# | Title | Artist | Rating | Length |
---|
1 | Starman- sound engineer:
- Dennis MacKay
- producer:
- David Bowie and Ken Scott
- 12 string guitar, handclaps and lead vocals:
- David Bowie (on 1972-02-04)
- acoustic guitar, electric guitar, piano and background vocals:
- Mick Ronson (on 1972-02-04)
- bass guitar:
- Trevor Bolder (on 1972-02-04)
- drums (drum set):
- Mick Woodmansey (on 1972-02-04)
- arranger:
- David Bowie and Mick Ronson
- phonographic copyright (℗) by:
- RCA Corporation (in 1972), Jones Music (in 1990) and Mainman S.A. (in 1990)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (on 1972-02-04)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- recording of:
- Starman (on 1972-02-04)
- lyricist and composer:
- David Bowie
- publisher:
- BMG Blue, BMG Rights Management (UK) Limited , Chrysalis Music Group Inc., Chrysalis Music Ltd. , EMI Music Publishing Ltd. , RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
| David Bowie | 4.8 | 4:16 |
2 | Sweetest Thing- additional recording engineer:
- Steve Harris
- recording engineer:
- Pat McCarthy and Joe O’Herlihy
- producer:
- Brian Eno, Daniel Lanois and Steve Lillywhite
- mixer:
- Steve Harris
- bass guitar:
- Adam Clayton
- drums (drum set) and percussion:
- Larry Mullen, Jr.
- guitar:
- The Edge
- strings:
- Nicola Cleary, Nicholas Milne, Aengus O’Connor and Una O’Kane
- lead vocals:
- Bono
- strings arranger:
- Daragh O’Toole
- phonographic copyright (℗) by:
- PolyGram International Music B.V. (in 1998)
- recording of:
- Sweetest Thing
- lyricist:
- Bono
- composer:
- Bono , Adam Clayton, The Edge and Larry Mullen, Jr.
- publisher:
- Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc. and Universal Music Publishing B.V.
| U2 | 3.25 | 3:00 |
3 | Sweet Dreams (Are Made of This) | Eurythmics | 4.5 | 4:50 |
4 | Regret | New Order | 3.6 | 4:07 |
5 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Whitechapel, Tower Hamlets, London , England, United Kingdom
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4.5 | 4:18 |
6 | Let Me Entertain You | Robbie Williams | | 3:28 |
7 | Caroline | Status Quo | | 3:41 |
8 | Amateur Hour | Sparks | | 3:31 |
9 | Teenage Kicks | The Undertones | 4.65 | 2:25 |
10 | Rotterdam (or Anywhere) | The Beautiful South | 4 | 3:22 |
11 | Father and Son | Cat Stevens | 4.25 | 3:38 |
12 | Here Comes My Baby | The Mavericks | 4 | 3:10 |
13 | Turn It On Again- producer:
- Genesis and David Hentschel
- recorded at:
- Polar Studios in Stockholm, Stockholms län, Sweden (from 1979-11 until 1979-12)
- recording of:
- Turn It On Again (from 1979-11 until 1979-12)
- lyricist:
- Mike Rutherford
- composer:
- Tony Banks , Phil Collins and Mike Rutherford
- publisher:
- Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH , Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Anthony Banks Ltd. (from 1980 to present) and Philip Collins Ltd. (from 1980 to present)
| Genesis | | 3:45 |
14 | Stuck in the Middle With You | Stealers Wheel | 4.05 | 3:23 |
15 | Real Gone Kid | Deacon Blue | 5 | 4:02 |
16 | I Don’t Like Mondays | The Boomtown Rats | 4.45 | 4:15 |
17 | Come On Eileen | Dexys Midnight Runners | 4.15 | 4:06 |
18 | There She Goes | The La’s | 3.95 | 2:41 |
19 | Sunflower | Paul Weller | 2 | 4:07 |
20 | Whole Lotta Love | CCS | 5 | 3:28 |