Ghost Ship

~ Release by John Frizzell (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#	Title	Rating	Length
1	The Discovery recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: The Discovery orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:56
2	Falling Apart recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Falling Apart orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:55
3	The Arctic Warrior recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: The Arctic Warrior orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:39
4	The Deal recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: The Deal orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		3:16
5	The Antonia Graza recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: The Antonia Graza orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		3:20
6	Welcome Aboard recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Welcome Aboard orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:55
7	How's It Going Up There? recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: How's It Going Up There? orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		0:58
8	Falling Through recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Falling Through orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		0:57
9	Touring the Ship recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Touring the Ship orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		2:16
10	The Marie Celeste recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: The Marie Celeste orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:37
11	I Saw a Little Girl recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: I Saw a Little Girl orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:46
12	No Unexpected Guests recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: No Unexpected Guests orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		2:13
13	Bullet Holes recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Bullet Holes orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:11
14	Cabina Di Capitano recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Cabina Di Capitano orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		0:59
15	Katie Appears recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Katie Appears orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:48
16	Meeting the Captain recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Meeting the Captain orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		2:45
17	The Bodies recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: The Bodies orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:25
18	Francesca Appears recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Francesca Appears orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:30
19	The Freezer recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: The Freezer orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:11
20	Finding Gold recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Finding Gold orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:32
21	Work to Do recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Work to Do orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:55
22	Santos Dies recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Santos Dies orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:24
23	My Little Box producer: John Frizzell (American score composer) mixer: Steve Durkee performer: Gabriel Mann recording of: My Little Box lyricist: Gabriel Mann composer: John Frizzell (American score composer), Micha Liberman and Gabriel Mann		4:08
24	Go to Hell recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Go to Hell orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:56
25	Bon Appetite recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Bon Appetite orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:59
26	Katie's Dolls recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Katie's Dolls orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:23
27	The Ballroom Reverts recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: The Ballroom Reverts orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:38
28	Francesca's Theme recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Francesca's Theme orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:02
29	Epps Meets Katie recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Epps Meets Katie orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:46
30	Survivor recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Survivor orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:14
31	Katie Disappears recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Katie Disappears orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:15
32	The Fight recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: The Fight orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		2:35
33	Repairs recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Repairs orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:30
34	Underwater recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Underwater orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		2:01
35	Greer's Body recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Greer's Body orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:00
36	Murphy's Body recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: Murphy's Body orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		1:20
37	I Guess It's Over recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: I Guess It's Over orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		5:34
38	The Graza Explodes recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: The Graza Explodes orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		0:41
39	The Souls Ascend recording engineer and mixer: Rick Winquest assistant engineer: Erik Jordan (engineer) and Mark Tucker (engineer) engineer: Tom Trafalski co-producer: Tom Trafalski producer: John Frizzell (American score composer) assistant editor: Doug Taylor (editor) editor: Tommy Lockett conductor: Nick Ingman orchestrator: Frank Bennett (percussionist and arranger) phonographic copyright (℗) by: Warner Bros. (holding: File NO Releases) recorded at: Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom recording of: The Souls Ascend orchestrator: Frank Bennett (percussionist and arranger) and Andrew Kinney composer: John Frizzell (American score composer)		3:24

Credits

Release

producer:	John Frizzell (American score composer)
mastering:	Erick Labson
conductor:	Nick Ingman

ASIN:	US: B00006WL42 [info]

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Discogs:	https://www.discogs.com/master/1339048 [info]
IMDb:	https://www.imdb.com/title/tt0288477/ [info]
Wikidata:	Q65066258 [info]

Ghost Ship

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