# | Title | Rating | Length |
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1 | The Bad Beginning- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- The Bad Beginning
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 3:20 |
2 | Chez Olaf- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Chez Olaf
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 3:12 |
3 | The Baudelaire Orphans- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- The Baudelaire Orphans
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:32 |
4 | In Loco Parentis- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- In Loco Parentis
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 1:27 |
5 | Resilience- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Resilience
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:31 |
6 | The Reptile Room- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- The Reptile Room
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 1:36 |
7 | An Unpleasant Incident Involving a Train- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- An Unpleasant Incident Involving a Train
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 4:52 |
8 | Curdled Cave- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Curdled Cave
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:04 |
9 | Puttanesca- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Puttanesca
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:41 |
10 | Curious Feeling of Falling- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Curious Feeling of Falling
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 1:46 |
11 | Regarding the Incredibly Deadly Viper- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Regarding the Incredibly Deadly Viper
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:34 |
12 | The Marvelous Marriage- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- The Marvelous Marriage
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 0:53 |
13 | Lachrymose Ferry- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Lachrymose Ferry
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 0:38 |
14 | Concerning Aunt Josephine- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Concerning Aunt Josephine
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:09 |
15 | VFD- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- VFD
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 1:12 |
16 | The Wide Window- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- The Wide Window
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 1:12 |
17 | Cold as Ike- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Cold as Ike
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:45 |
18 | Hurricane Herman- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Hurricane Herman
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:18 |
19 | Snaky Message- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Snaky Message
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:32 |
20 | The Regrettable Episode of the Leeches- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- The Regrettable Episode of the Leeches
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:45 |
21 | Interlude With Sailboat- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Interlude With Sailboat
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 1:04 |
22 | Verisimilitude- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Verisimilitude
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:17 |
23 | Loverly Spring- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Loverly Spring
- orchestrator:
- Thomas Pasatieri
- lyricist:
- Bill Bernstein
- composer:
- Thomas Newman
| | 1:51 |
24 | A Woeful Wedding- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- A Woeful Wedding
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 3:21 |
25 | Attack of the Hook-Handed Man- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Attack of the Hook-Handed Man
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:23 |
26 | Taken by Surpreeze- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Taken by Surpreeze
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 2:03 |
27 | One Last Look- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- One Last Look
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 1:41 |
28 | The Letter That Never Came- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- The Letter That Never Came
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 4:14 |
29 | Drive Away- recording engineer:
- Armin Steiner and Tommy Vicari
- producer:
- Bill Bernstein and Thomas Newman
- mixer:
- Tommy Vicari
- assistant editor:
- Mike Zainer
- editor:
- Bill Bernstein
- conductor:
- Thomas Newman
- orchestrator:
- Thomas Pasatieri
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment
- recorded at:
- Fox Newman Scoring Stage in Century City, Los Angeles, California, United States, Signet Sound Studios in Los Angeles, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States
- recording of:
- Drive Away
- orchestrator:
- Thomas Pasatieri
- composer:
- Thomas Newman
| | 5:05 |