte III
4:02
11Il Se Fait Tard
soprano vocals:
Geraldine Farrar (American soprano) (on 1910-01-06)
tenor vocals:
Enrico Caruso (tenor) (on 1910-01-06)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-01-06)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-01-06)
recording of:
Faust : Acte III. No. 18 « Il se fait tard ! » … « Ô nuit d'amour » (Marguerite, Faust) (on 1910-01-06)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
4:06
12Eternelle? Oh Nuit D'Amour
soprano vocals:
Geraldine Farrar (American soprano) (on 1910-01-12)
tenor vocals:
Enrico Caruso (tenor) (on 1910-01-12)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-01-12)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-01-12)
recording of:
Faust : Acte III. No. 18 « Il se fait tard ! » … « Ô nuit d'amour » (Marguerite, Faust) (on 1910-01-12)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
3:45
13Que Voulez-Vous Messieurs?
3:30
14Mon Coeur Est Pénétré D'Épouvante
soprano vocals:
Geraldine Farrar (American soprano) (on 1910-01-12)
tenor vocals:
Enrico Caruso (tenor) (on 1910-01-12)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-01-12)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-01-12)
recording of:
Faust : Acte V. « Mon cœur est pénétré d’épouvante ! » (Faust) (on 1910-01-12)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
4:03
15Attends! Voici La Rue
soprano vocals:
Geraldine Farrar (American soprano) (on 1910-01-12)
tenor vocals:
Enrico Caruso (tenor) (on 1910-01-12)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-01-12)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-01-12)
recording of:
Faust : Acte V. « Marguerite » … « Ah ! C’est la voix du bien‐aimé » … « Oui, c’est, moi, je t’aime ! » … « Attends ! voici la rue » (Marguerite, Faust) (on 1910-01-12)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
3:12
16Faust: Alerte! Ou Vous Êtes Perdus!
bass vocals:
Marcel Journet (French operatic bass) (on 1910-01-16)
soprano vocals:
Geraldine Farrar (American soprano) (on 1910-01-16)
tenor vocals:
Enrico Caruso (tenor) (on 1910-01-16)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-01-16)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-01-16)
recording of:
Faust : Acte V. No. 31 « Alerte, alerte » … « Anges purs » (Méphistophélès, Marguerite, Faust, Chœur) (on 1910-01-16)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte V
2:50
17Student! Udite!
tenor vocals:
Enrico Caruso (tenor) (on 1910-03-14)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-03-14)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-03-14)
recording of:
Germania: Prologo. "Studenti, udite" (on 1910-03-14)
composer:
Alberto Franchetti
librettist:
Luigi Illica
part of:
Germania: Prologo
2:35
18No, No Chiuder Gli Occhi Vaghi
tenor vocals:
Enrico Caruso (tenor) (on 1910-03-14)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-03-14)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-03-14)
recording of:
Germania: Atto I. "Ah, vieni qui " ... "No, non chiuder gli occhi vaghi" (on 1910-03-14)
composer:
Alberto Franchetti
librettist:
Luigi Illica
part of:
Germania: Atto I
2:49
19Cielo E Mar
tenor vocals:
Enrico Caruso (tenor) (on 1910-03-14)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-03-14)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-03-14)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo) (on 1910-03-14)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
2:51
20Amore o Grillo
tenor vocals:
Enrico Caruso (tenor) (on 1910-03-14)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-03-14)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-03-14)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (on 1910-03-14)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
3:30
▼ CD 3
#TitleRatingLength
1Non Ve L'Avevo Detto?
3:48
2No! Pagliaccio Non Son
tenor vocals:
Enrico Caruso (tenor) (on 1910-12-28)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-12-28)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-12-28)
recording of:
Pagliacci: Atto II. “No, Pagliaccio non son” (Canio, Coro, Silvio, Nedda) (on 1910-12-28)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II
3:16
3Ora E Per Sempre Addio
2:19
4Siciliana: O Lola
2:44
5Mal Reggendo
3:39
6Se M'Ami Ancor. Ai Nostri Monti
4:27
7Già I Sacerdoti Adunansi
tenor vocals:
Enrico Caruso (tenor) (on 1910-12-29)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1910-12-29)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-12-29)
recording of:
Addio (on 1910-12-29)
composer:
Francesco Paolo Tosti (composer)
4:26
8Misero Appien Mi Festi
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:39
9Dì'Tu Se Fedele
choir vocals:
Metropolitan Opera Chorus (on 1911-11-19)
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-19)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-19)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-19)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro) (on 1911-11-19)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
2:59
10Io Non Ho Che Una Povera Stanzetta
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-26)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-26)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-26)
recording of:
La bohème: Atto II. “Io non ho che una povera stanzetta” (Marcello, Musette, Durand) (on 1911-11-26)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
La bohème: Atto II (Leoncavallo)
3:25
11Musette! O Gioia Della Mia Dimora!
