20th Century Masters: The Millennium Collection: The Best of the 60s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Series/20thCenturyMasters

Annotation last modified on 2008-04-03 17:28 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1My Boyfriend’s Back
recording of:
My Boyfriend’s Back
writer:
Bob Feldman (of The Strangeloves), Jerry Goldstein and Richard Gottehrer (American songwriter and music executive)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and EMI Music (do not use as release label! this is a music publisher)
sub-publisher:
フジパシフィックミュージック SBK事業部
The Angels2:37
2My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Temptations4.452:57
3Rescue Me
producer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (Songwriter and producer)
lead vocals:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (Songwriter and producer)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass4.52:57
4California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan
solo alto flute:
Bud Shank
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Mamas & the Papas4.452:41
5You Can’t Hurry Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
You Can’t Hurry Love
lyricist:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Supremes2:52
6Somebody to Love
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
vocals:
Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Irving Music (BMI), Rondor Music, Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.652:59
7Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
Procol Harum4.14:01
8What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 171)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. and Range Road Music Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.82:18
9With a Little Help From My Friends
producer:
Denny Cordell
mixer:
Tony Visconti
bass guitar:
Chris Stainton
drums (drum set):
Barrie James Wilson
guitar:
Jimmy Page
organ:
Tommy Eyre
background vocals:
Madeline Bell, Rosetta Hightower and Sunny Weetman
part of:
New York Post: 100 Greatest Covers (2007) (number: 86)
cover recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (from 1967 to present) and Northern Songs Ltd. (in 1967)
Joe Cocker3.64:56
10I Heard It Through the Grapevine
producer:
Norman Whitfield
drums (drum set):
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10) and Uriel Jones (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
organ:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 119)
recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye3.93:15
11Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Tyler Music Ltd.
The Moody Blues4.454:29
12Born to Be Wild
producer:
Gabriel Mekler
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music Canada, Songs of Universal, Inc., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Steppenwolf4.153:29

Credits

Release

art direction:Laura Graven
Vartan (art direction)
liner notes:Sal Nunziato (in 2000-06)
miscellaneous support:Laura Graven (task: project coordination)
producer:Dana G. Smart
mastering:David Schultz
compiler:Dana Smart
Pat Lawrence
Mike Ragogna
design:Barbie Insua
distributed by:Universal Music & Video Distribution, Inc. (not for release label use! distributor/manufacturer, renamed as Universal Music & Video Distribution, Corp. on 2000-05-01)
copyrighted (©) by and phonographic copyright (℗) by:Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2000)
mastered at:DigiPrep Mastering in Los Angeles, California, United States
manufactured at:Matsushita Universal Media Services in Pinckneyville, Illinois, United States
Discogs:https://www.discogs.com/release/9227369 [info]
ASIN:US: B00004WF5H [info]

Release group

part of:20th Century Masters: The Millennium Collection (release groups) (order: 55)