| # | Title | Rating | Length |
|---|
| 1 | Chasing Sheep Is Best Left to Shepherds- assistant engineer:
- Brad Grisdale, Dave Hunt , Steve Smith and Bob Zimbler
- engineer:
- Martin Rex
- producer:
- David Cunningham
- alto saxophone:
- John Harle and Ian Mitchell
- baritone saxophone:
- Andy Findon
- bass:
- Malcolm Bennett
- bass clarinet and clarinet:
- Ian Mitchell
- bass trombone and euphonium:
- Steve Saunders
- double bass:
- Barry Guy
- harpsichord and piano:
- Michael Nyman
- soprano saxophone:
- John Harle
- tenor saxophone:
- John Harle and Keith Thompson
- violin:
- Alexander Bălănescu and Elisabeth Perry
- performer:
- Michael Nyman Band
- engineered at:
- Berry Street Studio in Islington, London , England, United Kingdom and Studio 80 in London , England, United Kingdom
- produced at:
- The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
- recording of:
- Chasing Sheep Is Best Left to Shepherds
- composer:
- Michael Nyman
- part of:
- The Draughtman’s Contract
- recording of:
- Chasing Sheep Is Best Left to Shepherds
- composer:
- Michael Nyman (in 1982)
- publisher:
- Première Music Group (in 1982)
- is based on:
- King Arthur, Z. 628: Act III. Prelude
| | 2:35 |
| 2 | The Disposition of the Linen- assistant engineer:
- Brad Grisdale, Dave Hunt , Steve Smith and Bob Zimbler
- engineer:
- Martin Rex
- producer:
- David Cunningham
- alto saxophone:
- John Harle and Ian Mitchell
- baritone saxophone:
- Andy Findon
- bass:
- Malcolm Bennett
- bass clarinet and clarinet:
- Ian Mitchell
- bass trombone and euphonium:
- Steve Saunders
- double bass:
- Barry Guy
- harpsichord and piano:
- Michael Nyman
- soprano saxophone:
- John Harle
- tenor saxophone:
- John Harle and Keith Thompson
- violin:
- Alexander Bălănescu and Elisabeth Perry
- performer:
- Michael Nyman Band
- engineered at:
- Berry Street Studio in Islington, London , England, United Kingdom and Studio 80 in London , England, United Kingdom
- produced at:
- The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
| | 4:49 |
| 3 | A Watery Death- assistant engineer:
- Brad Grisdale, Dave Hunt , Steve Smith and Bob Zimbler
- engineer:
- Martin Rex
- producer:
- David Cunningham
- alto saxophone:
- John Harle and Ian Mitchell
- baritone saxophone:
- Andy Findon
- bass:
- Malcolm Bennett
- bass clarinet and clarinet:
- Ian Mitchell
- bass trombone and euphonium:
- Steve Saunders
- double bass:
- Barry Guy
- harpsichord and piano:
- Michael Nyman
- soprano saxophone:
- John Harle
- tenor saxophone:
- John Harle and Keith Thompson
- violin:
- Alexander Bălănescu and Elisabeth Perry
- performer:
- Michael Nyman Band
- engineered at:
- Berry Street Studio in Islington, London , England, United Kingdom and Studio 80 in London , England, United Kingdom
- produced at:
- The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
| | 3:34 |
| 4 | The Garden Is Becoming a Robe Room- assistant engineer:
- Brad Grisdale, Dave Hunt , Steve Smith and Bob Zimbler
- engineer:
- Martin Rex
- producer:
- David Cunningham
- alto saxophone:
- John Harle and Ian Mitchell
- baritone saxophone:
- Andy Findon
- bass:
- Malcolm Bennett
- bass clarinet and clarinet:
- Ian Mitchell
- bass trombone and euphonium:
- Steve Saunders
- double bass:
- Barry Guy
- harpsichord and piano:
- Michael Nyman
- soprano saxophone:
- John Harle
- tenor saxophone:
- John Harle and Keith Thompson
- violin:
- Alexander Bălănescu and Elisabeth Perry
- performer:
- Michael Nyman Band
- engineered at:
- Berry Street Studio in Islington, London , England, United Kingdom and Studio 80 in London , England, United Kingdom
- produced at:
- The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
| | 6:07 |
| 5 | Queen of the Night- assistant engineer:
- Brad Grisdale, Dave Hunt , Steve Smith and Bob Zimbler
- engineer:
- Martin Rex
- producer:
- David Cunningham
- alto saxophone:
- John Harle and Ian Mitchell
- baritone saxophone:
- Andy Findon
- bass:
- Malcolm Bennett
- bass clarinet and clarinet:
- Ian Mitchell
- bass trombone and euphonium:
- Steve Saunders
- double bass:
- Barry Guy
- harpsichord and piano:
- Michael Nyman
- soprano saxophone:
- John Harle
- tenor saxophone:
- John Harle and Keith Thompson
- violin:
- Alexander Bălănescu and Elisabeth Perry
- performer:
- Michael Nyman Band
- engineered at:
- Berry Street Studio in Islington, London , England, United Kingdom and Studio 80 in London , England, United Kingdom
- produced at:
- The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
| | 6:10 |
| 6 | An Eye for Optical Theory- assistant engineer:
- Brad Grisdale, Dave Hunt , Steve Smith and Bob Zimbler
- engineer:
- Martin Rex
- producer:
- David Cunningham
- alto saxophone:
- John Harle and Ian Mitchell
- baritone saxophone:
- Andy Findon
- bass:
- Malcolm Bennett
- bass clarinet and clarinet:
- Ian Mitchell
- bass trombone and euphonium:
- Steve Saunders
- double bass:
- Barry Guy
- harpsichord and piano:
- Michael Nyman
- soprano saxophone:
- John Harle
- tenor saxophone:
- John Harle and Keith Thompson
- violin:
- Alexander Bălănescu and Elisabeth Perry
- performer:
- Michael Nyman Band
- engineered at:
- Berry Street Studio in Islington, London , England, United Kingdom and Studio 80 in London , England, United Kingdom
- produced at:
- The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
- recording of:
- An Eye for Optical Theory (in 1982)
- composer:
- Michael Nyman (in 1982)
- publisher:
- Première Music Group (in 1982)
- is based on:
- Ground in C minor, ZD. 221
| | 5:12 |
| 7 | Bravura in the Face of Grief- assistant engineer:
- Brad Grisdale, Dave Hunt , Steve Smith and Bob Zimbler
- engineer:
- Martin Rex
- producer:
- David Cunningham
- alto saxophone:
- John Harle and Ian Mitchell
- baritone saxophone:
- Andy Findon
- bass:
- Malcolm Bennett
- bass clarinet and clarinet:
- Ian Mitchell
- bass trombone and euphonium:
- Steve Saunders
- double bass:
- Barry Guy
- harpsichord and piano:
- Michael Nyman
- soprano saxophone:
- John Harle
- tenor saxophone:
- John Harle and Keith Thompson
- violin:
- Alexander Bălănescu and Elisabeth Perry
- performer:
- Michael Nyman Band
- engineered at:
- Berry Street Studio in Islington, London , England, United Kingdom and Studio 80 in London , England, United Kingdom
- produced at:
- The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
| | 12:12 |
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