3:27
12L'Importuna Insistenza. Quando Nascesti Tu
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-19)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-19)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-19)
recording of:
Lo schiavo: Atto II. "L'importuna insistenza" (on 1911-11-19)
composer:
Antônio Carlos Gomes (composer)
part of:
Lo schiavo: Atto II
4:14
13Invano, Alvaro Ti Celasti Al Mondo
baritone vocals:
Pasquale Amato (Italian operatic baritone) (on 1911-11-21)
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-21)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-21)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-21)
recording of:
La forza del destino: Atto IV, scena 1. “Invano, Alvaro ti celasti al mondo” … “Col sangue sol cancellasi l'infamia” (Alvaro, Don Carlo) (on 1911-11-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
3:56
14Le Minaccie, I Fieri Accenti
baritone vocals:
Pasquale Amato (Italian operatic baritone) (on 1911-11-21)
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-21)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-21)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-21)
recording of:
La forza del destino: Atto IV, scena 1. “Le minaccie, i fieri accenti” … “Ah, una suora me lasciasti” (Alvaro, Don Carlo) (on 1911-11-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
4:02
15Una Furtiva Lacrima
tenor vocals:
Enrico Caruso (tenor) (on 1911-11-26)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-11-26)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-11-26)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (on 1911-11-26)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
4:23
16Forse La Soglia Attinse. Ma Se M'è Forza Perderti!
tenor vocals:
Enrico Caruso (tenor) (on 1911-12-27)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-12-27)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-12-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (on 1911-12-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
4:20
17Je Suis Seul. Ah! Fuyez, Douce Image
tenor vocals:
Enrico Caruso (tenor) (on 1911-12-27)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1911-12-27)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-12-27)
recording of:
Manon: Acte III, Scène II. “Je suis seul !… Ah, fuyez, douce image” (des Grieux) (on 1911-12-27)
composer:
Jules Massenet (French Romantic composer) (in 1884)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
4:32
18Se Quel Guerrier Io Fossi... Celeste Aida
4:52
19Qual Voluttà Trascorrere
bass vocals:
Marcel Journet (French operatic bass) (on 1912-01-07)
soprano vocals:
Frances Alda (New Zealand-born, Australian-raised operatic soprano) (on 1912-01-07)
tenor vocals:
Enrico Caruso (tenor) (on 1912-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-01-07)
conductor:
Walter B. Rogers (American cornet player) (on 1912-01-07)
recording of:
I Lombardi: Atto III. N°14 Finale. Terzetto "Qual voluttà trascorrere" (Oronte, Pagano, Giselda) (on 1912-01-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto III (La conversione)
4:18
20Crucifix
recorded in:
New York, New York, United States (on 1912-01-07)
bass vocals:
Marcel Journet (French operatic bass) (on 1912-01-07)
tenor vocals:
Enrico Caruso (tenor) (on 1912-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-01-07)
conductor:
Walter B. Rogers (American cornet player) (on 1912-01-07)
recording of:
Le Crucifix (on 1912-01-07)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Jean-Baptiste Faure (in 1873)
publisher:
Heugel (in 1873)
3:46
▼ CD 4
#TitleRatingLength
1Siam Giunti, o Giovinette
bass vocals:
Marcel Journet (French operatic bass) (on 1912-01-07)
mezzo-soprano vocals:
Josephine Jacoby (mezzo-soprano) (on 1912-01-07)
soprano vocals:
Frances Alda (New Zealand-born, Australian-raised operatic soprano) (on 1912-01-07)
tenor vocals:
Enrico Caruso (tenor) (on 1912-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-01-07)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1912-01-07)
recording of:
Martha: Atto II. "Siam giuinti, o giovinette" (on 1912-01-07)
composer:
Friedrich von Flotow (composer)
translated version of:
Martha: Akt II. „Nur näher blöde Mädchen”
3:13
2Questa Camera È Per Voi!... Che Voul Dir Ciò
bass vocals:
Marcel Journet (French operatic bass) (on 1912-01-07)
mezzo-soprano vocals:
Josephine Jacoby (mezzo-soprano) (on 1912-01-07)
soprano vocals:
Frances Alda (New Zealand-born, Australian-raised operatic soprano) (on 1912-01-07)
tenor vocals:
Enrico Caruso (tenor) (on 1912-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-01-07)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1912-01-07)
recording of:
Martha: Atto II. "Questo camero è per voi!" (on 1912-01-07)
composer:
Friedrich von Flotow (composer)
3:39
3Presto, Presto Andiam
bass vocals:
Marcel Journet (French operatic bass) (on 1912-01-07)
mezzo-soprano vocals:
Josephine Jacoby (mezzo-soprano) (on 1912-01-07)
