Crosscurrents

~ Release by Bill Evans Trio with Lee Konitz & Warne Marsh (see all versions of this release, 5 available)

Tracklist

CD 1
#TitleRatingLength
1Eiderdown
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Eiderdown (from 1977-02-28 until 1977-03-02)
composer:
Steve Swallow
publisher:
Blue Horizon Music
8:21
2Ev'ry Time We Say Goodbye
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
Ev’ry Time We Say Goodbye (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:32
3Pensativa
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Pensativa (from 1977-02-28 until 1977-03-02)
composer:
Clare Fischer
publisher:
Amestoy Music
5:39
4Speak Low
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
One Touch of Venus: Speak Low (from 1977-02-28 until 1977-03-02)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus
6:34
5When I Fall in Love
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
When I Fall in Love (from 1977-02-28 until 1977-03-02)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:19
6Night and Day
recording engineer:
Phil Kaffel (from 1977-02-28 until 1977-03-02)
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Harms, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell and WB Music Corp. (1929-2019)
part of:
Gay Divorce
6:07
7Eiderdown (take 9)
engineer:
Phil Kaffel
producer:
Helen Keane
mixer:
Danny Kopelson (in 1992-06)
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (in 1992-06)
recording of:
Eiderdown (from 1977-02-28 until 1977-03-02)
composer:
Steve Swallow
publisher:
Blue Horizon Music
5:38
8Ev'ry Time We Say Goodbye (take 7)
engineer:
Phil Kaffel
producer:
Helen Keane
mixer:
Danny Kopelson (in 1992-06)
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (in 1992-06)
instrumental recording of:
Ev’ry Time We Say Goodbye (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:31
9Night and Day (take 9)
engineer:
Phil Kaffel
producer:
Helen Keane
mixer:
Danny Kopelson (in 1992-06)
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (in 1992-06)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Harms, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell and WB Music Corp. (1929-2019)
part of:
Gay Divorce
7:05

Credits

Release

printed in:United States
art direction:Phil Carroll
photography:Phil Bray
liner notes:Helen Keane
remastering:Phil De Lancie (in 1992)
design:Phil Carroll
Georgia Gillfillan
copyrighted (©) by:Fantasy, Inc. (not for release label use!) (in 1978, in 1992)
phonographic copyright (℗) by:Fantasy, Inc. (not for release label use!) (in 1992)
remastered at:Fantasy Studios (Berkeley) in Berkeley, California, United States (in 1992)
Discogs:https://www.discogs.com/release/3041177 [info]