Requiem 1605: Officium Defunctorum

~ Release by Tomás Luis de Victoria; The Sixteen, Harry Christophers (see all versions of this release, 1 available)

Tracklist

▼ SACD 1
#TitleArtistRatingLength
1Salve Regina
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Salve Regina (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria10:01
2Ave Regina caelorum a 5
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Ave Regina caelorum a 5 (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1572)
Tomás Luis de Victoria4:22
3Nigra sum
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Nigra sum (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria3:48
4Quam pulchri sunt
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Quam pulchri sunt (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria3:56
5Trahe me post te
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Trahe me post te (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria3:16
6Ave Regina caelorum a 8
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Ave Regina caelorum a 8 (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1581)
Tomás Luis de Victoria3:41
7Taedet animam meam
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Requiem Officium Defunctorem: Taedet animam meam (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria4:10
8Missa pro defunctis a 6: I. Introit
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Requiem Officium Defunctorem: Introitus: Requiem aeternam (from 2005-04-25 until 2005-04-27)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria5:09
9Missa pro defunctis a 6: II. Kyrie
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Requiem Officium Defunctorem: Kyrie (from 2005-04-25 until 2005-04-27)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:16
10Missa pro defunctis a 6: III. Gradual
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Requiem Officium Defunctorem: Graduale: Requiem aeternam (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:13
11Missa pro defunctis a 6: IV. Offertory
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Requiem Officium Defunctorem: Offerorium: Domine Iesu Christe (from 2005-04-25 until 2005-04-27)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria5:03
12Missa pro defunctis a 6: V. Sanctus & Benedictus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Requiem Officium Defunctorem: Sanctus & Benedictus (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:50
13Missa pro defunctis a 6: VI. Agnus Dei I, II, III
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Requiem Officium Defunctorem: Agnus Dei (from 2005-04-25 until 2005-04-27)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:56
14Missa pro defunctis a 6: VII. Communion
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Requiem Officium Defunctorem: Communio: Lux aeterna (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria4:08
15Missa pro defunctis a 6: VIII. Funeral motet "Versa est in luctum"
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Requiem Officium Defunctorem: Motectum: Versa est in luctum (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria4:04
16Missa pro defunctis a 6: IX. Responsory "Libera me"
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 2005-04-25 until 2005-04-27)
conductor:
Harry Christophers (conductor) (from 2005-04-25 until 2005-04-27)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2005-04-25 until 2005-04-27)
recording of:
Responsory "Libera me, Domine" (from 2005-04-25 until 2005-04-27)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria8:58