soprano vocals:
Frances Alda (New Zealand-born, Australian-raised operatic soprano) (on 1912-01-07)
tenor vocals:
Enrico Caruso (tenor) (on 1912-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-01-07)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1912-01-07)
recording of:
Martha: Atto II. "Presto, presto andiam" (on 1912-01-07)
composer:
Friedrich von Flotow (composer)
3:14
4T'Ho Raggiunta, Sciagurata!... Dormi Pur
4:29
5O Soave Fanciulla
3:47
6Domanda Al Ciel... Dio Che Nell'Anima Infondere
baritone vocals:
Antonio Scotti (Italian baritone) (on 1912-12-30)
tenor vocals:
Enrico Caruso (tenor) (on 1912-12-30)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-12-30)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1912-12-30)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (on 1912-12-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
3:21
7Manon! On L'Appelle Manon
4:11
8Agnus Dei
piano:
Gaetano Scognamiglio (conductor) (on 1913-02-24)
tenor vocals:
Enrico Caruso (tenor) (on 1913-02-24)
recording of:
Agnus Dei (on 1913-02-24)
composer:
Georges Bizet (composer)
arranger:
Ernest Guiraud
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
3:54
9Nr. 6: Pimpinella
2:57
10Elégie Op. 10
piano:
Percy B. Kahn (composer and pianist) (on 1913-03-20)
violin:
Mischa Elman (Russian-American violinist) (on 1913-03-20)
tenor vocals:
Enrico Caruso (tenor) (on 1913-03-20)
recording of:
Élégie (« Ô doux printemps d'autrefois … ») (for voice and piano) (on 1913-03-20)
lyricist:
Louis Gallet
composer:
Jules Massenet (French Romantic composer) (in 1873)
is based on:
Dix pièces de genre, op. 10: No. 5. Élégie jouée par les Erinnyes
4:02
11Ella Mi Fu Rapita!... Parmi Veder Le Lagrime
tenor vocals:
Enrico Caruso (tenor) (on 1913-02-24)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-02-24)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1913-02-24)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (on 1913-02-24)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
4:38
12Donna Non Vidi Mai
tenor vocals:
Enrico Caruso (tenor) (on 1913-02-24)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-02-24)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1913-02-24)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (on 1913-02-24)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
2:51
13Lasciati Amar
3:01
14Cuius Animam
recorded in:
New York, New York, United States (on 1913-12-15)
tenor vocals:
Enrico Caruso (tenor) (on 1913-12-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-12-15)
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (on 1913-12-15)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
4:40
15Addio Alla Madre
recorded in:
New York, New York, United States (on 1913-12-15)
tenor vocals:
Enrico Caruso (tenor) (on 1913-12-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-12-15)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre) (on 1913-12-15)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
4:01
16Les Rameaux
4:03
17Oh! Mostruosa Colpa! Sì, Per Ciel
4:45
18Sérénade de Don Juan
3:08
19Amici Miei... L'Anima Mia... La Rivedrà Nell'Estasi
recorded in:
New York, New York, United States (on 1914-04-03)
bass vocals:
Andrés de Segurola (Spanish operatic bass) (on 1914-04-03) and Léon Rothier (French musician, predominantly an opera singer in the bass range) (on 1914-04-03)
choir vocals:
Metropolitan Opera Chorus (on 1914-04-03)
soprano vocals:
Frieda Hempel (German soprano singer) (on 1914-04-03)
tenor vocals:
Enrico Caruso (tenor) (on 1914-04-03)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-04-03)
conductor:
Gaetano Scognamiglio (conductor) (on 1914-04-03)
chorus master:
Giulio Setti (conductor) (on 1914-04-03)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro) (on 1914-04-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
3:50
20E Scherzo Od È Follia
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
3:48
▼ CD 5
#TitleRatingLength
1Libiam Ne'Lieti Calici
choir vocals:
Metropolitan Opera Chorus (on 1914-04-20)
soprano vocals:
Alma Gluck (soprano) (on 1914-04-20)
tenor vocals:
Enrico Caruso (tenor) (on 1914-04-20)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-04-20)
conductor:
Giulio Setti (conductor) (on 1914-04-20)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (on 1914-04-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
3:08
2Sento Una Forza Indomita
choir vocals:
Metropolitan Opera Chorus (on 1914-04-20)
soprano vocals:
Emmy Destinn (soprano) (on 1914-04-20)
tenor vocals:
Enrico Caruso (tenor) (on 1914-04-20)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-04-20)
conductor:
Giulio Setti (conductor) (on 1914-04-20)
recording of:
Il Guarany: Atto I. Scena e duetto "Sento una forza indomita" (Pery, Cecilia) (on 1914-04-20)
composer:
Antônio Carlos Gomes (composer)
librettist:
Carlo D'Ormeville and Antonio Scalvini
part of:
Il Guarany: Atto I
4:31
3Parle-Moi de Ma Mère!
soprano vocals:
Frances Alda (New Zealand-born, Australian-raised operatic soprano)
tenor vocals:
Enrico Caruso (tenor) (on 1914-12-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-12-10)
conductor:
Walter B. Rogers (American cornet player) (on 1914-12-10)
recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (on 1914-12-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
4:45
4Ingemisco
tenor vocals:
Enrico Caruso (tenor) (on 1915-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1915-01-07)
conductor:
Walter B. Rogers (American cornet player) (on 1915-01-07)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) (on 1915-01-07)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
4:16
5Angelo Casto E Bel
tenor vocals:
Enrico Caruso (tenor) (on 1915-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1915-01-07)
conductor:
Walter B. Rogers (American cornet player) (on 1915-01-07)
recording of:
Il duca d'Alba: Atto IV. "Inosservato, penetrava in questo sacro recesso" ... "Angelo casto e bel" (Marcello) (on 1915-01-07)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Angelo Zanardini
part of:
Il duca d'Alba
3:47
6Ah! Tout Est Bien Fini!
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-05)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-05)
conductor:
Walter B. Rogers (American cornet player) (on 1916-02-05)
recording of:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel) (on 1916-02-05)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte III
part of:
Le Cid : Acte III
4:09
7Faiblesse de La Race Humaine!
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-05)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-05)
conductor:
Walter B. Rogers (American cornet player) (on 1916-02-05)
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States (on 1916-02-05)
recording of:
La Reine de Saba : Act II. “Faiblesse de la race humaine !” … “Inspirez-moi, race devine” (on 1916-02-05)
composer:
Charles Gounod (French composer)
part of:
La Reine de Saba
4:28
8O Figli... Ah, La Paterana Mano
3:22
9Vecchia Zimarra
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-23)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-23)
conductor:
Walter B. Rogers (American cornet player) (on 1916-02-23)
recording of:
La bohème: Atto IV. no. 24. “Vecchia zimarra, senti” (Colline, Schaunard) (on 1916-02-23)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (Puccini)
2:06
10Cantique de Noël
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-23)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-23)
conductor:
Walter B. Rogers (American cornet player) (on 1916-02-23)
recording of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”) (on 1916-02-23)
lyricist:
Placide Cappeau
composer:
Adolphe Adam (composer) (in 1847)
is based on:
Minuit, chrétiens (Poem)
4:14
11Sleale! Il Segreto Fu Dunque Violato!
tenor vocals:
Enrico Caruso (tenor)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s)
conductor:
Josef Pasternack (conductor)
recording of:
La forza del destino: Atto III, scena 2. “Oh, tradimento! Sleale! Il segreto fu dunque violato?” (Alvaro, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
4:14
12Je Viens Cèlèbrer La Victoire
tenor vocals:
Enrico Caruso (tenor)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s)
conductor:
Josef Pasternack (conductor)
3:34
13Venti Scudi
tenor vocals:
Enrico Caruso (tenor)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s)
conductor:
Josef Pasternack (conductor)
4:09
14Mia Piccirella
3:44
15Ombra Mai Fu
4:13
16Rachel, Quand Du Seigneur
tenor vocals:
Enrico Caruso (tenor) (in 1920)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (in 1920)
conductor:
Josef Pasternack (conductor) (in 1920)
recording of:
La Juive: Acte IV: "Rachel, quand du Seigneur" (Eleazar) (in 1920)
composer:
Fromental Halévy (composer)
librettist:
Eugène Scribe
part of:
La Juive: Acte IV
4:27
17Deh, Ch'Io Ritorni
tenor vocals:
Enrico Caruso (tenor)
4:03
18Bois Épais
tenor vocals:
Enrico Caruso (tenor)
3:06
19Domine Deus
tenor vocals:
Enrico Caruso (tenor) (in 1920)
orchestra:
RCA Victor Symphony Orchestra (in 1920)
conductor:
Josef Pasternack (conductor) (in 1920)
recording of:
Petite Messe solennelle: II. Gloria: Domine Deus (T - tenor solo) (in 1920)
composer:
Gioachino Rossini (composer) (in 1863)
part of:
Petite Messe solennelle
4:32
20Crucifixus
recording of:
Petite Messe solennelle: III. Credo: Crucifixus (S - soprano solo)
composer:
Gioachino Rossini (composer) (in 1863)
part of:
Petite Messe solennelle
3:09

Credits

Release group

part of:Deja Vu Definite Gold (order: 2)